Oscar History
Welcome

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

Powered by Squarespace
Don't Miss This!

More Poirot
Kenneth Branagh may get those sequels he wants

Comment Fun

Comment(s) Du Jour
Spirit Nominations
Call Me By Your Name leads with 6

"I think Good Time is going to do better this award season then people realize. It's slowly developing a cult following similar to Drive. " - Mike

"Really happy to see Harris Dickinson in male lead. That's a great category." - Joseph

Ugh Armie Hammer in Call Me By Your Name reeks of Rooney Mara in Carol all over again. LGBTQ film with two obvious co-leads where one is relegated to supporting and pushes out a fantastic, legit supporting player (Sarah Paulson/Michael Stuhlbarg)." - Aaron

What'cha Looking For?
Interviews

new Nikolaj Lie Kaas Actor
(Denmark's Oscar Submission)
Hana Jusic Director
(Croatia's Oscar Submission)
Alain Gomis Director
(Senegal Oscar Submission)

Keep TFE Strong

We're looking for 500 Patron Saints!

IF YOU READ THE SITE DAILY, PLEASE BE ONE BY DONATING. 
Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

Subscribe

Entries in Ang Lee (27)

Monday
Oct302017

Beauty vs Beast: Float With Me

Jason from MNPP here - as Nathaniel mentioned in yesterday's box office rundown the latest version of Stephen King's It has officially become the highest grossing horror film of all time now. And what with tomorrow being Halloween this week seemed a great chance to face down the story's Good Guys (And Girl) versus its Bad Guy with our "Beauty vs Beast" contest. It has a great legendary Bad Guy, one of the best ever. But can you actually root for him against a bunch of damaged nerds? I mean if we were talking about the 1990 miniseries I would give this question an emphatic "Heck Yes" but it's a little bit tougher with the remake...

PREVIOUSLY Y'all were feeling more Sense than Sensibility last week, giving Emma Thompson a solid 67% of your vote in last week's tribute to Ang Lee's classic film. Said lylee:

"Yay for Emma leading! It helps that I've always found Elinor vastly more compelling than Marianne as a character. They're both wonderful, but this I think is my favorite Emma performance. And yes, bonus for penning the screenplay. I still go back to her screenplay diaries (which *everyone* should read) when I want a pick-me-up."

Monday
Oct232017

Beauty vs Beast: Sisterly Sensibilities

Jason from MNPP here using this week's "Beauty vs Beast" to wish a happy birthday to one of our favorite directors, the great Ang Lee. In a strange coincidence I spent some of this weekend talking Ang on Twitter even though I hadn't realized it was about to be his birthday today, so I'd say Fate chose this week's contest. And because more than anything a battle between actresses livens you folks up, let's face down the Sisters Dashwood of Ang's 1995 classic Sense & Sensibility.

And no before anyone asks I don't think Kate Winslet or Emma Thompson to be beastly in any manner. But seeing as the film itself pits their two ways of existing at odds with one another for the majority of its run-time (only to eventually decide, with fine wisdom, that the sisters could clearly stand to learn a little from one another) it doesn't seem completely far-fetched to pitch them against one another here. They are, for all their adoration of one another, each other's main antagonists once the who's who of romance falls away.

PREVIOUSLY Even though Angela Lansbury's original Manchurian Candidate performance won somewhat decisively over Meryl Streep's in the remake (she took 74% of the vote) it was a real battle in the comments. Said Jono:

"I am surprised this never came up before. I voted for Meryl because Angela will get more votes, and I love both performances. The Demme version is kind of underrated - everyone in it is uniformly great. But the original with Angela is impeccable."

Sunday
Nov202016

Podcast: 'Nocturnal Elle's Halftime Walk'

We're back to weekly podcasts! This week Nick, Joe, and Nathaniel discuss the latest films from Tom Ford, Ang Lee, and Paul Verhoeven, only one of which we can recommend.

Index (42 minutes)
00:01-17:22 Ang Lee's awkward Billy Lynn's Long Halftime Walk starring Joe Alwyn and Garret Hedlund

17:23-29:45 Tom Ford's revolting Nocturnal Animals. We don't understand the initial acclaim at all

29:46-42:00 Paul Verhoeven and Isabelle Huppert's provocative collaboration Elle, France's Oscar submission (mild spoilers)

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments.

Nocturnal Elle's Halftime Walk

Friday
Nov182016

Posterized: Ang Lee

By Nathaniel R

Ang Lee with one of his Billy Lynn stars, Vin DieselOne of our favorite directors has a new film going wide today. Unfortunately number 13 proves unlucky for the great Ang Lee as Billy Lynn's Long Halftime Walk, a military drama about the way we use soldiers as propaganda pawns or blank slates to project upon, is hard to watch. Let us pray for a swift death to Hollywood's current unfathomable interest in the high frame rate technique. (The technique is ugly, expensive but looks cheap, and doesn't look like cinema -- that's lose lose lose or three strikes you're out. So what's the appeal Hollywood?)

Nevertheless Ang Lee has given us so many riches over his 24 year feature film career that we ought to appreciate his filmography this weekend.

How many of his pictures have you seen?
All the posters are after the jump... 

Click to read more ...

Wednesday
Oct192016

A Brief Jog Right Past "Billy Lynn's Long Halftime Walk." Get Me Outta Here!

a belated finale NYFF moment with your host, Nathaniel R

Before the world premiere of Billy Lynn's Long Halftime Walk the great director Ang Lee appeared and asked the crowd at the NYFF screening to "keep an open mind." He was speaking about the new technology he used to shoot the 3D movie about a Texas soldier named Billy Lynn (played by talented newcomer Joe Alwyn) on leave from Iraq who is used as a patriotic prop at a football game's halftime show. The movie is shot in 4K (much higher clarity than usual) with a "revolutionary" 140 frames per second as opposed to the standard for decades upon decades now which is 24. As a cinephile without much technical savvy and who doesn't get too caught up in aspect ratios or film stocks or whatnot, I thought "no problem, Ang!"  I always attend movies with eyes wide open and the mind ready to join the party should the movie engage it.

Click to read more ...

Monday
Aug222016

Ang Lee's 'Billy Lynn' to Launch at NYFF

By Chris Feil

Though New York Film Festival has already announced its splashiest titles for opening (Ava DuVernay's documentary The 13th), centerpiece (Mike Mills's 20th Century Women), and closing (James Gray's The Lost City of Z) galas, they still have another big world premiere up their sleeves. The fest has announced they will also host the first premiere of Ang Lee's high-tech satire Billy Lynn's Long Halftime Walk.

NYFF was a successful launching pad to Lee's Life of Pi a few years back, so the hope for repeated success is evident. Curiously, the film is premiering outside of the fest's three big slots but this could be a last minute addition. The initial whispers were that the film wouldn't be ready to play the festivals at all thanks to the post-production constraints of Lee's 120-frames-per-second lensing.

The premiere will also be the launching pad for the high frame rate speed, which is even faster than Peter Jackson's attempts with The Hobbit that went over quite poorly with the public. Lee's concept here is to use the medium to heighten the harsh realities of war and contrast that against life back home. This more emotional approach to technical innovation has us hoping that Lee gives us more Pi than Hulk, and the trailer sets the stage for potential weepy, hyper-real highs.

We'll find out if the risk pays off better than it did for Jackson at NYFF's world premiere on October 14 and when the film opens on November 11 - but how many theatres will be able to even show the film in Lee's intended format?