Tweetweek, Rattle and Roll

Fun or thoughtful showbiz tweets curated for you since Social Media is too (understandably) depressing of late given the collapse of Democracy. But on that note, before we begin, two iconic women meeting this exact unsettling evil moment in time.

GET READY, GAYS. YOU’RE NEXT.

— bettemidler (@BetteMidler) June 24, 2022

pic.twitter.com/Kt4wYKanUG

— Lee Grant (@TheLeeGrant) June 24, 2022

More after the jump including Evan Rachel Wood, My Best Friend's Wedding, Barbie, Crimes of the Future, and Baz-driven Elvis Mania...

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Tweetweek

I would like to give this proposed movie all the Oscars now, plz and tx.

BEING THE RICARDOS but about the week leading up to the filming of the AMC ad

— Jorge Molina (@colormejorge) January 14, 2022

The Lost Daughter, possible casting for that Madonna biopic, Lady Gaga drunk on fake booze, Andrew Garfield in a pool, imporant news from Lee Grant, Oscar hosting funnies and more after the jump...

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50th Anniversary: The 43rd Oscars name "Patton" king, but the king refuses the crown

by Nathaniel R

Fifty years ago today the 43rd Annual Academy Awards were held honoring the films of 1970. It was coronation for Patton which took home 7 Oscars including Best Picture and Best Screenplay (pictured above). One of those Oscars (Best Actor) was rejected by the recipient, George C Scott. The acclaimed actor called the annual event a "meat parade"; this wasn't the last time someone would refuse an Oscar but it was the very first time in 43 years of the beloved... um... meat parade. There was no host that year, but a team of 34 celebrities rotating throughout the night (much like we've seen on zoom awards shows this season). The Best Picture nominees were...

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Doc Corner: S&M Lesbians, Oscar Winners and Queer Theater — classic restorations of 2020

By Glenn Dunks

We tend to focus on new release documentaries around here, covering the gamut of titles premiering in cinemas, on streaming and VOD, and occasionally—as you’ll see over the next few week—festivals. What I rarely have the pleasure of doing is review classic docs, which is probably rather silly since the boom in popularity for the form has meant distributors and exhibitors are getting more confident in not just re-releasing classics documentaries, but restoring them, too.

As I found when researching my top 100 docs of the decade list, even titles from as few as four or five years ago become increasingly hard to find. And if they never received a US release? Even harder. Hopefully that starts to change and all the more reason to celebrate when older works do appear. So, to celebrate the Film Society at Lincoln Centre’s season of films by gay icons Rob Epstein and Jeffrey Friedman (until November 5, so get on it!) I wanted to highlight some of the absolute rippers that have come along lately.

There’s everything from S&M lesbians, American cross-country road trips, nuclear bombs, and one Chantal Akerman masterpiece...

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"The Landlord" at 50

by Mark Brinkerhoff

50 years ago today the one and only Hal Ashby, then an Oscar-winning film editor (In the Heat of the Night, The Russians Are Coming! The Russians Are Coming!) made his directorial debut with the release of The Landlord. Based on a 1966 novel and starring an almost inconceivably baby-faced Beau Bridges, its plot is fairly run-of-the-mill today but must’ve seemed quite daring for the time: A young man named Elgar (?!), who comes from wealth and lives with his parents at their Long Island estate, decides to buy a “rundown” tenement house in the dicey, gentrifying neighborhood of Park Slope. (Imagine!)

The tenants are black, he’s white, and his scheme is to evict them all so he can convert the property into something posh—a vanity project, if there ever was one. 

Things do not go according to (his) plan...

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