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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Missi Pyle's Oscar Memoir!

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all of Missi Pyle's guest posts

 

Beauty vs. Beast

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Entries in Ben Affleck (28)

Monday
Dec152014

Beauty vs Beast: Miss Scarlett Decides

Fiddle-dee-dee y'all it's Jason from MNPP here with today's sweeping Southern epic edition of "Beauty vs Beast." Yes indeedy today is the 75th anniversary of the biggest movie that ever was and probably ever will be - David O. Selznick's Gone With the Wind (if any movie's ownership belongs to its producer, it's this one) premiered in Atlanta on this day in 1939. Three hundred thousand people lined the streets surrounding the Loews Grand Theater, the cap of three days worth of festivities which brought over a million people to the city. Most of the stars attended, save Leslie Howard who'd returned to England because of WWII, as well as Hattie McDaniel and the other black actors in the film who would've been segegrated from the rest of the cast thanks to Jim Crow. (A situation echoed several months later when McDaniel had to make her way from the back of the room to accept her Oscar.)

The film immediately smashed every record in sight - it sold just about half as many tickets as there were people in the United States, and adjusted for inflation its box office in today's dollars sits at something like three and a half billion dollars. It was a hit!

There were several character iterations I could've gone with for today's competition, but it seemed to me to face Viven Leigh's towering performance as Scarlett O'Hara off against anybody (Melanie, imagine!) would've flounced and trounced any ol' nobody in her way, so instead let's make like we're Scarlett herself and stricken with a crisis of suitors! A beau-tastrophe! Whomever shall we choose?

 

You've got seven days to vote, which should just give you about enough time to re-watch the first half of the movie up to the Intermission, so get to it.

PREVIOUSLY We took on 2014's blood-soaked war of the sexes with David Fincher's Gone Girl last week, pitting Ben Affleck's full-frontal assault as Nick in one corner opposite Rosamund Pike's icy cool girl Amazing Amy in the other - sure enough Amy kept her nickname tight in her calclating grasp, making off with over 70% of the vote. Said Mareko:

"Cool Girl is fun. Cool Girl is game. Cool Girl is hot. Cool Girl never gets angry at her man."

Wednesday
Dec102014

Interview: Introducing Carrie Coon, 2014's Most Exciting New Actress

Carrie Coon at the premiere of Gone Girl in NYCActors who can register potently in all three acting mediums are less common than you'd think. Some movie stars are duds on stage (and vice versa) and, though it's becoming less of an issue as mediums shift and even merge, you can sometimes spot noticeable scale shifts in charisma in the actors who jump back and forth between TV and film as if one is the place they were born to live in and the other a nice place to visit. The lines may be blurring as more and more actors make a habit of doing all three but some actors seem right everywhere. It's not the medium but the acting itself that's their true home.

Carrie Coon is not a superstar (yet) -- "I'm not famous," she insists as we settle into our conversation about her breakthrough year -- but whichever medium you first caught her in, chances are you've already fallen. In a shockingly swift and continuous series of firsts over the past year and a half she's logged her first Broadway show (Who's Afraid of Virginia Woolf?, Tony Nomination 2013) her first series regular TV (The Leftovers, expect nominations any second now) and her first film (Gone Girl, a huge hit, and inarguably one of the most talked about features of the year even if its awards season prospects are still hard to read).

Perhaps it's a case of mutual Midwestern ease but our hastily scheduled phone call feels not unlike meeting a very cool stranger a party who is completely chill and ready to TALK.

Our conversation on Gone Girl & The Leftovers is after the jump...

Click to read more ...

Monday
Dec082014

Beauty vs Beast: All The Cool Girls

Jason from MNPP here, saying tis the time for a round of "Beauty vs Beast" once more. This week we're finally tackling one of this year's biggest movies, David Fincher's Gone Girl - financially it's the biggest hit of its director's career, and critically, well a lot of people loved it and are hoping to see it figure prominently in the upcoming awards races. (I am not one of those people; I reviewed it at NYFF saying "a lot of what makes Amy into 'Amazing Amy,' what makes her particularly spectacular on the page, is the deeply darkly funny specificity of her voice, unpeeling like an onion, and that falls away from the movie just when I needed it most.") Anyway there's a good chance Rosamund Pike will be nominated for her performance as Amazing Amy, and it'll probably show up in some other categories as well. And if there's a bigger He Said She Said movie of 2014 I certainly missed it, so let's see who we side with!

