2000: The Brilliant, Brilliant, Brilliant Eartha Kitt in "The Emperor's New Groove"

Team Experience is revisiting the movies of 2000 as we approach Thursday's Smackdown

by Nick Taylor

Is it even worth arguing that The Emperor’s New Groove is the last great animated comedy Disney has made? They’ve certainly made funny movies since then, but have they done anything as purely interested in being funny, let alone made a film that finds so many different ways to be that? Especially given the hellish status of its production history and patently lower budget as a result of all that mess, the success of The Emperor's New Groove is legitimately miraculous (I will not be going over that fraught history in any detail here, but please do check out The Sweatbox, the documentary of the production made by Sting’s wife Trudie Styler). Yes, sometimes it can feel a bit cheap if you look too close or stare too long, but the buoyant colors and unabashedly cartoony style give its absurd silliness exactly the right spring in its step. It’s the film the comedic parts of Hercules wishes it could be, or if the Robin Williams parts of were Aladdin stretched into a whole feature, nailing a culture and era-specific setting and form stylized art that’s somehow in sync with a thoroughly modern comedic sensibility. Coming in at a brisk 78 minutes, you get the feeling of a film that’s packed as many jokes into itself as possible while being exactly as long as it needs to be, walking away with an incredible laugh-per-minute ratio.

What feels even surer is that The Emperor’s New Groove has the last great villains to grace a Disney animated film since it debuted... 

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Showbiz History: Hamlet vs Johnny Belinda and A Beautiful Mind vs. four brilliant films

Today, March 24th, in Oscar history only. Four ceremonies have held on this day.

1949 The 21st Academy Awards are held honoring the films of 1948. We discussed this race a handful of years ago on the Smackdown.  Johnny Belinda led the nominations with 12 but it was Laurence Olivier's Hamlet that emerged as the Best Picture winner and took home 3 other Oscars as well. It's actually a fairly interesting Oscar year given the variety of genres in the Best Picture shortlist...

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Link grab bag from Disney strategies to new Auteur projects to Sean Young speaking out

It's been approximately 1,000 years since our last link roundup. It's always tough to keep up with news during Oscar season when more important things (shiny gold statues!) are on the mind.

• Variety Disney is shifting release strategies and dates again for Black Widow, Luca, and Cruella among others. We're disappointed that Adrian Lyne's long awaited return with erotic thriller Deep Water is now a 2022 movie (that's well over a full year since it was first supposed to come out.) 
• IndieWire meanwhile Warner Bros announces that it will end the opening simultaneously on HBOMax treatment for its new movies starting in 2022 which will play in theaters for 45 days first. (We're guessing the people behind Dune are pissed that this doesn't apply to them) since none of their deals imagined a non-theatrical world.
• Towleroad Lady Gaga has already upset the woman she's playing in Ridley Scott's Gucci biopic

More after the jump including Oscar Isaac, Helen Mirren, Elliot Page, Steven Spielberg, and Clint Eastwood... 

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Links!

• TFE Nomadland collects a bunch of OFCS prizes (*updated post)
• AV Club Lovecraft Country's Misha Green will direct the next Tomb Raider. Yes, somehow they're continuing this franchise despite the super dull results last time
• Atlantic Hollywood's big studios largely aren't following Warner Bros 'dump it all on streaming' lead. And Warner Bros may have lost one of its biggest revenue-producing directors with that decision.

News of the World, superhero multiverses, child stars, and Jonathan Bailey ❤️ after the jump... 

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Spellbound @ 75 and the cinema of Salvador Dalí

by Cláudio Alves

Alfred Hitchcock's third and final film for producer David O. Selznick was released 75 years ago. During a time when psychoanalysis was gaining popularity and notoriety, Hollywood was quick to cash in on the phenomenon. They created psychobabble Pablum like Spellbound and its view on dreams are both too literal and ephemeral. It's a message picture in the costume of a radical polemic, devoid of authentic psychic unrest even though Selznick brought his own therapist to act as an advisor. All in all, it's rather mediocre with some blindingly bright highlights... 

For starters, this was Hitch's first collaboration with Ingrid Bergman, a partnership that would bear majestic fruit one year later with Notorious. She's not nearly as good in Spellbound, but there's an interesting tension between her and a profoundly miscast Gregory Peck. The two even had an affair on the set of the movie. Then, we have the score by Miklós Rózsa, an experiment in the use of Theremin for soundtracks that proved influential on the development of horror movie sonority. Finally, one can't talk about Spellbound without mentioning the surrealist sequence in the middle of its runtime. It was devised by none other than Salvador Dalí…

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