Breaking News: Someone finally gave Toni Collette something to act onscreen again. She has lines and emotions and everything. (Tammy and Hitchcock -- never forget!). But I'm jumping too far ahead since Glassland takes some time to come around to her story. When we finally get to it she all but dares you to listen with hostile self-pity in an amazing and amazingly lengthy monologue. [More...]
Entries in booze (19)
As stated last night at first I thought the Prince Golden Globe reveal was an elaborate joke when he walked out in longshot with afro and cane. There seemed to be a delayed reaction from the crowd too who exploded with glee after a beat. I love Prince (the 80s were my formative years what can I say) so I know which of the following reactions was mine. But which was yours? Please do share your three favorite Prince songs in the comments and vote on the poll!
The Missi Pyle Experience is a wrap.
Before I go, I want to give y'all a sentence or two about eight photos, a few of which Nathaniel asked me about.
Tony Shalhoub is a fucking dream boat. This movie was the best experience of my life. Also every day Alan Rickman sat and ate lunch with us like a real human being, not in his trailer. He is like a beacon from heaven. I am so lucky I got to do this movie.
It's true. I didn't quit How To Get Away With Murder as intended. The people have spoken and the last writeup was so popular that I kept watching. But writing about it is harder when it's not being porny and forcing my hand and, um, jaw (see: previously on...)
"We're Not Friends" & "Whack-a-Mole"
It's two episodes in one post, a survival tactic. Manuel will be handling the next while I'm in LA, bless him for his sacrifice.
These latest two eppys huff and puff and cry and scream and the first at least is so (typically) hysteric that it has a jury picking montage with frenzied strobelight-editing set to housemusic from the 90s (I half expected Viola Davis to start pivoting and jacking while shouting "excuse" and "accept" and "dismiss for cause" at each potential juror.) Amidst all the heightened emotion the two rawest expression of feeling came in scenes between Annalise and soon-to-be-dead husband Sam. Their scenes together crackle in a way that little else on the show does which does not bode well for Season 2, unless they go supernatural and keep Tom Verica on as a ghost. Pretty please?! You're always jumping the shark when every character is a shark anyway and it's not like they're concerned with Ivy League or Legal accuracy.
These two scenes with have promising Emmy-seeking character moments, though they're a potentia mine field of regressive gender politics. In 'Not Friends' Annalise implies that she was once like the murdered student, a student her husband picked up "weak, broken ... a mess that he had to clean up" and in 'Whack-a-Mole' she delivers a pathetic but wholly human refrain of "I need you"
So...um... [cue Celine power ballad] she's everything she is because he loved her???