Ranking Alan Menken's Oscar Nominations

by Cláudio Alves

Alan Menken accepts the Best Original Song Oscar for BEAUTY AND THE BEAST.
Earlier this week, Alan Menken celebrated his 75th birthday. As a stage composer turned motion picture maestro, he's authored a number of original musicals, enchanting generations across the decades. Indeed, many could probably credit Disney's favorite composer with the soundtrack of their childhood – I know I can. For his efforts, Menken amassed 19 Oscar nominations and eight victories, many of which he shared with the writers who put words to his music. To celebrate the man's legacy, I shall give him the same treatment bestowed on John Williams a few months ago and rank all his nods, both in the score and song categories…

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Beyond Sight & Sound: An Alternative Canon

by Cláudio Alves

Appearing on 77 ballots, Spike Jonze's HER was the most voted film.

Two years ago, Sight & Sound released the results of their polls, voted by critics and filmmakers, on the best pictures ever made. Chantal Akerman's Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles topped the former, causing various reactions that ranged from ecstatic to outraged. In total, the 2100 participants voted for 4366 unique titles. And yet, much great cinema was left without a single vote. In response, Ángel González devised another project for They Shoot Pictures, Don't They?, focusing on all those films the Sight & Sound voters ignored. A new list was devised based on the ballots of 839 critics and cinephiles. This time around, 4336 films received at least one vote - think of it as an alternative canon.

Nathaniel and I were among the lucky voters, with a few of our picks making the A-List of 1030 titles. Sometimes, our tastes even overlapped…

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RIP 'Uhura' and 'Ursula' actresses, Nichelle Nichols and Pat Carroll

by Nathaniel R

Normally we wouldn't pair an obituary but within 24 hours we lost two actresses of the same generation who both helped create an inarguably iconic character with a three syllable name starting with U. What were the chances? After the jump, tributes to Nichelle Nichols and Pat Carroll...

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Remembering Howard Ashman

by Cláudio Alves

On the morning of February 19th, 1992, the nominations for the 64th Academy Awards were announced. As always, the last category to be revealed was that of Best Picture and, just as Best Director lineup had done, it brought with it a historical event. Disney's Beauty and the Beast became the first animated feature to be nominated for the Best Picture Oscar, a momentous achievement that was applauded by the audience of journalists. It was the only Best Picture nominee to receive such jubilant cheer and it's easy to see why. While some had predicted the cartoon's glorious haul of nominations, the long-lasting prejudices of AMPAS against animation made its success seem impossible. Thankfully, even the Academy can get over itself from time to time, and honor truly deserving cinema. Beauty and the Beast is certainly deserving, being a masterpiece of American animation, as well as one of Disney's crown jewels.

Unfortunately, not everyone involved with its triumph was able to bask in the glory of the Oscar nominations. One of the men most responsible for the wonder of Beauty and the Beast was long gone by the time of the announcement…

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The Little Mermaid - She's gotta have it!

For the 30th anniversary of The Little Mermaid I wanted to reshare this piece I wrote about the movie ages ago. Still one of my favourite essays - Nathaniel R

The Little Mermaid (1989)  | Directed by Ron Clements and John Musker Screenplay by Roger Allers, Ron Clements, and John Musker (very loosely based on the Hans Christian Andersen fairy tale) | Music by Alan Menken Lyrics by Howard Ashman | Starring the Voices of: Jodie Benson, Pat Carroll, Kenneth Mars and Samuel E Wright | Production Company Walt Disney | Released 11/17/1989

American members of Generation Y or Z and beyond may have a good deal of trouble imagining this but it's true: once upon a time, animated movies were considered highly uncool. They were strictly for babies. Teenagers disdained them. Adults took their children under duress. They barely caused a ripple at the box office. The Academy of Motion Pictures Arts and Sciences ignored them. CGI was not part of the national vernacular. Strange but true.

In a very short window of time, from November 1989 through February 1992, three major events changed modern perceptions of the animated film in a gargantuan way. Let's take them in reverse order: The third big-bang was the moment when Beauty & the Beast (1991) was nominated for six Oscars including Best Picture, the first time that a cartoon had received that pinnacle mainstream honor. The middle part of the three-part revolution was when hipster American audiences began to discover that there was more to the form than Walt Disney. Katsuhiro Ôtomo's Japanese sci-fi spellbinder Akira was the key that opened the door for anime, now very big and influential business in America. But the first key event in animation's rebirth (stateside at least) was the release of Disney's "28th animated classic" The Little Mermaid; an orgasmic reawakening of the most flexible and fantastical of film mediums...

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