TIFF '23: At the Crossroads of Old and New

by Cláudio Alves

During my days at the festival, I've found TIFF can be a place of great discovery, full of small titles coexisting with big ones, often besting them from a disadvantageous position. Discovery can also exist in the dialogues established between programmed projects, threads of shared ideas and ideals linking works of distinct artists from all over the globe.

Because of its status as Bhutan's Oscar submission and Pawo Choyning Dorji's follow-up to his nominated Lunana, I would always see The Monk and the Gun. However, the conversations it shares with other, less high profile films, were a welcome surprise. Despite their disparate genres (comedy, character study, tragedy) themes of encroaching modernity within traditional communities of mountainous Asian nations echoed back from the Nepalese A Road to a Village and the Mongolian City of Wind...

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Interview: The Director of 'Lunana' on making the Oscar finals, working with yaks, and meeting Ang Lee

by Nathaniel R

Making movies is never "easy" but some movies achieve the impossible. Pawo Chonyning Dorji's debut feature, the Bhutanese Oscar finalist Lunana A Yak in the Classroom, is one of the latter kind. Its very existence is a miracle, and that's before you even get to the lottery-ticket like good fortune of competing for the Oscar. While Bhutan has a growing local film and television industry, heavily influenced by the films of Bollywood, the pictures are mostly low budget and don't travel outside of the small landlocked country. They definitely don't travel anywhere near the mountainous village where Lunana A Yak in the Classroom takes place, since there is no electricity let alone a movie theater. The charming soulful movie is about a restless young teacher named Ugyen (first time actor Sherab Dorji) who dreams of moving to Australia to pursue a music career. He very reluctantly accepts a final teaching gig to complete his government contract but that assignment is in the most remote part of all Bhutan.

Setting a story there is one thing, filming there without electricity with cast and crew of first timers -- some of whom had never even seen a movie -- is another.  We had the pleasure of talking to the director about his miracle Oscar contender and why he made it and our interview follows after the jump...

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Best International Film: Bhutan & Panama

by Cláudio Alves

The Academy has announced its shortlists, and there aren't many notable surprises to point out. However, two exciting inclusions in the Best international Film front were Bhutan's Lunana: A Yak in the Classroom and Panama's Plaza Catedral. By coincidence, both pictures have powerful behind-the-scenes stories that might have helped boost their profile. Bhutan's case is a story of underdog perseverance, while Panama has a heartbreaking tragedy attached to its film.

Did the Academy make the right choice? Let’s find out…

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