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Entries in Disney (108)


11 Tweets: Kate Fandom, Bradley Trash, Princess Fatigue

You guys! I leave for Los Angeles in the morning and am feeling so overwhelmed. In a good way of course. Oscar season has basically gone from 0 to 60 while I puttered around my apartment not working fast enough.

In this week's tweet roundup Andie MacDowell sort of announces a very exciting new project (sex, lies and videotape is still her best work), Xavier Dolan announces his love for Kate Winslet, Adele questions DiCaprio, and Guillermo del Toro geeks out about 70s movies  after the jump...


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DVD/Blu-ray: Pick a Disney Prince, Redistribute Mad Men Emmys

Eight questions for the comments related to this week's DVD and BluRay releases. Please do play along with your answers. The more the merrier. We want to see inside your movie brain!

Who is the hottest raven-haired Disney Prince?
Li Shang (Mulan)
Eric (The Little Mermaid)
Aladdin (Aladdin)
Kocoum (Pocahontas)
Naveen (The Princess and the Frog)
Poll Maker



Aladdin the Disney classic is rereleased
Q1 Rank the raven-haired Disney Princes* 
Aloft Starring Jennifer Connelly who is five years older than Cillian Murphy and plays his mother.
Q2 Can you explain Jennifer Connelly's career post-Oscar?
Dope the Sundance hit about geek teens obsessed with 90s hiphop. Very funny if too long / scattered
Q3: Favorite 90s hiphop artist?
The Gallows in which a high school play is the key catalyst for horror
Q4: Aren't they all? 
San Andreas Disaster strikes California
Q5: The Rock is on his way to rescue you. Describe the scenario!
Tomorrowland In which optimism about the future via Americana of the past struggles to make a grand movie in the present. 
Q6: On a scale of 1 to 10 how much do you hate it when characters narrate their own adventure direct to camera? 

TV Seasons: Wayward Pines (S1), The 100 (S2), Bates Motel (S3), The Following (S3), Mad Men (Final Season) 
In 8 seasons Mad Men won just 16 Emmys. Which sounds like a lot until you realize that of the other three dramas which are tied for first place with four wins, it's almost the least awarded (Hill Street Blues: 26; The West Wing: 26; LA Law: 15). Hell Game of Thrones which has only won Drama once and been on fewer seasons than Mad Men already has 26 Emmys so maybe it'll be the most Emmy-winning ever by the time it completes its run.
Q7: f you had to redistribute Mad Men's 16 Emmys in house where would they go? 

S1: Six Emmys - Drama Series, Writing, Art Direction, Cinematography, Hairstyling, Main Title Design
S2: Three Emmys - Drama Series, Writing, Hairstyling 
S3: Four Emmys - Drama Series, Writing, Casting, Hairstyling
S4: Two Emmys - Drama Series, Hairstyling
S5: Zero Emmys
S6: Zero Emmys
S7.1: Zero Emmys
S7.2: One Emmy - Lead Actor

*Yes Kocoum counts. He was supposed to become the chief which is basically the ruling class which is the Princes.


Tim's Toons: Three Animated Oddities of 1954

Tim returning to duty.

August has been 1954 Month here at the Film Experience, and it now falls upon me to share with you the animation of that year. And man, it was a weird 'un. The important place to start is noting that in '54, Walt Disney - the man, not the multinational entertainment corporation - was massively obsessed with the creation of his brand-new theme park out in California, and the brand-new television show on ABC that shared its name and served as the new funnel for all his creative and commercial instincts.

With Disney - the multinational entertainment corporation, not the man - thus a bit rudderless, there was a void in American animation like there hadn't been since Mickey Mouse's 1928 debut, basically. Disney itself was beginning to experiment with form in ways that Walt did not approve of, since Walt wasn't paying attention anymore, and the result was things like the Oscar-nominated short Pigs Is Pigs, one of the very weirdest shorts in the studio's history.


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D23: Disney Animation News

Manuel here to talk Disney Animation. As you can see Disney has a very busy (if, yes, remake friendly) slate ahead, and while Pixar will be offering mostly sequels (hey there unnecessary Cars 3, Toy Story 4, and long-awaited The Incredibles II!) with only the Day of the Dead-themed Coco as its original entry in 2017, Disney Animation looks to be picking up the slack. And so, let's look at three images from their upcoming films:

Zootopia (March 4, 2016)

We’ve already seen the teaser and with its release day fast approaching we’ll surely get a full-length trailer soon (perhaps attached to Pixar’s The Good Dinosaur?). And as I worried this might be Disney’s first full-length Dreamworks animated film, the folks at D23 surprised us with a new casting announcement. While Jason Bateman and Ginnifer Goodwin play the leads (he a fox, she a bunny; might it be a screwball-ish rom-com?), Shakira will be lending her voice to “Gazelle, the biggest pop star in Zootopia.” I kind of love this? But perhaps it’s just memories of Shakira’s early Colombian soap opera beginnings rushing back and reminding me of her pre-worldwide fame persona.

Moana (November 23, 2016)

Disney is surely taking its pledge for diversity in stride. Moana is being directed by John Musker & Ron Clements (Little Mermaid, Aladdin, Hercules) and centers on an adventurous young woman who yearns for the sea. Set in the South Pacific, it currently boasts Dwayne “The Rock” Johnson as its main voice cast (I wonder what’s kept them from casting its female lead?) who was ecstatic during the D23 presentation, clearly thrilled to be part of this story. I am particularly excited about this film, especially given the artwork that was shown. That she's reminding me of Lilo and Nani (two of my favorite Disney gals in recent memory) makes me all that more hopeful for this film.

