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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Missi Pyle's Oscar Memoir!

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Entries in yummy (49)

Tuesday
Dec162014

Curio: In the Kitchen with Meryl and Barbara

Alexa here. This week is cookie week in my house: the kitchen gets covered in flour and sugar in my attempt to craft cookies pretty as Martha's. I thought I'd try some new recipes this year, inspired by the world of film instead of M. Diddy. When I heard about The Dead Celebrity Cookbook Presents Christmas in Tinseltown I thought I'd check it out; I was sold when I saw it included Robert Mitchum's recipe for egg nog and Joan Crawford's recipe for angel food cake. First, though, I decided to try my hand at Barbara Stanwyck's family recipe for Christmas Kipfels during my yearly viewing of Christmas in Connecticut. With a little modification (rolling the dough instead of folding it, similar to rugelach), they were a snap.

With this recipe you won't need help from Felix

And so delicious!  So I was inspired to seek out other celebrity cookie recipes.  Another resource: Silver Screen Suppers, where you can find loads more of Joan Crawford's recipes. But when I stumbled upon Meryl Streep's family recipe for thumbprints (featured in Good Housekeeping) I knew I'd have to try it. After all, she showed some serious skills cracking those eggs in The Hours, clearly she knows her way around the kitchen. So of course, I dialed up The Hours and got to baking...

Click to read more ...

Friday
Dec052014

Monty the Cat Pundit Smells a Jennifer Aniston Surprise!

Monty is getting on in years and has all but retired from Oscar punditry. When I show him my swag in the hopes that he'll reveal some innate feline wisdom about awards season these days he looks away with disdain, grumpier than ever. He's even ignored all the boxes which must be like an alcoholic strolling past an open bar without stopping.

But FINALLY engagement. This week he lept with glee into a box containing various Into the Woods substances (I wasn't quick enough with the camera but he obviously approves. Does this mean that Into the Woods can muscle into the Best Picture race after all (it's kind of a toss-up right?) or is it just a reminder that Monty has a thing for musicals? His first Oscar call ever was Best Original Song for Björk in Dancer in the Dark (2000) when he was just a 2 year-old. He would race to the CD player (remember those?) whenever it came on and plant himself there.

And tonight, the most curiousity yet this season as he began circling one of three new packages He would barely let me touch it. What's it for?

Click to read more ...

Sunday
Nov302014

Abstew's Cinematic Thanks

Editor's Note: I asked Team Experience to tell us what they're thankful for this year during the holiday weekend. Here's abstew in the cinematic spirit.

abstew here. Thanksgiving may be only once a year, but it's always a great time to appreciate the greatness of film. Here are a few of the things I'm thankful for this year...

For Oscar Issac's camel coat in A Most Violent Year - practical and stylish winter wear while waging a war
For Tilda as a love-struck octogenarian socialite. Tilda as a yak-haired vampire. Tilda as a dentured dictator. Proving the existence of extraterrestrial life because, quite simply, Tilda Swinton is a shape-shifting, otherworldly being. 

For two favorite breakout stars: Jack O'Connell (dynamic in Starred Up and 71; I'm eagerly awaiting Unbroken) and Gugu Mbatha-Raw (compelling in two very different films, Belle and Beyond the Lights). I'm excited to see what new opportunities come their way for years to come.
For Miles Teller's epic finale drum solo in Whiplash
For Rose Bryne's hilariously spastic take on the line, "Keep it down!" in Neighbors
For Eddie Redmayne's freckles
For the achingly sweet, yet realistically grounded love of John Lithgow's Ben and Alfred Molina's George in Love is Strange

For Uma Thurman bursting in and stealing an entire two-part film in a single scene. "Would it be alright if I show the children the whoring bed?" 
For Emmanuel Lubezki's faux single-take cinematography in Birdman, perfectly translating the immediate, kinetic energy of the theatre into a cinematic equivalent.
For Eva Green's fully committed, go-for-broke performances, elevating everything she's in from the big screen (300: The Rise of an Empire) to the small screen (Penny Dreadful).
For Star Lord's "Awesome Mix Volume 1" cassette tape
For the return of Rene Russo
For the look of Angelina Jolie's Maleficent (if only the perfect character design wasn't wasted on the film...)

