Film Bitch History
Oscar History
Welcome

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

 

Powered by Squarespace
Don't Miss This!

The New Classics: INGLOURIOUS BASTERDS

Comment Fun

MINDHUNTER (s2 episodes 1-2) 

"I am also a big fan of this show, because of Fincher and the detective work, even if the show skirts very close sometimes to murderer fetish..." - Jono

"I love this show. I binged 7 of the 9 episodes and could have finished but I wanted to savor it a little longer. It's such an engrossing show and beautifully filmed" -Raul

Keep TFE Strong

We're looking for 500... no 461 Patron SaintsIf you read us daily, please be one.  Your suscription dimes make an enormous difference. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

Interviews

Directors of For Sama


recent
Lulu Wang (The Farewell)
Ritesh Batra (Photograph)
Schmidt & Abrantes (Diamantino)
Wanuri Kahiu (Rafiki)
Jia Zhang-ke (Ash is Purest White)

What'cha Looking For?
Subscribe

Entries in Los Angeles (57)

Monday
Jun032019

Auditions: Betty's Audition in "Mulholland Dr"

Our new series from Ginny O'Keefe, who knows from auditions as an actress in Los Angeles...

One of the more iconic audition scenes in the past 20 years of film comes from a film that gives you a great sense of security and comfort before ripping the rug right out from underneath you. It’s David Lynch’s Mulholland Drive. Naomi Watts plays Hollywood hopeful, Betty Elms, fresh off the plane from Ontario, Canada. She dreams of being a successful actress and is staying in her Aunt Ruth’s awesome apartment (rent-free I might add) while she is away filming a movie. She’s got a big audition coming up for a movie (with some really cheesy dialogue) and has been practicing like a beast in order to land the part. One of the things we admire about Betty is that she actually puts in the work in order to make her dreams come true. Cut to...

Click to read more ...

Wednesday
Apr242019

Oscar Rule Changes. It's about time with the Makeup & Hair, Academy

They finally listened! Or, rather...

We are now allowing ourselves to freely fantasize that our annual griping here at TFE for the past forever years that Makeup and Hair deserves as many nominations as any other filmmaking craft, planted the seeds that eventually led to discussions on the other coast. The Academy announced that there will be five nominees going forward in the category starting this next season. (We've already adjusted this year's April Foolish Prediction Chart). Should we go power-mad, loyal readers??

Alas, nope.  The other rule change we've requested for a long time, didn't happen...

Click to read more ...

Saturday
Jan052019

50 Days til Oscar, Ally!

Ladies and gentleman.... ALLY"

Not a still from the movie. They've actually put the Ally billboard up in Los Angeles in the same location it's supposed to be seen within the movie.

You have to hand it to the Warner Bros teams behind A Star is Born publicity both during its leggy run (now with a nearly $400 million global gross on a $36 million budget) and during awards season where it has consistently performed. They keep thinking of new ways to keep the film in people's minds, too, like this funny specific stunt pictured here. Will it feel like overkill by the time Academy members are voting. To some, sure, but those are likely the people who weren't going to vote for it anyway.

Sunday
Dec092018

LAFCA Winners (and other critics organizations)

The Los Angeles Film Critics Organization is presumably the most crucial in terms of Academy Awards influence since they're the hometown critics of Hollywood and the industry actually hears what they think on a regular basis. This year, like virtually every organization, they threw their weight behind Alfonso Cuarón's Mexican memoir drama Roma. They got idiosyncratic (but smart) in only one category this year, Supporting actor, where they honored Steven Yeun who is remarkable in Burning. Otherwise they underlined actors who are already in the thick of the Oscar discussion. Sadly, two women who really needed their endorsement (Toni Collette and Elizabeth Debicki) were left in "runner up" position, a nice nod in their direction, but not helpful to their causes. 

The full list of winners and lists from LAFCA and three other critics orgs who voted today are after the jump. It was a very good day for Olivia Colman, Steven Yeun and Burning, and Roma...

Click to read more ...

Tuesday
Mar132018

Podcast: Nick's Oscar Adventure!

For the season finale of the podcast Nathaniel R and Katey Rich grill Nick Davis about his FIRST TIME ATTENDING THE OSCARS!

Hear how the room responded to the Coco, Shape of Water, and Get Out wins. Name dropping galore ahead: Justin Paul, Aaron Sorkin, Sandy Martin, LaKeith Stanfield, Roger Deakins, Greta Gerwig, Jordan Peele, etc 

Index (43 minutes)
00:01 Intro: snack boxes, commercial breaks
02:30 Gags, speeches, celebrity sightings
11:00 Wins and spreading the wealth
18:00 Song performances, mistaken identity
21:00 Laura Dern and Timothée Chalamet
24:30 Time's Up and "inclusion riders"
30:00 Los Angeles and Nick's Faye photoshoot
35:30 Moving on from these movies
42:00 Byeeeee 

You can listen to the podcast here at the bottom of the post or download from iTunesContinue the conversations in the comments, won't you? 

Nick at the Oscars!

Tuesday
Dec052017

Doc Corner: 'LA 92' and 'Let It Fall: Los Angeles 1982-1992' 

by Glenn Dunks

It’s not surprising that the spectre of the Los Angeles riots of 1992 has loomed large over documentary filmmaking this year. Emerging out from shadow of O.J. Simpson, whose story was everywhere in 2016, the 25th anniversary of this monumental moment in American history has been the focus of not just (by my count) five feature documentaries, but has also felt like an integral part of more contemporary films like Sabaah Folayan and Damon Davis’ Whose Streets, Yance Ford’s Strong Island, and Peter Nicks’ The Force.

It would make sense then that these films, which largely pull from many of the same archival footage sources, might be in danger of working against one another. Dampening their urgency and their power simply by being too numerous.

However, at least in the case of Dan Lindsay and TJ Miller’s LA 92 and John Ridley’s Let It Fall: Los Angeles 1982-1992, that is certainly not what has occurred...

Click to read more ...