 

I might have gone a little vague there in the Cons maybe...? The Pros were easy to be spoiler-free on, but listing these two's Cons without giving away too much of the game, that defeated me. If y'all have seen the movie you've certainly got your own laundry list of them, so tell us all about it in the comments.

PREVIOUSLY Last week we tackled the sisters of Blue Jasmine for Woody Allen's birthday, and even though Sally put up a helluva fight, as with the Oscars we couldn't help ourselves from lavishing our love on the showier gal. The Great Cate makes one more successful trek to the podium! Said Jakey:

"Jasmine, because when my life falls apart, I also wonder why I can't just get a Stoli with lemon."

Tuesday
Oct142014

Top 10 Things We Learned from the 52nd New York Film Festival

To close out our New York Film Festival coverage for the year, a quartet of takeaways from this annual highly curated celebration of international cinema. NYFF doesn't have a broad selection like a lot of festivals but there were goodies. I've asked each member of our team to send me a top ten list of things they learned (we did not consult each other on our lists).

I'll start

NATHANIEL'S TOP TEN NYFF TAKEAWAYS

1. 17 years after Boogie Nights, Julianne Moore is still 'the foxiest bitch in the world'

2. Birdman has a smorgasbord of quotable lines. My favorite on first viewing:

Popularity is just the slutty cousin of prestige."

3. Marion Cotillard is getting so mesmerizingly authentic onscreen pretty soon she's going to walk right off of it in character like she's reenacting The Purple Rose of Cairo. (I apologize for the image: no one wants to think of the Dardenne Brothers going 3-D.)

4. You should never ever sit in the middle of a row of a long-ass Mike Leigh movie if you are feeling sick. My half-apologies to my row mates who you have no right to take up aisle seats if you're uncomfortable moving for the people in the middle.

More including Whiplash, Birdman, Inherent Vice, and Channing Tatum's boots after the jump...

Click to read more ...

Friday
Oct102014

Linkman

Empire The London Film Festival has commenced with Benedict Cumberbatch opening the festivities
Kenneth in the (212) Harrison Ford in 1978 
Logolog This one is for the linguistics and trivia nerds: Last week's box office top ten featured the first ever "pangram" -- I didn't know what that was but the article explains it
Film School Rejects will "Vs" movies be the next franchise trend? God help us all 


Guardian claims that The Imitation Game might be the queerest film for the mainstream in ages. I don't want to do that math because, if so, how depressing because it's not all that queer
/Film a Labyrinth sequel in development?
Pajiba Jennifer Garner talks about Ben Affleck's penis on the Ellen show. Hold me. Why, Jennifer, why?
Esquire Gone Girl as the story of Ben Affleck's career. Undeniable connections!
Vulture theorizes on how all the seasons of American Horror Story could be connected. I guess they mean, besides the famous actors?
/Film First images of Margot Robbie and Will Smith in Focus. Hey, do you remember when there was a movie with that title with William H Macy and Laura Dern? Anyone?
Guardian So, you guys, it turns out that that Effie Gray movie starring Emma Thompson and Dakota Fanning does actually exist and its now playing in the UK 
HitFix Sean Durkin of Martha Marcy May Marlene fame will direct a film version of Little House on the Prairie. Bizarre. 

Casting News
The Playlist Léa Seydoux is your next femme fatale Bond girl. YAS! Great choice, 007 team
Variety Gabriel Luna joins Ellen Page in Freeheld
The Playlist Jennifer Jason Leigh takes the largest (only?) female role in Quentin Tarantino's Hateful Eight

Retweet
I take it you've heard about American Crime Story, a new Ryan Murphy series that will take on true uh... American crime stories.

 

 

True crime instead of the freaky supernatural fiction crime that American Horror Story traffics in, right? I had to have my say on Twitter, you know? Hee

Weekend Watch

 

James Franco's "Making a Scene" a comic mash-up series, fuses Beetlejuice and Batman together. What would Michael Keaton say? Probably "who cares" given his recent comments about the Batman franchise post him.

