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Entries in Golden Horse Awards (12)

Thursday
Oct012015

Oscar Contender "The Assassin" Leads the Golden Horse Nominations

Nominations for the 52nd annual Golden Horse Awards have been announced with Taiwan's Oscar submission The Assassin leading the pack as well as netting arthouse favorite Hou Hsiao-Hsien a non-competitive statue for "Outstanding Taiwanese Filmmaker" to go along with his Best Director prize from Cannes earlier this year. The Assassin opens in limited US theatrical release on October 16th via Well Go entertainment. China's Oscar submission Wolf Totem, which is actually from animal-movie loving French director Jean-Jacques Annaud (!), only received 1 nomination for visual effects. The latter film is about a student living with Mongolian herders who adopts a wolf cub. 

Though The Assassin is likely to sweep the Golden Horses outside of acting (where only the ridiculously beautiful Shu Qi, Hou's regular muse, is nominated. No Chen Chang? Grrrr.) it's not the only big deal in Chinese languages cinema this year. Taiwan's Thanatos, Drunk, Hong Kong's popular crime thriller Port of Call, and China's acclaimed festival favorite Mountains May Depart also reaped several nominations. The event will be held on November 21st in Taipei. 

BEST FEATURE FILM

A complete list of nominations after the jump...

Click to read more ...

Wednesday
Feb182015

Best Live Action Short: Sally Hawkins Takes the Lead

Glenn here again, and as if yesterday’s look at the Best Documentary Short category didn’t prove it, there really aren’t any hard and fast rules when predicting the short categories. In live action short especially they go with serious issues, except when they don’t. They frequently go foreign, except when they don't. They're not overly thrilled with big stars or Hollywood directors, except when they are. It’s all a bit of a gamble, really. This year’s contenders, however, seem a little easier to decipher in terms of what has the potential to win and what hasn’t a hope in hell. Sorry, Butter Lamp, but I think that means you. You will always be my winner.

 

The Nominees:

Aya, dir. Oded Binnun and Mihal Brezis (40mins)
Boogaloo and Graham, dir. Michael Lennox and Ronan Blaney (14mins)
Butter Lamp (La Lampe au Beurre de Yak), dir. Hu Wei and Julien Féret (16mins)
Parvaneh, dir. Talkhon Hamzavi and Stefan Eichenberger (24mins)
The Phone Call, dir. Mat Kirkby and James Lucas (21mins)

Right now it seems pretty hard to look past The Phone Call given it stars an Oscar nominee (Sally Hawkins) and an Oscar winner (Jim Broadbent) and is emotional in ways that many will find belies its 20-minute runtime. Despite the curio factor of both doc and live action short Oscars potentially both going to films about suicide prevention hotline operators, I still feel rather confident over that prediction. It's certainly feels like a more complete film than, say, Boogaloo and Graham, which has wisps of nostalgia floating through its brief runtime and its cute children with pet chickens, but feels relatively light-weight compared to the rest (it gets to The Troubles right in its final shot, which seems like a more logical place to begin, but maybe that's just me).

I was a fan of Parvaneh about an Afghani girl in Switzerland and her friendship with a partying street kid, which feels like the most likely usurper to the throne given the Academy has shown an affinity towards films that bridge between the races. Maybe my hatred of the Israeli nominee Aya is clouding my judgement on that one, but what I do know for certain is that the best of an okay bunch is the sublime Butter Lamp, set in Tibet and focusing on a nomadic photographer who arrives in a village and who, in vignette form, has to deal with locals for whom photography isn't that common. It's wonderfully observed and it's an amazing example of how a film can thrill with restraint. I audibly gasped in the final shot despite it being so very simple. If it pulls a highly unlikely win out of the hat then I will scream with joy, but I think it's impressive festival haul (plus win at the Golden Horse Awards) will have to suffice.

Will Win: The Phone Call
Could Win: Parvaneh
Should Win: Butter Lamp

Sunday
Nov232014

Golden Horse Gets a "Blind Massage"

It's your annual report of the Oscars of the Chinese world, the 51st annual Golden Horse Awards. Unfortunately this year had little crossover in terms of what made it into US theaters. There's generally at least a few winners/nominees that opened in the US. This year only one as far as I can tell - the Oscar submission The Golden Era though the Gong Li vehicle Coming Home will be distributed by Sony Pictures Classics supposedly at some point. 

