Interview: Colman Domingo on "Ma Rainey's Black Bottom" and his slow burn career

This interview was originally published in an abridged version at Towleroad

a recent image from Colman's instagram

by Nathaniel R

Colman Domingo’s laugh is everything you hope it could be. Big, throaty, warm. It’s probably a little disarming for those who haven’t seen the full estimable range of his work and only know him from one of his tougher roles, like AMC’s zombie series  Fear the Walking Dead.  I first met him off the clock at a bar during the Toronto Film Festival a few years ago. Though I don’t usually approach celebrities in non-work circumstances I risked it if only to express appreciation (actors who’ve always been out of the closet deserve our respect). We ended up chatting over a drink. When I bring this chance meeting up, rather than shrugging off the awkward familiarity Colman begins to laugh. “We sure did!” he says enthusiastically before drifting into a familiar conversation — as so many of us have now — about how much he misses meeting and hugging people in person.

We spoke over Zoom in February, almost a year into the pandemic...

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On the SAG winners: History making but will they prove Oscar & Emmy influential?

by Nathaniel R

Riz Ahmed was one of handful of stars hat operated as inadvertent hosts by having bits of an interview spliced in all throughout the show about their careers and such.

We watched the SAG awards last night with a mix of fascination and relief. Fascination at the winners chosen and relief that the ceremony accepted that it couldn't be a normal one and therefore became merely a swift presentation of wins with acceptance speeches on Zoom. Aside from swift "bits" where famous actors talked about their headshots or the "special skills" on their resumes, it was all just actors talking about the nominated actors and then the winners beaming from their homes on Zoom. It ran just a single hour long...

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Regina King directs Viola Davis

Regina King directed a photo-essay for W magazine called "Black Americana" starring Viola Davis and her family. The photographer is Andre D. Wagner. It's just beautiful. Check it out. 

The legendary Ann Roth does it again!

by Cláudio Alves

89-year-old Ann Roth is a living legend in the world of costume design. With a filmography that has long ago surpassed 100 productions and a curriculum further filled with numerous stage shows, the Oscar and Tony-winning Roth is a figure that demands respect and adoration. The best part is that she shows no signs of retiring and, this year, the designer is back with another showcase of her talents. The Denzel Washington-produced adaptation of August Wilson's Ma Rainey's Black Bottom features gorgeous 1920s fashion.

Every character in Ma Rainey is trying to say something with their clothes, be it to project self-worth as a shield or visualize their aspirations. No one does it more than the leads, Viola Davis' Ma Rainey and Chadwick Boseman's Levee...

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Review: "Ma Rainey's Black Bottom" does August Wilson proud

by Nathaniel R

"Deep Moanin' Blues" - Ma's introduction

We see black suffering so often in films that the slightest purposeful subversion of that expectation can stun. You could easily mistake the first shot of Ma Rainey's Black Bottom, for instance, for a slave drama. It's a wide shot of a dark quiet forest, crickets chirping, that's punctuated by two men running breathlessly through it, and then the sound of dogs barking as if in pursuit. Two lit torches at the end of the shot, however, don't spell doom but joy. The only escape these men are currently after is communal experience. They're headed for a tent concert where folks are already lined up to pay their coins (a sharp detail) before the camera swoops up to see "Ma" Rainey (Viola Davis) humming those "Deep Moanin' Blues" before a joyful crowd.

Not, mind you, that Ma Rainey's Black Bottom replaces suffering with joy. It just nods to their connection before announcing everything else it has on its mind. Which is quite a lot...

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