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The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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SAG Ensemble Predictions

"How is no one talking about the kids from IT????? They were amazing" - David

"I think Girls Trip makes it. Or st least Tiffany Haddish gets a nod. Right now, I’m thinking both?" - Roger

"In terms of crazy nominations that will never happen in a million years, I'd be elated to see something like The Beguiled or mother! nominated." - Film Junkie

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Entries in Best Ensemble (54)

Wednesday
Dec132017

"Everyone is Nominated... but you!" Our annual SAG Ensemble Rules Exposé

by Nathaniel R

Betty Gabriel is not included in the Get Out ensemble nomination. For shame, SAG!The Film Experience started a tradition of exposing the Screen Actors Guild Awards unfortunate rules regarding ensemble nominations back in 2004. If you'd like a little history as to why we became advocates for change in this matter you can find the details at the bottom of the post. But for now let it suffice to say that SAG's rules for inclusion strike us as punitive for less famous actors and thus unbecoming given that they are a union and unions are ostensibly there to support the workers. The rule boils down to this: you need your own title card in a movie to be so honored - being on a shared title card or in the credits scroll won't do. With a new set of nominees for Outstanding Cast of a Motion Picture let's investigate which valuable players were unjustly left out while their (usually) more famous coworkers were honored, no matter their actual contributions to the movie in question.

2017 SAG OUTSTANDING CAST NOMINATIONS
Who was excluded this year despite their fine work?

THE BIG SICK
Nominees (in billing order): Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Anupam Kher, Zenobia Shroff, Adeel Akhtar 

Who was left out? The first shared title card belonged to Bo Burham and Aidy Bryant, with the second shared card going to Kurt Braunohler and Vella Lovell. Burnham, Braunohler and Bryant played Nanjiani's inner circle of comedian friends. Lovell was fantastic as a would-be arranged bride for Nanjiani but anyone who has seen her on Crazy Ex Girlfriend knows that she is skillful with mixing sharp comedy with dramatic undertow.

Click to read more ...

Wednesday
Dec132017

Screen Actors Guild Nominations 2017

By Nathaniel R

Another day, another set of honors to parse. Refresh your screen for updates. The nominations were announced by Olivia Munn and Niecy Nash this morning. Three Billboards Outside Ebbing Missouri and Big Little Lies led the honors with 4 nominations each. Generally speaking the SAG lineups indicate you have a great shot at also becoming an Oscar nominee, if not a locked shot, so the nominees this morning have a lot to be excited about. SAGs nominations for TV are less relevant in terms of awards prospects since they don't divvy up the categories in quite the same way as the Emmys, nor is their timetable the same. 

The nominees are...

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Sunday
Dec102017

You're Tearing Me Apart, Franco!: "The Disaster Artist"

By Spencer Coile 

Tommy Wiseau's The Room is a train-wreck. This is not a unique statement to make. Ask anyone who has seen it, and you'll surely be met with a healthy mix of laughter and endless quoting from 2003's "so bad it's good" disasterpiece. For years, fans have flocked to midnight showings at local theaters or gathered with friends around their TV to enjoy the messy writing, acting, and directing -- just three of the many hats Wiseau wore throughout filming.

What many fail to address, however, is that The Room was not always comedy; it began as a labor of love -- a melodrama with strong connections to Wiseau's personal (but very private) life. Adapted from the memoir by The Room co-star Greg Sestero and journalist Tom Bissell, James Franco dramatizes Wiseau's journey from obscurity to cult stardom in The Disaster Artist. But is his portrayal of Tommy Wiseau given the same loving treatment as Wiseau intended for The Room...? 

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Saturday
Dec092017

SAG Predictions: Outstanding Ensemble

by Nathaniel R

The SAG nominating committe has to turn in their ballots tomorrow (Sunday, December 10th) and we're naturally very curious as to how their votes turned out. We'll find out this coming Wednesday. The bulk of the nominees are usually the obvious set who are carrying a ton of buzz. But that's just the bulk. SAG has been known to throw at least one total wildcard into the mix (remember Naomi Watts for St Vincent, 2014, or Sarah Silverman in I Smile Back, 2015, or Hustle & Flow for ensemble in 2005?).

Let's take a look at the truly competitive Outstanding Ensemble category...

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Wednesday
Nov152017

Review: Murder on the Orient Express (2017)

by Eric Blume

The good news is the bad news:  director Kenneth Branagh’s new adaptation of Agatha Christie’s Murder on the Orient Express is exactly what you think it will be.  It’s a stylish, corny, enjoyable two hours filled with movie stars and that absurd moustache.  It delivers on romantic glamor and old-school moviemaking, but there’s not a surprise to be had.

Out of the gate, Branagh plunges us into a prologue that’s both boring and obvious.  He means to establish Hercule Poirot’s philosophy and fastidious nature, which sadly serves only as clunky groundwork which you know will circle back by the finale (which it does).  He also tries to bring some levity to the piece with a few lame jokes.  At first Branagh seems to be overplaying his hand...  

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Thursday
Nov092017

Blueprints: "Evil Under the Sun"

In anticipation of the release of Murder on the Orient Express this weekend, Jorge Molina takes a look at a lesser known Agatha Christie adaptation to see how a mystery can introduce its suspects before it even begins.

There are few things that give me more comfort in life than murder mysteries. Clues woven cleverly through a narrative, the slow reveal of hidden motivations, the buildup to a clean and logical resolution. Watching one person inevitably emerge a criminal from a large group of eccentric and enigmatic characters. 

Agatha Christie is still the undeniable queen of the genre. In her novels she perfected the character archetypes for these stories: the charismatic millionaire, the begrudging femme fatale, the quiet foreign girl, the ambitious older lad... to name but a few.

And when her work started to inevitably get cinematic adaptations, with them came a pool of dramatic flair for actors to dive into...

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