It was a big night for Lou Ye's Blind Massage, a rough night for acclaimed festival hit Black Coal Thin Ice and just your regular Saturday night for Ann Hui who took home her third (third!) Best Director prize for the Oscar submission The Golden Era. It wasn't a good year for the internationally recognizable acting contenders:  Tang Wei (The Golden Era) and Gong Li (Coming Home) lost to the woman with the lowest profile and Chang Chen (Brotherhood of Blades) lost Best Actor. As far am I'm aware

Full list of winners is after the jump...

Click to read more ...

Wednesday
Oct012014

The Golden Era at the Golden Horse Awards

You may recall that last year the Golden Horse celebrated its 50th year so it was a big big deal. All the stars of Chinese language cinema were out with all the living winners of the lead acting prizes prominently displayed on stage. Zhang Ziyi finally took home Best Actress for The Grand Master, a prize that had continually eluded her. This year, the 51st, is bound to be a let down in comparison but it's still worth noting since we like to see how the Oscar submissions from various Asian countries fare. So let's just hit that straightaway...

Tang Wei stars in The Golden Era, a 30s era biopic of an important Chinese writer

THE GOLDEN ERA (Ann Hui) - Hong Kong's Oscar submission
This historical bio of a famous female writer finds Lust Caution's then-novice star Tang Wei headlining another acclaimed 3 hour period epic. It's nominated for 5 awards and they're all major ones: Feature, Director, Actress, Supporting Actress and Original Screenplay. No tech nominations though, which seems strange for a period epic. I'm still kicking myself for missing this one at TIFF but it's hard to fit the super-sized movies into those jampacked schedules.

ICE POISON (Midi Z) - Taiwan's Oscar submission
Our own Oscars don't ever have the "lone wolf" director anymore with the expanded Best Picture lineup and an increasing willingness to embrace chillier critical darlings anyway, but the Golden Horse got one this year. This Taiwanese drama about a poor young farmer and a woman escaping an arranged marriage who both  get mixed up in selling crystal meth is only nominated for Best Director.

MY BELOVED DEAREST (Sanif Olek) - Singapore's Oscar submission
Last year, Singapore was the surprise winner of the Best Feature Golden Horse (which tilts heavily China and Hong Kong) for their Oscar submission Ilo Ilo but this year their representing film either wasn't eligible or was not well loved by the Golden Horse jury. Zero nominations.

Black Coal Thin Ice led the nominations

We don't yet know what the mainland has chosen as their Oscar submission but the other films that were embraced by the Golden Horse Jury were: Black Coal, Thin Ice from China and winner of the Golden Bear early this year (Glenn reviewed) which led nominations with 8 including all the biggies - Feature, Director, Actress and Actor; Blind Massage from China, exactly what it's title implies, was not far behind with 7 nominations including Feature and Director; Kano from Taiwan, a true story baseball movie set in the 1930s won 6 nominations including Feature and Makeup & Costumes; Coming Home, the new Gong Li drama about a man returning from prison to his estranged wife, missed the key nod for Best Feature but won 5 other nominations including two for acting: Gong Li and a Newcomer nod for Zhang Huiwen who plays her daughter; Paradise in Service was also big in acting categories with three supporting nods but it missed Best Feature, too; A Fool about parents desperate to save their son convicted of a crime won five nominations including Feature.

Young Detective Dea: Rise of the Sea Dragon is available on Netflix Instant Watch!

And finally, just because it's fun to know these films -- and because yours truly kind of misses the days a decade ago when everyone was excited about wuxia movies - other films that did well, particularly in the tech awards included Brotherhood of Blades set in the Ming dynasty, The White Storm a drug underworld action film, No Man's Land about a lawyer's adventures in the Gobi desert and the biggie, a wuxia prequel with five tech nominations: Young Detective Dee: Rise of the Sea Dragon which is available on Netflix Instant Watch.

You can see a complete list of nominations here.

Extensive charts of this year's foreign language Oscar submissions (71 announced to date) are fully updated  here.

 

Saturday
Nov232013

Golden Horse Winners: Stray Dogs, The Grandmaster, Ilo Ilo

 I watched the show live. I didn't understand a word but awards shows are universal. Full list of winners and what it might mean for Oscar (multiple Oscar submissions competed here) after the jump.

Click to read more ...