FYC: A Best Costume Design Celebration

by Cláudio Alves

PASSAGES should earn Khadija Zeggaï an Oscar nomination.

As the voting for the 96th Academy Award nominations continues, there's a possibility that we'll get a repeat of 2019 in Best Costume Design. Though not disastrous, that season saw the lineup comprised exclusively of Best Picture nominees – a sad sight for a race where, once upon a time, brilliant work could be rewarded regardless of a film's general buzz. Maybe Wonka, The Color Purple, or Napoleon will stop that from happening, but it'll still result in a fairly expected ballot. Why not look elsewhere to some of the year's underrated gems? Please, Costume Branch, remember you represent the category of I Am Love, Bright Star, Marie Antoinette, and many others. 

I've already made the case for La Chimera, Passages, and Pain Hustlers, so I won't repeat it. Still, even with those out of the way, there's plenty to celebrate from 2023 cinema. Here are ten Oscar-eligible achievements in costume design…

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Jacqueline Durran: From Kubrick to Barbie

by Cláudio Alves

Two-time Academy Award winner Jacqueline Durran is undoubtedly on the path to another Oscar nomination, maybe even a third victory. The British costume designer brought the pink paradise of Barbie to life, delighting audiences with a mixture of archival recreations sized-up from doll scale and original creations in line with Greta Gerwig's reality-hopping narrative. The movie is a delight for costume lovers everywhere as soon as its first scene when it contrasts the graphic modernity of the 1959 swimsuit-clad Barbie with the attire of midcentury girlhood, their look defined - perchance shackled - by domestic aspiration. Then comes a series of classic Mattel outfits, a flurry of rosiness, and our welcome to BarbieLand. It's a colorful explosion of femininity as understood by kids' imaginations... 

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Queering the Oscars: The Delicious Costumes of "The Talented Mr. Ripley"

Team Experience has been looking at LGBTQ+ related Oscar nominations. Tonight we're serving lewks!

By Christopher James

For a movie with iconic nude scenes, the costumes of The Talented Mr. Ripley (1999) are just as memorable and titillating. It’s fitting that the Oscars honored the incredible work of costume designers Ann Roth and Gary Jones for the film, which should’ve shown up in more categories than the five it was nominated for. Though the actual Oscar went to Lindy Hemming’s period-specific and gloriously gaudy work in Topsy-Turvy, we’re still cheering on the sidelines for Ripley.

Let's count down the 10 queerest looks from the movie...

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Klute, pt 3: Fresh Produce, Real Tears, and a Sick Confession

In the first third of Klute (1971) we met the two fascinating central characters, a smart angry prostitute/actress Bree Daniels (Jane Fonda) and a hard-to-read detective John Klute (Donald Sutherland) investigating the disappearance of a man who might have been her client. In the middle of the picture, a volatile romance between the two blossoms just as the speculative danger becomes real. 

part 3 by Mark Brinkerhoff

01:17:20 As we left part two of this retrospective, the body of another of Bree's friends was found. Klute is putting the pieces together and it doesn't look great for Bree, the only one of the three prostitutes involved with the mystery man who is still alive. Boy does the suspense really ratchet up towards the end! So we'll keep this final installment briefer in appreciation of quickening heartbeats...

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ICYMI - Ann Roth reacts to her Oscar win

This has been making the rounds but perhaps you missed it as we initially did. Veteran costume designer Ann Roth, who we've discussed at length before, wasn't at the Oscars. Like Hopkins, the oldest man ever to win Best Actor, she's the oldest to win in her field and the second oldest of all time; only James Ivory, Call Me By Your Name, was older in winning a competitive Oscar and by just a matter of weeks.

Roth seems very happy about the second Oscar, which was almost a quarter century coming after The English Patient. Her daughter wrote about it, saying...

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