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Love Affair (1994) - as "A Year With Kate" nears its conclusion

A YEAR WITH KATE... 2 episodes left

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Entries in Viola Davis (58)

Friday
Dec192014

Bag O' Links: Pitt, Cruella, Annie, Viola, Lisi, Potter, Etc...

We haven't done a link roundup in so long this one is super-duper-quadrupled size. Please to enjoy these articles or catch up with this news...

FAREWELL
NYT, BBCVariety remembers the great Italian actress Virna Lisi who has died at 78 years of age. Best known stateside for the Jack Lemmon comedy How To Murder Your Wife (1965), and maybe that iconic Esquire cover by George Lois (left) which has been homaged ever since, this baby cinephile right here writing to you first fell for her in the French film Queen Margot (1994). She was brilliant as the most ruthless of royals. She won the Cannes prize for Best Actress for her supporting role which probably didn't make Margot herself Isabelle Adjani too happy but they were at odds in the film, too. 

RANDOMNESS
Guardian doesn't like the new Annie but what makes that little orphan so durable in pop culture? 
Comics Alliance a fresh way to illustrate "superhero fatigue" -- by spending a day with fatigued Joss Whedon on the set of Age of Ultron
Coming Soon walks you through Jon Favreau walking fans through the making of The Jungle Book. All I'm here for is the cute photo of ScarJo recording the voice of Kaa.  
Grantland has a piece people like a lot on The Babadook. People aren't done talking about that
Playbill The Exorcist (1973) will be moving to the stage. Not a musicalized version.  Well, it does all take place in one house so you don't have to worry about that part of stage transitions.
Pride Source adorably frank interview with Russell Tovey from Looking (and other shows) on his sex scenes with Jonathan Groff and what he wants for the show's drama


Playbill Audra McDonald will recreate her Tony winning "Lady Day at Emerson's Bar and Grill" for HBO. Here comes her Emmy!
Comics Alliance Viola Davis rumored to be joining the cast of the supervillain film Suicide Squad as Amanda Waller. FWIW this is the role that Angela Bassett was utterly wasted in in that piece of poo Green Lantern movie
Grantland Ugh. I can't believe i missed this oral history of Boogie Nights when it was first published 

STAR WARS: THE INTERNET AWAKENS (THOUGH IT NEVER WENT TO SLEEP)
/Film Andy Serkis responds to speculation about his Star Wars: The Force Awakens role. 
CHUD wonders what Star Wars fans will have to left to complain about when the original trilogy is released without all the fussy changes that messed with its purity on Blu-Ray 
Nathaniel R and I sneak-peaked on Twitter that when I interviewed Oscar Isaac (coming soon) he assumed that's what I wanted to talk about. Haha 
Pajiba believe it or not, the Star Wars trailer is NOT the most viewed trailer of 2014
The Film Stage the character names from the new film 

OUTRAGE, CONT'D
Remember yesterday how I said I couldn't feel that outraged about this week's topic o' outrage (The Interview) but here are two topics that usually push my button but good and often enrage me.

1. Towleroad has a piece on author J.K. Rowlings recent admission that there were gay students at Hogwarts in her Harry Potter books.

If Harry Potter taught us anything, it’s that no one should live in a closet.”

I know how Harry Potter fans are and they'll applaud their icon for this but real talk: Saying after the fact that characters were gay in your mammoth culture-dominating best-sellers in which you could have gotten away with virtually any storytelling flourish is cheap lip service. It's wanting the gays to worship you without actually having supported them in any way other than in easy 'nothing to lose now' sound bites.  It's also insulting to use the closet metaphor since that's where all of her supposed gay characters were!

2. Variety has an article on five things we learned about moviegoing this year. I agree with #2 about Women in Hollywood but I'm so sad that the writer ruins his point by again bringing up the foolish 'there aren't 5 worthy women for Best Actress' business. Dear reader, I don't know how to stop this internet wide self-perpetuating sexism epidemic. And, yes, I believe it's completely sexist to ignore the existing actual contributions of women in order to complain about sexism and the lack of contributions of women. The only thing I feel I can do is keep pointing at the lie and hopefully shaming a few writers here and there with "God, did you only see the marketed to teen boys movies this year or what?'

And if you're going to bitch that we need more female themed movies you're going to have to support the ones we have now by, you know, ADMITTING THAT THEY EXIST. 

 

TODAY'S MUST-READ
Ayn Rand, that hard right conservative icon, reviews children's movies! A hilarious article from the New Yorker's Mallory Ortberg. Since it's impossible to pick a favorite I'm just picking two random ones to share but you must read the whole thing!

“101 Dalmatians”
A wealthy woman attempts to do her impoverished school friend Anita a favor by purchasing some of her many dogs and putting them to sensible use. Her generosity is repulsed at every turn, and Anita foolishly and irresponsibly begins acquiring even more animals, none of which are used to make a practical winter coat. Altruism is pointless. So are dogs. A cat is a far more sensible pet. A cat is objectively valuable. —No stars.

“Toy Story”
At last, a full-length feature about the inherent value of possessions. —Four stars.


LIST-MANIA

Towleroad "80 Most Powerful Coming Outs of the Year" I love that they do this list annually and that the number of coming outs mentioned keeps growing. It used to be a big deal every time someone came out. it's like *yep, another one*.
Pajiba "10 Most Forgettable Movies of 2014" Ouch
Film School Rejects best movie music of year 
Out "10 best TV gay scenes of the year" 
Slate "10 best books of the year" 
The Atlantic "Best TV episodes of the year" from Joe Reid and team 
The Dissolve "Best Films of the year that made under $100,000" 

 

 

FINALLY
Our beloved Brad Pitt (he was so good in Fury, wasn't he?) was recently released from Jury Duty in Los Angeles because jurors and lawyers would find him too distracting! In related news look at this unintentionally awesome paparazzi shot (above) from an Unbroken premiere. "Unbro" teehee

 

Wednesday
Dec102014

‘Selma’ Wins Big at the AAFCA Awards & NAACP Image Award Nominations

Margaret here with a look at the nominees for the 2014 NAACP Image Awards, as well as the winners of the African American Film Critics Association year-end prizes.

