Annecy ’26: Chaplin, Keaton, Lloyd… and the Minions?

by Cláudio Alves

This year, I was lucky enough to attend the 50th edition of the Annecy International Animation Film Festival and Market. The festivities ended this past weekend, with Ervin Han and Raúl García’s The Violinist taking the prestigious Cristal prize for Best Film from the feature competition. Past winners include such titles as Arco, Memoir of a Snail, Flee, I Lost My Body, Coraline, and many other unforgettable pictures. But it wasn’t all fun and games and glory. While the festival was underway in the Alps, France was suffering through its worst heatwave in recorded history, and before it all ended, the tragic death of animator Luis de La Rosa shrouded the event in a sense of collective grief. Between good and bad, triumph and unexpected sorrow, there is much to discuss. 

No better place to start than at the beginning, with the slapstick extravaganza that had the honor of opening the festivities – Minions & Monsters, which comes to theaters this week, worldwide…

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Cannes Diary: The past and future of cinema from "Napoleon" to VR

Once again, I have the privilege of sharing my experiences at the Cannes Film Festival here on The Film Experience with a daily diary of impressions and reviews from the Croisette.

by Elisa Giudici

Today we delve into both the rich history and the uncertain future of cinema. Some foresee a fate entwined with AI and irrelevance, while others celebrate the enduring vitality of an art form that blazed its trail over a century ago. This year’s Cannes opening reflects on the industry's past glories and its current challenges, not shying away from the unease about what lies ahead, evoking the dizzying excitement of days gone by...

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Sherlock Jr. @100: For the love of Cinema

by Cláudio Alves

This week, one of the best comedies ever made and a silent film masterpiece celebrates its centennial. It's none other than Sherlock Jr., Buster Keaton's 45-minute miracle of stunt work and cinematic considerations about cinema as materialized dream and broken escapism. A meta-movie for the ages, I consider it the old Stone Face's crowning achievement. Sure, The General is much more complex and Steamboat Bill, Jr. trumps it in sheer iconography. As for technical innovation, something like The Play House is probably Keaton's peak. However, there's something special about the 1924 lark, a simplicity that bolsters perfection, an ingenuity that rekindles my love for cinema whenever I set my eyes on it…

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Oscar History: The Very First Ceremony!

by Nathaniel R

THE FIRST OSCAR CEREMONY (photo from the Academy)

94 years ago today (May 16th, 1929) the very first Oscars were held in Hollywood. The newly formed Academy of Motion Picture Arts and Sciences was honoring the films released in the summer of 1927 through the summer of 1928 (a full year prior!). The ceremony, held at the Roosevelt Hotel (which was then about to turn two years old and is now the oldest continually operating hotel in Los Angeles) lasted just 15 minutes.  It would be the first and only fully “private” ceremony with the Oscars broadcasting by radio the following year. It would also be the first and only ceremony ever held in May with the Oscars moving to November the next season. Unusual yes. But only to these modern eyes. It would take the Academy a decade plus to settle into many of the traditions and categories that now seem to have always existed and even longer before the television-specific rituals began (in the early 50’s.)

Let’s look at what they chose in their inaugural year and where you can now screen those films...

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Oscar Completism: Unfinished Business and Happy Endings?

Baby Clyde's Oscar Completist Diaries -- Part 2
(If you missed part one read that first!)

When COVID hit I happened to be in Colombia. I wasn’t frolicking on the beach in 90-degree heat or scuba diving in the beautiful clear blue Caribbean Sea but watching the Best Actress nominees of 1969 (That’s what holidays are for right?). Jean Simmons and Liza Minnelli had somehow passed me by over the years and with my new Russian pal I was able to fill in all the gaps. By the time I was back in London and lockdown had kicked in, I’d decided to make a project of it. Using Kevin Jacobson’s And The Runner-Up Is podcast as my companion I started watching every nomination in reverse order from 1969 down to 1927. I rewatched everything I’d already seen and added in the first-time watches along the way, noting everything down on a colour coded spreadsheet as I went and listening to the corresponding podcast episode (I promise I’m really not as sad as this suggests. I used to be a cool 90’s Club kid, remember!!!). This made for some very interesting stats on my Letterboxd Most Watched List – The best place on the entire internet.

2020 was full of stars of the 50’s and 60’s (Sophia Loren won) whilst 2021 was made up of the biggest names from the 30’ and 40’s (And Beulah Bondi). Cary Grant came out on top. By the end of the year Kevin had invited me on the podcast to discuss the Best Picture race of 1935. I waffled on for 2 hours and 20 minutes...

The further I went the harder it became...

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