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Entries in stunts (40)

Thursday
Apr132017

The Fast and I'm Furious: Ranking every film in the franchise

by Spencer Coile 

Dating back to 2001 with the premiere of The Fast and the Furious, the Furious franchise has become something of a centerpiece of the action genre. Watching the shenanigans of Paul Walker, Vin Diesel, and company across the span of seven films in sixteen years is quite the rollercoaster ride of quality. Ranging from the good, the bad, and the ugly, it is especially interesting to note the progression of the film series; they initially started as mindless entertainement to... well, even more mindless entertainment, but with some awe-inspiring action sequences with a blatant theme of family and togetherness. Even after the death of Paul Walker, the franchise continues. 

In preparation for the latest foray into the canon, the eigth film (they aren't all numbered) The Fate of the Furious, I decided to sit down with each of the seven preceding movies and evaluate each on their own merits, but also how they function in the series as a whole. I'd seen a whopping zero of them before this marathon! How many have you seen?

Ranking the Fast and the Furious Franchise...

Click to read more ...

Wednesday
Mar152017

Acting is a Strange Profession

Example #27,013...

Wednesday
Feb222017

Would you rather w/ Logan Lerman & Kristin Scott Thomas

Would you rather

... go dancing with Logan Lerman?
... work on stunts with Lewis Tan?
... respond to fan tweets with Chrissy Teigen? 
... tell fortunes for charity with Kristin Scott Thomas? 
... visit Anthony Hopkins art studio? 
... or share a 5 lbs gummy bear with Topher Grace? 

the pics are after the jump to help you decide...

Click to read more ...

Tuesday
Jan032017

Talented Mr Linky

Must Reads
The New Yorker an evocative thoughtful profile of Mike Mills and 20th Century Women
The Muse Rich Juzwiak on the year in overrated pop culture, starting with Manchester by the Sea. ("A Masterpiece." "It's not tho")
The Metrograph Screenwriter Phyllis Nagy (Carol) reflects on Patricia Highsmith's dislike of the screen adaptations of her work - Metrograph is showing a handful of them his month. (Finally my chance to see Purple Noon on a big screen.)

Films which take place in 2017, Hayao Miyazaki's non-retirement retirement, Aquaman stunts, Broadway divas, and Postcards from the Edge after the jump...

Click to read more ...

Saturday
May212016

Swing, Tarzan, Swing! Ch.2: Maureen O'Sullivan & Johnny Weismuller

one of many erotic moments in Tarzan the Ape Man (1932)New Miniseries! As we approach the release of The Legend of Tarzan (2016) we'll be ogling past screen incarnations of the Lord of the Apes each weekend like we're going to an old timey matinee.

We began by staring hard at Buster Crabbe's loincloth so as to avoid the acting and plotting. For chapter 2 we're moving to the main event: Johnny Weissmuller. He's the actor most often associated with the the Lord of the Apes since he played it 12 times and because he played it so well. There's a genuine guileness and in the moment feeling to his work that lets the ape man read more simple and pure than stupid, despite all the broken English. A few seasons ago on a weakly attended episode of 'Hit Me With Your Best Shot' we marvelled at how erotic the pre-code Tarzan the Ape Man (1932) was . Rather than rehash that film (though it is definitely worth your time), we jump ahead to its sequel Tarzan and His Mate (1934) which some argue is the best of the dozens of Tarzan films made during the studio era. Not I, as I think it's a notch below the 1932 original but in truth that's splitting hairs. The two films cling to each other as tightly as Jane holds on to her swinging man. More than most Tarzan films it's a direct sequel, constantly referencing events, locales, and characters from the original film.

When we left the jungle couple in 1932, Tarzan was already getting (ahem) good with his tongue. When audiences returned to see the next adventure in the Spring of 1934, Hollywood's "Pre-Code" era was ending. The code began to be rigidly enforced that year which meant there was one last burst of racy sexy times in the cinema that year for films that had already been shot. [More...]

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