Oscar History

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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Entries in booze (28)


Young and Hungry Susan Hayward


by Nathaniel R

Oscar buffs might be the only people who still regularly talk about Susan Hayward but her Oscar record was impressive enough to warrant that conversation. Five nominations with one win, all in the Best Actress category, is not nothing. In fact, her record is a match with Audrey Hepburn and Anne Bancroft and another Susan (Sarandon). But when I first got interested in Susan Hayward before I'd seen any of her films, what drew me in was the abundant hysteria within the posters, titles, and taglines for her movies. Or to quote Rupert Everett in My Best Friend's Wedding:

The misery. The exquisite tragedy. The Susan Hayward of it all!"

She lived (onscreen at least) for exclamation points so it's fitting then that her Oscar win came from I Want to Live! (1958). But to close out our celebration counterintuitively in reverse, let's end with a film from when Hayward was a young and hungry actress without much pull...

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Susan Hayward in "My Foolish Heart"


by Timothy Brayton

Yesterday, Eric did an extraordinary job of tackling Susan Hayward's performance in I'll Cry Tomorrow (1955), which I think a lot of us might agree was her all-time best performance. Today, I'd like to offer up what I consider to be her most Susan Haywardiest performance: as the good girl-turned-wretched alcoholic in 1949's My Foolish Heart, the film that netted Hayward the second of her five Oscar nominations.

It's a story tailored with laser focus on letting the lead actress show off Everything with a capital "E"...

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Susan Hayward in "I'll Cry Tomorrow"


"this story was filmed on location... inside a woman's soul!"
-I'll Cry Tomorrow's tagline.

by Eric Blume

I’ll Cry Tomorrow, a biopic of singer Lillian Roth, won Susan Hayward the fourth of her five Oscar nominations, in 1955.  The film starts with a young Lillian and her stage mother, played by Jo Van Fleet. Ten minutes in, though, Hayward gets a true star entrance belting out “Sing You Sinners” in a lengthy number with only four cuts.

It’s a fun introduction, partially because you try to place yourself in 1955, when part of the excitement (one guesses) was hearing Hayward sing for the first time, and it’s quite a boisterous number. Then Hayward was known mostly as a tragedienne (Hollywood star variety), it must have been a blast for audiences to see Hayward let loose (Hollywood star style) in a big production number where she gets to snarl and dance (Hollywood star style, as the musicality doesn’t come easily to her)... 

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Instagram Battles: Juliette with needles, Jess with Playbill, Gwynnie with "farmgarita"

Would you rather...

...hit a Broadway show with Jessica Chastain?
...have a photo op with the women of Big Little Lies?
...double fist with Armie Hammer?  
...get acupuncture with Juliette Lewis?  
...drink a farmgarita with Gwyneth Paltrow? 
...share a tongue bath and head massage with Luke Evans? 

Pictures after the jump to help you decide. 

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A Look at the Animated Shorts

Eric here with a look at the animated shorts. If you missed previous nominated shorts coverage, Glenn investigated the documentary options, I looked at the live action shorts, and Nathaniel interviewed the director of Sing.

Pros and cons and predictions after the jump...

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Instagram Zen

Another scorcher today so take it easy if you can. Here are three moments of celebrity chill to inspire you if you're stressed about the week: Naomi Watts drinking Watts Rose, waterfall gorgeousity with Luca Calvani, and a staring contest with Chris Hemsworth.


This is Great!! #LifeIsGood #Nature #gratitude #MightyHeart #brrrr

A photo posted by Luca Calvani (@lucalvani) on Aug 14, 2016 at 8:10am PDT




Cheers, Frannie. And Other Links

Awards Daily pays tribute to Jane Fonda (Youth) and Lily Tomlin (Grandma) as we all should. Weekly. (Daily? Hourly?)
People introduces new princess 14 year old Auli'i Cravalho who voices Disney's Moana
Jezebel "Today we are all Frances McDormand drinking wine on a toilet" Amen!

