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The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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What did YOU see this weekend?

 

Elle. Basically the same movie as The Piano Teacher but sillier. Huppert is great, but when is she not? -Jonathan

The Edge of Seventeen because I needed something light and fun. So delightful, and anchored by a wonderful Hailee Steinfeld performance. - Marina

 

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INTERVIEWS

Maria Schrader (Stefan Zweig...)
Boo Junfeng (The Apprentice
Gianfranco Rosi (Fire At Sea)
Chris Kelly (Other People)
NWR (Neon Demon)

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Entries in Ben Affleck (43)

Saturday
Nov192016

Live By Night's All-Star Team

One of the advantages of opening extremely late -- though we hate to encourage it! -- is that you're fresh in the minds of voters when ballots arrive. With a film like Live By Night, which would probably not be a player next year if it had opened first quarter as originally planned (it's doing a qualifying week at Christmas) that could mean multiple nominations for its team. Ben Affleck is no fool and lined up a murderer's row of behind-the-scenes giants. Here are the most likely ways that it could affect the Oscar race...

Click to read more ...

Sunday
Oct162016

Box Office: The Accountant and Certain Women

Though awards season has started outside of movie theaters it definitely hasn't started within them (a flaw of the system as we continuously bemoan) and The Birth of a Nation took another campaign hit this weekend dropping a rough 61% in its second weekend while its competition last weekend dimmed by only 38 to 50% in round two. This week was a battle between two films from reliably bankable stars without awards gold on their mind -- Kevin Hart's Kevin Hart: What Now? and Ben Affleck in the thriller The Accountant. The latter surprised by slightly outperforming the successful opening weekends of both Argo and The Town despite having nothing like their enthusiastic reviews. 

TOP TEN WIDE
01 The Accountant $24.7 NEW 
02 Kevin Hart: What Now? $11.9 NEW
03 The Girl on the Train $11.9 (cum. $46.5) Review
04 Miss Peregrine's Home for Peculiar Children $8.9 (cum. $65.8)
05 Deepwater Horizon $6.3 (cum. $49.3) 
06 Storks $5.6 (cum. $59.1)
07 The Magnificent Seven $5.2 (cum. $84.8) Review
08 Middle School: The Worst Years of My Life $4.2 (cum. $13.7)
09 Sully $2.7 (cum. $118.3) Review
10 Birth of a Nation $2.7 (cum. $12.2) More

TOP TEN LIMITED
01 Priceless $703K NEW 
02 Desierto $450K NEW Mexico's Oscar Submission
03 Denial $398K (cum. $839K) Review
04 A Man Called Ove $205K (cum. $436K) Sweden's Oscar Submission
05 The Dressmaker $171K (cum. $1.3) 
06 American Honey $142K (cum. $362K) Review
07 The Beatles: Eight Days a Week $123K (cum. $2.5) Review
08 No Manches Frida $110K (cum. $11.3)
09 M.S. Dhoni: The Untold Story $80K (cum. $1.7)
10 Certain Women $65K NEW Review

In limited release Certain Women, just off of its NYFF festival bow, posted the strongest per screen average (albeit only on 5 screens) with the animated feature Miss Hokusai (part of a very competitive Best Animated Feature race this year) not far behind on just two screens.

What did you see this weekend?

Tuesday
Sep132016

YNMS: "Live By Night"

by Chris Feil

Ben Affleck's Live By Night, his directorial follow-up to Argo, has been long-rumored to pop up as a late entry into the 2016 Oscar race. Could Warner Bros. be out for some Best Director retribution after Affleck famously missed the nomination for that film? Don't be surprised if its January debut is preceded by a quick qualifying run in the hopes of making up for that sting.

Now we have our first look at what Affleck has been working on between Batman gigs. His second Dennis Lehane adaptation, the film finds the director in his crime saga sweet spot before also taking over the Batman directorial duties. Will this be one to savor before he's wrapped up in that studio monster? Take a look at the first trailer:

Let's break down the Yes, No, Maybe So of this first look...

Click to read more ...

Monday
Apr182016

April Showers: Gone Girl

In April Showers, Team TFE looks at our favorite waterlogged moments in the movies. Here's Chris on Gone Girl (2014).

Gone Girl is a variation on Who's Afraid of Virginia Woolf?, its Nick and Amy being the new George and Martha.  But instead of a pair of unwitting guests, this George and Martha use the media to attack one another - and the verbal barbs are traded in for actual bloodshed. David Fincher loads the film with the darkest rapid fire comedy, much like Edward Albee's acidic play, and the final beats of both can spark immediate audience conversation.

The final act of Gone Girl is where the film reveals its darkest side. If you haven't yet seen the film or read the source novel, then you don't know that the first two acts are pretty twisted themselves. The film's structure and narrative conceits keep us from seeing the true version of this George and Martha together until Amy's third act return...

Click to read more ...

Monday
Mar282016

Movie v Its Ensemble

Spoilers Ahead - Many of you have surely taken in the large spectacle clashing of Zack Snyder’s Batman v. Superman: Dawn of Justice for either popcorn fun or schadenfreude curiosity after the critical drubbing. Even the film’s fans and apologists have to admit that substantial missteps were made.

One of the most gruesome of the film’s plentiful sins is how it hangs its enviable cast completely out to dry. This is a cast of Oscar winners, legends, and future greats (poor Scoot McNairy!) giving it their all, but still completely out to sea. The luckiest are the ones that are still used too sparingly: Laurence Fishburne and Diane Lane don’t have time to make a mark, despite giving the grim actioner its only laughs.

But the film has a huge actor problem. There are many moments of its cast being underserved, undervalued, or placed into outright embarrassing situations. And there’s one glaring example I just can’t get past...

Click to read more ...