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Entries in Korean Cinema (10)

Sunday
Sep102023

TIFF '23: "Concrete Utopia" is an earth-shaking blockbuster parable

by Cláudio Alves

Genre cinema has long been the home of social critique through allegory. Think back to Godzilla's reflection on Japan's atomic trauma or Night of the Living Dead's invention of the zombie movie as the place to study civilization's collapse. South Korea's new Oscar submission, Concrete Utopia, follows the tradition. Though, here, you'll find no Romero undead or radioactive kaiju to distract and reflect human folly at the viewer. Instead, Tae-hwa Eom's latest tackles the precepts of the disaster flick with a dash of post-apocalyptic dystopia, showing Humanity's self-made ruin in the aftermath of a massive earthquake that renders Seoul a wasteland…

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Sunday
Jul172022

28 Years, 28 Films

by Cláudio Alves

It was on July 17th, 1994, when a most foul thing happened. In Lisbon, a baby was born destined to become an insufferable cinephile full of opinions and costume design trivia swilling around in his chronically depressed mind. That unfortunate creature was me, and today I celebrate my 28th birthday. Inspired by Nathaniel and Tim Brayton, I decided to mark the occasion with a special list that fully displays my movie passions. With a film for each year, this collection comprises titles that mean something to me, for one reason or another. Of course, they're not these years' best cinematic achievements, nor are they my outright favorites. However, I have a special place in my heart, in my memories, for them all. So come explore my life through a personal film odyssey and maybe get to know me better…

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Wednesday
May252022

Cannes at Home: Day 7 – Death to Reality!

by Cláudio Alves

Park Chan-wook and David Cronenberg have arrived. Livening up the 75th Cannes Film Festival, the two auteurs debuted new works, prompting many to sing their hosannas in reverent tones. The Film Experience's own Elisa Giudici has declared Decision to Leave the film of the festival, a sentiment shared by many critics who've celebrated the picture's surprising romanticism and Tang Wei's performance. Cronenberg's Crimes of the Future was less ecstatically received, but the reactions are still positive. The verdict is that the film is less shocking than advertised but more elegiac in tone. Nevertheless, as the director predicted, multiple spectators walked out before the end credits rolled.

While anticipating these filmmakers' new offerings, let's remember their past works – Thirst's sicko love story and eXistenZ's visions of a violent future…

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Sunday
Feb022020

Parasite's Architectural Storytelling

by Cláudio Alves

This year's Oscar nominations weren't particularly rich in surprises, positive or otherwise. Still, there are plenty of things to be ecstatic about like the Best Production Design nomination for Bong Joon-ho's Parasite. It's relatively unusual to see non-anglophone films score nods outside the Best International category and even rarer for the Academy's design branch to recognize excellence in contemporary narratives. Usually, period movies, sci-fi adventures and fantasy extravaganzas are de rigueur choices in these categories. However, the Korean masterpiece turned awards season juggernaut was able to overcome whatever prejudices the Academy might have and score a very deserved nod for the work of production designer Ha-jun Lee and set decorator Won-woo Cho.

With that in mind, let's celebrate this miracle of design, an essential element for a film about class in which social hierarchies are materialized in architecture…

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Friday
Jan242020

The Miraculous Power of a Perfect Montage

by Cláudio Alves

Sometimes you can forget why you love cinema so much. The world gets you down and it's like nothing can bring you up to the light, rolling clouds of cinematic mediocrity make it even difficult to remember there was a light to start with. Before you know it, going to the movies is more like a chore than a pleasure. If you give in to despondency, those belabored affirmations of the death of cinema may start to ring true. But are they?

No. We know this because even in the darkest times, there are small miracles that prove cinema is alive and thriving. Parasite is one of those miracles.

Allow me to elaborate on a bit of recent personal history. At the beginning of last summer, after hitting an emotional roadblock and getting to a point I couldn't function anymore, I finally looked for professional help...

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