While we're on the topic of Batman, The LEGO Movie is going to have a solo Batman sequel in 2017. Exactly when do we approach maximum saturation of all things Batman? You'd think it would have been awhile ago. I worry for the the 2020s

Finally
For Towleroad, I wrote up a piece on films of LGBT interest in the big Foreign Film lineup with their trailers and such. Check it out. I'm dying to see Switzerland's The Circle. And I didn't realize until researching this piece that Concrete Night is made by a writer/director pair who are famous lesbians in Finland. How about that?

Stay tuned for more coverage on this category and of course all the others too, right here. Interviews and events are already starting off blog and soon we'll start sharing them. Let's consider Monday/Tuesday the official grand opening of this new awards season here at TFE.

Wednesday
Oct082014

Linktime Stories

Cinematically Insane #DontTouchTCM when it comes to Turner Broadcasting layoffs 
Richard Kelly, of Donnie Darko directing fame, lurves Gone Girl and write a whole epic essay about it while also touching on Eyes Wide Shut and Fincher's music videos
In Contention interviews cinematographer Robert Elswit (Inherent Vice, Nightcrawler)
MNPP gives Quote of the Day to Michael B Jordan on his costumes for Fantastic Four. "snug"
Deadline Scarlett Johansson about to do an Edith Wharton miniseries that was originally supposed to be a Michelle Pfeiffer feature film in the 90s. *sniffle*

Empire first images of Mark Wahlberg, Jessica Lange and Brie Larson in The Gambler remake
Vulture the exact moment Jennifer Garner fell in love with Ben Affleck 
Antagony & Ecstacy on The Boxtrolls. Glad Tim loved it
Boston Globe Mark Wahlberg's compound is finished. Holy third nipple, is he planning to house everyone who has ever appeared in any of his movies?
IndieWire 11 things learned about PT Anderson / Inherent Vice at the recent press conference
The Dissolve interesting video about shooting sex scenes from Joe Carnahan. Starring Patrick Wilson! Who...speaking of...
The Playlist interviews Jason Reitman who talks about the initial indifference to Young Adult, his Labor Day "misfire" and the critical savaging of Men Women and Children. I haven't seen the latter film yet so I don't know if it's gotten a fair shake or not but Reitman does have a point about film criticism today:

When I talk to directors and actors, "Young Adult" is their clear favorite of my films. I don't think ten years from now people will go, "Oh wow, I didn’t realize "Labor Day" was a such a masterpiece." But what it has taught me is that I can't really gauge what a movie is in the moment. To bring it round back to ["Men, Women & Children"]: film criticism has become a tweet. The moment the movie plays, people are writing about it and there's no digestive period.  

We were right about Young Adult all along, bitches.

 

I love this bookOff Cinema
Arts.Mic on the good news on GLAAD's annual gays on TV report. But...
Slate chimes in with a a more dismissive response: why count?
Pajiba ranking Kyle Maclachlan's TV roles since Twin Peaks

<-- Encyclopedia Madonnica I backed this 20th anniversary edition of the book at Kickstarter. There's a couple more days left to back it and insure your own copy. The book meant so much to me back in the day before you could look up everything instantaneously and when there weren't elaborate comprehensive fansites to celebrities yet. Plus it was just damn fun with lots of trivia and silliness. When I first met Matthew Rettenmund (Boy Culture) here in NYC several years ago I was a wee bit starstruck because of it. And speaking of the big M...
Billboard looks back at the Bedtime Stories album for its 20th anniversary 

Finally...
Esteemed stage veteran Marian Seldes has died at 86. Her regal mischievious face appeared semi-regularly in movies and on TV but usually in tiny roles. It was the stage where she experienced her enduring glorious reign.

I unfortunately only saw her perform live once. It was Edward Albee's "The Play About the Baby" (which also starred David Burtka, pre NPH) a sort of abstract minimalist reinterpretation of "Who's Afraid of Virginia Woolf?" and she was a-maz-ing in it. One of my favorite stories about her comes from 1978's "Deathtrap" in which she co-starred with Victor Garber. The hit comic mystery became a controversial movie in 1982 (a gay kiss - GASP!) with Dyan Cannon and Christopher Reeve taking Seldes and Garber's roles for the big screen. But when the movie premiered, Marian was actually still doing it on stage. She was with the play for its whole four year run and NEVER missed a performance. Amazing.

Here are good obituaries at The New York Times and Playbill