Relitigating Best Actress '04

by Cláudio Alves

Are you a fan of And the Runner-Up Is? Kevin Jacobsen's podcast started as a way to look at past Best Picture races, going down Oscar history one lineup at a time. However, when every year was covered, it came time to change strategy. Going beyond the biggest category of them all, he refocused his attention on the Academy Award for Best Actress and revitalized the format along the way. Three years ago, I had the honor of guesting in the 1933 episode where we discussed Katharine Hepburn's first victory, May Robson's sentimental loveliness, and Diane Wynyard's short-lived Hollywood success story. This week, it was time to return to And the Runner-Up Is and relitigate one of the greatest Best Actress races ever. It's Swank vs Bening round two, 2004 electric boogaloo…

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Oscar Completism: Unfinished Business and Happy Endings?

Baby Clyde's Oscar Completist Diaries -- Part 2
(If you missed part one read that first!)

When COVID hit I happened to be in Colombia. I wasn’t frolicking on the beach in 90-degree heat or scuba diving in the beautiful clear blue Caribbean Sea but watching the Best Actress nominees of 1969 (That’s what holidays are for right?). Jean Simmons and Liza Minnelli had somehow passed me by over the years and with my new Russian pal I was able to fill in all the gaps. By the time I was back in London and lockdown had kicked in, I’d decided to make a project of it. Using Kevin Jacobson’s And The Runner-Up Is podcast as my companion I started watching every nomination in reverse order from 1969 down to 1927. I rewatched everything I’d already seen and added in the first-time watches along the way, noting everything down on a colour coded spreadsheet as I went and listening to the corresponding podcast episode (I promise I’m really not as sad as this suggests. I used to be a cool 90’s Club kid, remember!!!). This made for some very interesting stats on my Letterboxd Most Watched List – The best place on the entire internet.

2020 was full of stars of the 50’s and 60’s (Sophia Loren won) whilst 2021 was made up of the biggest names from the 30’ and 40’s (And Beulah Bondi). Cary Grant came out on top. By the end of the year Kevin had invited me on the podcast to discuss the Best Picture race of 1935. I waffled on for 2 hours and 20 minutes...

The further I went the harder it became...

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And the runner up is... Rosalind Russell? Joan Crawford? Susan Hayward?

I had the pleasure of joining Kevin Jacobsen on his great podcast series "And the Runner Up Is..." for a fourth time. Kevin opted to assign me 1947 when I asked for this decade. So listen in to hear us talk about the following lineup which has two great performances, one coaster nomination, a bullet dodged, and one of my mother's favourites from her childhood.

• Joan Crawford, Possessed
• Susan Hayward, Smash-Up: The Story of a Woman
• Dorothy McGuire, Gentleman's Agreement
• Rosalind Russell, Mourning Becomes Electra 
• ★ Loretta Young, The Farmer's Daughter

Which of those performances do you love?

Showbiz History: Duplicity, The King and I, and the 1951 Oscars

5 random things that happened on this day, March 20th, in showbiz history...

1949 The 20th Academy Awards are held honoring the films of 1947. The anti-semitism journalism drama Gentleman's Agreement takes Best Picture with Miracle on 34th Street probably a distant second. We had so much fun discussing this year last summer and we highly recommend you watch Crossfire (which lost all five of its nominations) because it's excellent...

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Introducing the Smackdown Panel for '65

Are you ready for the the penultimate episode of this super-sized Supporting Actress Smackdown season? Up next 1965. The Nominees Were: Ruth Gordon (Inside Daisy Clover),  Joyce Redman AND Maggie Smith (Othello), Shelley Winters (A Patch of Blue) and Peggy Wood (The Sound of Music).  Once you've watched that quartet of films, send in your ballots with "1965" in the subject line and a 1 (poor) to 5 (perfection) rating for each of the five performances. You're the collective final vote. Let's meet your fellow panelists, shall we?

PLEASE WELCOME...   

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