Tribeca: Sigourney Weaver Sells 'The Good House'

By Abe Friedtanzer

Film protagonists struggling with alcoholism dates back to the early days of cinema. While treatments, support groups, and the drinking age may have changed over the past century, the difficulty of needing that drink has not. It's interesting to see how films choose to portray such a common subject. The Good House, premiering at Tribeca ahead of a theatrical release this fall, definitely opens with a lighthearted approach.

Sigourney Weaver plays Hildy, a small-town New England realtor who spends as much time directly addressing the camera as she does trying to sell her clients on homes...

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Tribeca: Intoxicating Experiences in ‘Good Girl Jane’

By Abe Friedtanzer

 

Everyone’s experience of high school includes something they wish they hadn’t done. It’s much easier to reflect back on what that might have been as an adult; you have more distant to consider the impact and meaning of a moment or relationship that might not have problematic or regrettable at the time. For some, there’s a great deal of regret from a repeated pattern of behavior that had an undeniable effect on their lives. With time, humor can also be found in deeply disturbing events, and Good Girl Jane does that exceptionally well.

Sarah Elizabeth Mintz describes her directorial debut (she also wrote the screenplay) as loosely based on her own life but with considerable liberties taken and modifications made...

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Behind the Scenes at an Annual Oscar Party!

By Christopher James

We come to this place for magic. We come to the Dolby theaters to love, to cry, to watch a truly unhinged Oscar night. The Oscars have reached an interesting inflection point in their history. How do they adapt to the changing times without leaving behind what makes them special? As a movie fan, of course, like Nathaniel I want the Oscars to err on the side of more-is-more. They should be the Super-Bowl of movies that everyone is excited to watch or, yes, half watch. How have we (by we, I mean people who don’t have an interest in football) been conditioned to watch the Super-Bowl each year? Simple: the Super-Bowl party. Who doesn’t love an excuse to party and hang out at a friend’s house on a Sunday and watch something that everyone will talk about the following day? The Oscars should be longer, bigger, more fun and be the type of event that people want to throw parties for.

Throwing an Oscar party each year (sans last year for obvious reasons) has been one of my greatest joys. I invite you behind the scenes of (East) Hollywood’s biggest night (aka me packing thirty rowdy Oscar watchers in a small apartment)...

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Tweetweek

I would like to give this proposed movie all the Oscars now, plz and tx.

BEING THE RICARDOS but about the week leading up to the filming of the AMC ad

— Jorge Molina (@colormejorge) January 14, 2022

The Lost Daughter, possible casting for that Madonna biopic, Lady Gaga drunk on fake booze, Andrew Garfield in a pool, imporant news from Lee Grant, Oscar hosting funnies and more after the jump...

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FYC: Ben Affleck, The Way Back

By: Patrick Gratton

Has anyone set flame to their post Oscar goodwill as quickly as Ben Affleck? And he did it not once but twice! The eternal comeback kid, Affleck has been lunging forward and falling back in and out of the public and critical favor for the larger part of his career. Bouncing back and forth, whether it be his “Hollywood’s new leading man” phase, his Gigli-tabloid fodder phase, his Affleckassance directorial efforts, his Batfleck phase and the Sadffleck meme, Affleck has continuously struggled to maintain a second act in his career. In retrospect, through baggage-induced trial and error, Affleck has built a career of rising above lowered expectations, only to fall again.

After a career's worth of trying to fit the bill that Hollywood gave him, it shouldn’t be a surprise that he wears 'rundown & disgruntled' so well in Gavin O’Connor’s The Way Back...

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