It continues to be a good season for Selma, which racked up eight Image Award nominations-- especially impressive when you consider that there are only seven categories. (Six of its nominations are for acting.) Period drama Belle and James Brown biopic Get On Up both received five nominations each, and the music industry romantic drama Beyond the Lights earned three.

The AAFCA announced their awards, naming Selma best picture alongside nine other outstanding films. The AAFCA Top Ten Films of 2014 are as follows in order of distinction: 

  • SELMA
  • THE IMITATION GAME
  • THE THEORY OF EVERYTHING
  • BIRDMAN
  • BELLE
  • TOP FIVE
  • UNBROKEN
  • DEAR WHITE PEOPLE
  • GET ON UP
  • BLACK OR WHITE

A complete list of AAFCA winners, and Image nominees (some interesting stuff - now with double the Viola Davis!)  after the jump...

Click to read more ...

Saturday
Nov222014

Tweets o' the Week

Clash of the twitter threads. I recently started muting words on twitter on subjects I just had no interest in hearing about anymore and in some cases never did despite the rest of the world's inexplicably insatiable interest (my timeline is blessedly "Kardashian" free - you should try it! I'm missing nothing) and I've been so much happier.

Twitter is still a colossal time sucker in some ways but it keeps the pop culture conversation lively and my favorite thing about it is hearing smart people say amusing things that I didn't think to say - that I felt but never put into words (like the first tweet below). Anyway, here are a dozen or so tweets that amused or edified. Just because it's fun to share them.

 

 

More after the jump including Viola Davis, Janis Joplin biopic, Matthias Schoenaerts, Selma, and the greatest title card of all time...

Click to read more ...

Friday
Nov142014

HTGAWM: He Has A Wife

Manuel here catching you up on the latest #HTGAWM episode so Nathaniel doesn’t have to. 

This is it, everyone. We’re one episode away from knowing #WhoKiledSam (or, an episode away from ABC having to figure out what else to hashtag during the show, at least). Thus, much of “He Has A Wife” felt like watching a rather amateur chess game setting its pieces in place for the eventual check mate as our two timelines finally collided. 

DO NOT LEAVE!”

Annalise may be talking to Bonnie, but I can’t be the only one who week in and week out wants to sneak out the door but is unable to do so precisely because of Viola. Yes, her Annalise pushes incredulity (why go to such great lengths to cover up her husband? I’m hoping she pulls a Patty Hewes and we find she’s been master-minding the entire show all along) but she’s endlessly watchable and every episode has a number of moments that show why this is one of the buzziest shows of the fall.

Five moments after the jump

Click to read more ...

Friday
Nov072014

HTGAWM: He Deserved to Die

Here's Manuel taking over How To Get Away With Murder Recap duties for the next two weeks.

Is it is me or was this the first wholly uninteresting HTGAWM episode yet? And might that have to do with the fact that we were focused on arguably the least fascinating character on the show, Rebecca Sutter? I can’t tell whether her schizophrenic characterization (is she wily or is she broken? is she indifferent or just cooly in control?) is an intentional if badly executed performance choice or a result of the show’s fragmented storyline which depends on withholding information in order to propel narrative tension from week to week. I’d recommend its writers watch every season of Damages to see how to use flashbacks to keep audiences guessing (and how to build tension by refracting known information rather than continually serving up new revelations) but it’s clear that HTGAWM is sadly constricted by its by-the-week network formula.

And so, with that said, watch me tackle this week’s episode with an attempt to break down said formula so you too can write your own HTGAWM spec script! (Beware, spoilers and a slightly NSFW gif ahead)

Click to read more ...

Saturday
Nov012014

HTGAWM: "We're Not Friends" & "Whack-a-Mole"

It's true.  I didn't quit How To Get Away With Murder as intended. The people have spoken and the last writeup was so popular that I kept watching. But writing about it is harder when it's not being porny and forcing my hand and, um, jaw (see: previously on...)

"We're Not Friends" & "Whack-a-Mole"
It's two episodes in one post, a survival tactic. Manuel will be handling the next while I'm in LA, bless him for his sacrifice.

These latest two eppys huff and puff and cry and scream and the first at least is so (typically) hysteric that it has a jury picking montage with frenzied strobelight-editing set to housemusic from the 90s (I half expected Viola Davis to start pivoting and jacking while shouting "excuse" and "accept" and "dismiss for cause" at each potential juror.) Amidst all the heightened emotion the two rawest expression of feeling came in scenes between Annalise and soon-to-be-dead husband Sam. Their scenes together crackle in a way that little else on the show does which does not bode well for Season 2, unless they go supernatural and keep Tom Verica on as a ghost. Pretty please?! You're always jumping the shark when every character is a shark anyway and it's not like they're concerned with Ivy League or Legal accuracy.

These two scenes with have promising Emmy-seeking character moments, though they're a potentia mine field of regressive gender politics. In 'Not Friends' Annalise implies that she was once like the murdered student, a student her husband picked up "weak, broken ... a mess that he had to clean up" and in 'Whack-a-Mole' she delivers a pathetic but wholly human refrain of "I need you"

So...um... [cue Celine power ballad] she's everything she is because he loved her??? 

What the what now,Viola?

Click to read more ...