Golden Horse Nominations for 2024

by Nathaniel R

Oops, we're late reporting this one. We love following the Golden Horse Awards which give us insight into both Asian cinema as viewed by Asian cineastes and the Oscar race since the nominees here are often a mix of Oscar submissions from the current Oscar race and the next one (given the different calendar requirements). For instance last year's Golden Horse Awards featured one 2023 Oscar submission: Marry My Dead Body (Thailand) and at least two 2024 Oscar submissions: Abang Adik (Malaysia) and Old Fox (Taiwan). Here are the nominees for the upcoming ceremony (November 23rd, 2024). 

We only spot one Oscar contender in this year's list though (so far - AMPAS hasn't announced the official submission list. So it's possible our list of 86 submissions is slightly incomplete)  and given the release dates of some of the titles this list may be more predictive of next year's Oscar submissions in Best International Feature...

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Interview: Makeup artist Denise Kum on working with Gong Li and Mulan's epic battles

by Nathaniel R

Gong Li and Denise Kum on the set of Mulan

Mulan may have been released in September but some of its most memorable looks -- battle scarred villains, matchmaking painted faces, Gong Li's masked face and taloned hands, and Mulan's hair flowing in battle -- are still remarkably easy to conjure up with great clarity months later. We were thrilled to speak with its gifted makeup artist Denise Kum about her career and work on the Disney epic.

We spoke over Zoom while she was in Prague completing work on a World War II drama called Operation Mincemeat before diving into full fantasy with Amazon's forthcoming series The Wheel of Time based on Robert Jordan's bestsellers. Kum's work stretches from lush period pieces, through grounded dramas, to high fantasy and superhero franchises. She likes to genre hop. One consistent throughline in her work, though, is her frequent collaborators. "I've worked with Niki since I was very young," she says with obvious love for Mulan's director Niki Caro. Mulan was also a reunion with the costume designer Bina Daigeler who she's known for years and production Designer Grant Major "I've know him since I was, god, 18 or 19. He's actually the godfather of one of my daughters." This tight-knit filmmaking family's shorthand was helpful on Mulan though she's quick to add that "That's an unnatural situation for a film of this scale."

[this interview has been edited for length and clarity]

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592 Days Til "Mulan"

Production has begun on Disney's live action adaptation of Mulan starring Liu Yufei (pictured below) whose 31st birthday is in just two weeks time. So happy birthday to her as she hits the global stage. 

Curiously Disney says they conducted a 'year long search' for the lead as if they were going with an unknown but Liu Yufei has been a busy actor for over ten years now, first breaking out in Forbidden Kingdom (2008) starring Jackie Chan...

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Interview: Director Hong Khaou on "Lilting"

Director Hong Khaou on the set of "Lilting"

Jose here. Director Hong Khaou’s touching drama Lilting centers on the ways in which we deal with grief, filtered through two characters who are in pain over the loss of the same person but who can’t share this pain, because they don’t speak the same language. The death of Kai (Andrew Leung) leaves his Cambodian-Chinese mother Junn (Cheng Pei-pei) completely devastated, but little does she know that Kai’s boyfriend Richard (Ben Whishaw) is going through the same. As he tries to fulfill the protecting-role Kai would expect of him, he finds Junn to be reluctant to his attention.

Tenderly directed by Khaou, who with this makes his feature length directorial debut, Lilting is a quiet, yet poignant, chamber piece anchored by the subdued, beautiful performances of Cheng and Whishaw. Exploring themes of cultural shock, intolerance and rediscovering life’s worth, the film is one of the most unique portraits of love to be put on the screen this year. I spoke to director Khaou, who eloquently elaborated on the film’s origins, the process of making his first film and how his own upbringing shaped this project.

How did you decide that this would be your first feature film? Did you conceive it as a short originally?

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Monologue: Cheng Pei-pei in "Lilting"

Andrew here.

Last week’s BIFA nominations saw a mix of expected names and surprises, but the inclusion I was most excited for was the citation of the quiet, lovely performance of Cheng Pei Pei in Lilting. Lilting premiered in January at the Sundance Film Festival to good reviews but it’s the type of smaller film, one in a dozen each year, that seems destined to be forgotten by the time the year draws to a close. It’s a shame, because even when its story falters slightly Lilting remains a thoughtful, and affecting, piece.

Like a profound monologue Pei-Pei has towards the end of the film. Up to this point in Lilting, Hong Khaou (writer and director) has elongated the crisis of when Junn will find out that her dead son’s friend, Richard, who keeps visiting her at her convalescent home is actually his ex-lover. Though it threatens to lag in the middle, Lilting begins and ends with aplomb. The audience has been wondering just why Richard doesn’t just tell Junn the truth. And, in his final big scene as he explains to Junn, Whishaw is fantastic. And like mother oftentimes do, Junn reveals she already knew Kai was gay and launches into a monologue of her own.

“It’s pathetic for a mother to fight for her own son’s attention. I felt so jealous of you…”

It's not so much a justification for Junn's passive aggression towards Junn, so far but instead an essential glimpse into Junn – a lovely clarification of this heretofore inscrutable woman.

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