Entries in stunts (19)
Would you rather
... go dancing with Logan Lerman?
... work on stunts with Lewis Tan?
... respond to fan tweets with Chrissy Teigen?
... tell fortunes for charity with Kristin Scott Thomas?
... visit Anthony Hopkins art studio?
... or share a 5 lbs gummy bear with Topher Grace?
the pics are after the jump to help you decide...
The New Yorker an evocative thoughtful profile of Mike Mills and 20th Century Women
The Muse Rich Juzwiak on the year in overrated pop culture, starting with Manchester by the Sea. ("A Masterpiece." "It's not tho")
The Metrograph Screenwriter Phyllis Nagy (Carol) reflects on Patricia Highsmith's dislike of the screen adaptations of her work - Metrograph is showing a handful of them his month. (Finally my chance to see Purple Noon on a big screen.)
Films which take place in 2017, Hayao Miyazaki's non-retirement retirement, Aquaman stunts, Broadway divas, and Postcards from the Edge after the jump...
New Miniseries! As we approach the release of The Legend of Tarzan (2016) we'll be ogling past screen incarnations of the Lord of the Apes each weekend like we're going to an old timey matinee.
We began by staring hard at Buster Crabbe's loincloth so as to avoid the acting and plotting. For chapter 2 we're moving to the main event: Johnny Weissmuller. He's the actor most often associated with the the Lord of the Apes since he played it 12 times and because he played it so well. There's a genuine guileness and in the moment feeling to his work that lets the ape man read more simple and pure than stupid, despite all the broken English. A few seasons ago on a weakly attended episode of 'Hit Me With Your Best Shot' we marvelled at how erotic the pre-code Tarzan the Ape Man (1932) was . Rather than rehash that film (though it is definitely worth your time), we jump ahead to its sequel Tarzan and His Mate (1934) which some argue is the best of the dozens of Tarzan films made during the studio era. Not I, as I think it's a notch below the 1932 original but in truth that's splitting hairs. The two films cling to each other as tightly as Jane holds on to her swinging man. More than most Tarzan films it's a direct sequel, constantly referencing events, locales, and characters from the original film.
When we left the jungle couple in 1932, Tarzan was already getting (ahem) good with his tongue. When audiences returned to see the next adventure in the Spring of 1934, Hollywood's "Pre-Code" era was ending. The code began to be rigidly enforced that year which meant there was one last burst of racy sexy times in the cinema that year for films that had already been shot. [More...]
______________ are to ____________ what stunts are to Tom Cruise
Complete the analogy in the comments!
Jurassic World just beat The Avengers box office tally to become the third highest grosser of all time (when you don't adjust for inflation) which has Awards Daily wringing its hands over what the Academy should do to better honor the types of films people pay to see. As you may have guessed The Film Experience has strong feelings about this topic (including suggested new Oscar categories) all of which we will share with you right now...
Look, Suffragette finally got a poster. [src]
Unfortunately it's fugly (not Carey. She pretty). Incidentally purple and green are my favorite colors but I never like them in combo unless I'm looking at The Joker.
Pajiba marvels that 'Tom Cruise does his own stunts' is way more than just lip service
Southpaw a Featurette as Jake Gyllenhaal trains for the movie
Towleroad Rob Lowe dubsmashing The Sound of Music
AV Club Oscar Isaac headlines Show Me a Hero for HBO, which now has a trailer
AV Club hating on Teen Wolf's current season - I'm finding the show more and more incomprehensible every year. Considering quitting
The Guardian in "current weirdest movie news" Mel Gibson is now a "Creative Adviser" on a Chinese WW II epic The Bombing
I'm really struggling to be more well rounded as a person - i only think of the arts! - so every once in awhile i must share current and extremely random items of fascination
New Yorker "The Really Big One" -- this article on the fault lines in the Pacific Northwest is more terrifying than any disaster movie
Slate investigates the tails of seahorses -- they're actually square unlike the traditional round
Showtune to Go
I saw On the Twentieth Century a couple of weeks ago starring Kristin Chenoweth (one-of-a-kind amazing as usual) and you only have a few more days to see it (it closes on the 19th). The show was a little too manically staged for me but Chenoweth as a movie star and Andy Karl as her coattails riding actor boyfriend were both delicious and sensational and more than the sum of their parts. Unfortunately there's precious little quality video of Andy Karl online so here's a promo for his turn in "Rocky The Musical" in 2014 which seemed to prophesy the revival of that franchise - Creed coming at you soon.
For whatever reason Karl barely ever does TV or film (unlike a lot of other stage stars) so his profile is weirdly low with the general public considering he's funny, sexy, good-looking, traditionally masculine, talented and all of that. I was enraged all over again watching his extremely funny work in "On the Twentieth Century" as a narcissistic actor that Christian Borle won a generous second Tony for "Something Rotten" when his category was filled with so many better and truly inspired performances from Tony-less men (one of them even in his own show). The Emmys tendency to love the same people over and over again is much documented and groused about online, but the Tony habit of the same is even more mystifying since they're dealing with different shows and characters altogether each time. With the exception of a few people as default nominees, I'm deeply grateful that Oscar voters have somehow not inherited this usually* awful and stingy gene!
* there are people who have deserved multiple Tonys of course (Cheno, McDonald, Foster, Bernadette, etcetera). But... generally spread the wealth is a wiser and more justified impulse.