Gigantic (2018)

Tangled, Frozen, and now Gigantic. There’s something to be said about re-branding fairy tales, but this new way of Disneyfying titles makes me happy we got The Little Mermaid and not Soaked, Beauty and the Beast and not Cursed. Tangled director Nathan Greno says this will be the “definitive” Jack and the Beanstalk adaptation. Oh, and if you haven’t guessed from that artwork, Jack is a Spaniard during the Age of Exploration who befriends an 11 year old girl giant, so clearly this isn’t your parents’ Beanstalk tale. 

Has the one-two-punch of Frozen and Big Hero 6 amassed enough goodwill to keep you excited about Disney animation’s prospects? Do you have any suggestions as to who Musker & Clements should be casting as Moana?


Blogs He Linked

The Dissolve Disney's announces the replacement voice cast of The Good Dinosaur - what is going on with that movie?
Guardian this sounds really cool. Director Gillian Armstrong (Little Women, Mrs Soffel) has made a documentary about the Oscar winning costume designer Orry-Kelly called Women He Undressed. He had a fascinating career and was quite a famous figure in Hollywood's golden age, friends with Bette Davis and more than friends (rumored) with Cary Grant
They Live By Night "This is our Furiousa" a reflection on a rare quiet moment in Mad Max Fury Road
Elle randomness! Talking to the art director of the cover of Madonna's debut album 
NYT talks to the cast of Goodfellas on their 25 year old classic

The Playlist new images from Terrence Malick's Knight of Cups. Isn't it time to release this one? (I'm getting a To the Wonder vibe)
The Guardian looks back at Helen Mirren's breakout part at 22 (!!!) in Age of Consent (1969) 
Shadowplay has a super fun series called "The Sunday Intertitle" and the latest is about Tarzan (1929). I was brainstorming a similar series years ago but never committed so I'm so happy someone else has one! My only complaint is there is no way to link the complete series.
Pajiba wonders why critics and the internet are turning on Game of Thrones for doing the exact same things it's always done (gorey violence, lots of rape, brutal torture, etecetera). I knew to get out after the first season and second book -- definitely way too sadistic/sexist/exploitative for me -- so I've found the recent outrage peculiar since it's describing the show I saw five seasons ago to a T. 
EW Mark Harris on the sudden pop culture fascination with actual transgender celebrities as well as their fictional counterparts, particularly on television

Geeky Fandom
CineMunch continues their amusing favorite actress podcast showdowns. This one's about Pfeiffer, Witherspoon, Binoche, and The Lovely Laura Linney among others
Toybox Penny Dreadful action figures!
New Statesman Excellent piece on the enduring appeal and fan obsessiveness towards Star Wars
HuffPost Disney princes reimagined in queer context
Twitter Mulder & Sculley reunited

Two stories from the real world.
The first is horrific and the second heartwarming. A gay man has been severely tortured and his family's business vandalized in Delta, Utah. I bring this up because I've actually been to this tiny tiny city innumerable times in my life. My mom lives near there in an even tinier city and I've even posted about Delta's one movie theater before. Because that story is just too terrible to contemplate -- it could have been me or any LGBT person or any person thought to be gay whether they were gay or not and will likely be someone else in the future of any stripe (hate & violence being dumb, nonlogical, non discerning and pathological) unless the people are caught. Because that story is too depressing for words, here's a cute story about a NYPD officer who saved a kitten and now the kitten is named after him! Awwww. 


Review: Tomorrowland

Michael C here. Last week I was here to announce that one of my anticipated 2015 titles exceeded my expectations. This week I need to come to grips how another of my most anticipated could miss the mark so badly.

Like the theme park from which it takes its inspiration, the future in Brad Bird’s Tomorrowland is not a tangible thing, but an idea, a gleaming Jetsons cityscape forever just over the horizon inspiring the better angels of our nature with its promise of utopia. It’s not “the future”. It’s THE FUTURE! 

Unfortunately, where Disney World can get away with organizing a collection or attractions around nothing but a spirit of uncomplicated hope, a movie needs to build a structure around those feelings, and it’s there that Bird’s film struggles. It aims to stir the soul but its impact is dulled as it gets lost in its scattershot, thinly conceived screenplay. Enjoyment of Tomorrowland depends on one's ability to appreciate its vibe of retro optimism enough to overlook how far short it falls of its lofty ambitions...

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Tim's Toons: Animated Features at Cannes

This week, the Cannes Film Festival was home to the premiere of Inside Out, the new film by Pixar Animation Studios, and one of its best-reviewed pictures. The film is playing out of competition, as has been the recent tendency of most Hollywood products, and animation in particular. It has been a special habit of films made by DreamWorks Animation in the 21st Century, with all sorts of things from Spirit: Stallion of the Cimarron in 2002 up to How to Train Your Dragon 2 last year muscling their way onto the Croisette.

There has, however, been a small but meaningful history of animated movies to have been given slightly more honorable treatment, and allowed to play in the big kids’ sandbox. Since the festival’s first edition in 1946, there have been seven animated features entered into the main competition, if my count is right, and they make for a fascinating cross-section of how the international cinema scene regarded the state of that particular art across the years. Here, in order, are those seven films.

Make Mine Music (1946)
The eighth feature made by the Disney studio, and the third of that company’s dubious “package films”, attempts to make entire features by jamming a bunch of short films into one vague thematic frame. Like any anthology, it has peaks and valleys, though the latter dominate, and the film is infinitely less impressive than its quasi-sequel Melody Time. Let us not be baffled by its Cannes slot; this was the fest’s first year & they were figuring it out, everybody loves Disney, and it’s a nice post-war feel-good effort. It won Best Animation Design, a discontinued award.

six more after the jump including Persepolis and... Shrek 2 (!?)

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