For the mouth-watering food porn in A Hundred-Foot Journey and Chef 
For Wes Anderson's candy-colored, intricately detailed world of The Grand Budapest Hotel

For TFE's series Hit Me With Your Best Shot. The single best opportunity to view and explore a film in ways you hadn't thought...and then to gain even more insight after reading what others have posted. If you haven't participated, you should when it returns!

And that I live in NYC, home of the Tribeca Film Festival, NYFF, NewFest and countless other film festivals. That there are still single screen theatres like the Zeigfeld and Paris where it feels like an event to go to the movies. And, most importantly, that I'm actually given the opportunity to see every movie (not just Hollywood blockbusters) in the theatre the weekend they are released.

And finally, for Nathaniel, Team Experience, and everyone who reads and comments. I'm beyond thankful that we have such a wonderful place to share our cinematic obsessions and affections.

 -Andy (abstew)


More Thank Yous: Nathaniel, Amir, Manuel & Jose

Tuesday
Oct212014

Top Ten: Best of The Boxtrolls

Because it was so much fun last week, another all top ten tuesday to celebrate our new season as the awards will soon come rushing at us...

People aren't talking about The Boxtrolls enough. It's a true mark against the world's parents that numerous animated mediocrities, The Peabodys, Nutjobs and Rios regularly and considerably outgross inventive Laika's awesome stop-motion films. While it's true that Laika's features have elements of the grotesque or macabre that are tougher sells to nonadventurous families, one only has to look at the perennial universal love for Nightmare Before Christmas to know that people are okay with that once they acclimate.

Which is very much my personal experience with The Boxtrolls. It's less immediately sympathetic than ParaNorman, less hook-laden than The Corpse Bride, less immediately fantastical than Coraline but once you get past the initial shock of the character designs (which has undoubtedly been an obstacle): blotched, deformed, dirty, jagged teeth and so on, the movie grows on you. It's another technical triumph in the service of a story that works on both juvenile and adult levels. Sure, it's not their best film but it's still a singular one in the current animated marketplace.

Since I never reviewed The Boxtrolls, consider this one of those in top ten form and a plea for those of you who haven't seen to correct that. To any awards voters reading who are just beginning to consider the Animated Feature Film category just know that it could be very rich with variety if you choose well this year.

THE BOXTROLL'S GREATEST HITS
after the jump...

Click to read more ...

Wednesday
Aug062014

HMWYBS: The Saddest Children in the World Trilogy

For this week's Best Shot episode, the last 'detour' before the final three classics for the season, I wanted to introduce all of you to the short films of Jamie Travis. The Canadian filmmaker has only made one feature, the phone sex comedy For a Good Time, Call... (2012) and he's been making a living with commercials and the MTV series Faking It of late.  His true claim to fame and the reason we should all root for bigger feature film things to come are his two short film trilogies.

Jamie Travis and the trilogy that hooked me

I first became obsessed with his work when I was on a festival jury and saw the first film in the Patterns trilogy, a trilogy which might be semi-accurately described as a fusion of Lynchian nightmare, oddball musical, and romantic dramedy. A few years ago I geeked out and embarrassed myself when I met him at a retrospective of his work at the Nashville Film Festival. It's not every short filmmaker who wins shamelessly adoring fans and festival retrospectives of their work!

For Best Shot, we're looking at his first trilogy 'the Saddest Children'. The films are only related by subject matter but they're worth watching in order because they get better and better and give you the opportunity to watch an artist perfect his original voice. What follows is my short write up on each film, followed by the Best Shot choices on other fine blogs. Click on those photos to be transported to the adjacent articles and make sure to watch the films themselves. As per usual reading other pieces makes me think "why didn't I see, respond to, or  get that in that way?!" which is half the reason I love doing this series.

WHY THE ANDERSON CHILDREN DIDN'T COME TO DINNER (2003)
In which three morose seven year-olds long to escape the mother who keeps overfeeding them...

Click to read more ...

Monday
Aug042014

"Share a Diet Coke with..."

Whenever I buy a Diet Coke I feel friendless because invariably I don't have friends in town with the random name I get. The other day I got a "Maddy" and a "Rick". But look what one of TFE's favorite loyal readers, Evan, saw in the deli!

How great is that?

Talk about accidental brilliance. Sadly these West Side lovers were discovered on the East Side. "East Side Story" just doesn't have the same ring to it. 

The most exciting "Share" I've ever gotten is this one. He's fictional but you can't have everything.