Interview Magazine has really been really topping itself lately. Now they've got Jeff Bridges talking to the iconic cinematographer Roger Deakins (Sicario). Thus begins the hard push to get him his long overdue Oscar I suppose. We interviewed him for True Grit and he was a good chat!
The Bitter Script Reader thinks The Martian screenplay is a great example of how to write obstacles for characters that engage the viewer in the same "oh shit" living of them as plans fall apart
Film School Rejects tears up over Room and appreciates the Mother & Child thread running through many films this year
i09 is (rightly) horrified by what Frank Miller has done to Superman in a new comic book cover
Variety thinks its time Oscar voters caught up to Love and Mercy and Straight Outta Compton

Taylor (left) and Rodriguez (right) the stars of TANGERINEP.S. First Trans Actress Oscar Campaign
You may have heard (from everywhere) that Magnolia Pictures is launching the first ever Oscar campaign for transgender actresses - the spirited girls from the awesome Tangerine (a film which we've recommended often). TFE actually broke this news first (albeit in early "we might do this" planning stages) but we were asked to remove the reference to it, post publication, from our James Ransome interview since he wasn't supposed to talk about just yet. We get no respect I tell you -- even when we heartily support a film from its first screening!

Anyway, if you haven't seen the film yet do so the first chance you get. Kitana Kiki Rodriguez (who plays vengeful hot-tempered Sin-Dee) will be pushed for Best Actress and Mya Taylor (her much calmer best friend Alexandra) will be campaigned as a Supporting Actress but... you know how these same gender movies go, that's total Category Fraud bullshit since you can't have one without the other. They're like a trans Thelma & Louise only with less of a crime spree and no wheels of their own; these girls have to settle for the indignities of public transport (those bus scenes. LOL) and walking in L.A.



Awards Daily set pictures on the new film from James Marsh (Theory of Everything) this one starring Colin Firth & Rachel Weitz
Bloomberg Steve Wozniack love the Steve Jobs trailer
Slate Dana Stevens on the particular appeal of Channing Tatum, film star
The Dissolve on Ava DuVernay's hard pass on The Black Panther. I'm so relieved she's not doing this. Now she can make more movies like Middle of Nowhere or Selma. Why lose great individualistic directors to Marvel when what Marvel wants is journeymen to realize their Cinematic Universe goals?
EW Mila Kunis & Ashton Kutcher got married

Theater Mania has an interest piece on why so many musicals disappear in the development stages 
The Film Stage looks at MoMA's Scorsese exhibit of film one sheets
CHUD an editorial on why we need gays as main characters in mainstream blockbusters - written by a straight man 
Guardian Hilary Swank scaling back career to care for her ailing father. Best wishes to the family 

Salon comprehensive list of booze consumed on True Detective S2 
Vulture thinks True Detective Season 2 owes a lot to David Lynch 
Empire Fatal Attraction to become a TV miniseries - good luck finding a Glenn Close replacement 
Birth Movies Death Marvel/Netflix may be struggling with how to do Iron Fist for the small screen. Whatever direction they go in, please make the character Asian as he always should have been considering his origins

Terminate the Terminator Franchise
Forbes on why Terminator: Genisys opened weak in the States -- curiously no one ever mentions that Emilia Clarke is not a strong actor and she's up against memories of Linda Hamilton's Oscar nomination worthy work!
The Daily Beast interviews Alan Taylor (who has not had much luck as a feature director after proving a hot commodity on TV) and he has curious "just go with it" opinions on how messy his movie is
NYT profiles producer David Ellison (Megan's brother) on his struggles getting Terminator Genisys going and building a multiverse like Marvel. This was a good read but the title is truly bizarre. How is investing solely in mainstream tentpole franchise moviemaking an example of 'not playing it safe.' That's exactly what playing it safe is. Not playing it safe is what Megan Ellison does with her risky art films. 

Look, I am one of the biggest Terminator fans that exists. I saw the first two a ton of times, and think they're veritable masterpieces of their form. They still play today and their action sequences are more exciting (still) even knowing every beat than anything in any of the ill-begotten sequels. Enough already. This franchise was already complete when James Cameron was finished with it twenty-plus years ago. Making money is perfectly fine as one goal but if it's the only goal when making a movie, you've already failed. Movies made solely for money (and for no other reason) are never good. 

Are you watching True Detective Season 2? Do you also wish Skynet would stay down after being defeated for the fifth time?