Glenda Jackson (1936-2023)

by Cláudio Alves

WOMEN IN LOVE (1969) Ken Russell

Some people feel like they'll never die, their presence bound to eternity, shackled to forever. Deep down, we know it's not true, that no one lives forever. Self-delusion is easier than questioning those innocent untruths that, like laws of the universe, make life seem less chaotic. For me, Glenda Jackson was one of those impossible constancies, someone who wouldn't, couldn't die. And yet, here we are. This past Thursday, June 15th, news broke that the two-time Oscar winner turned politician, turned back to actress, was gone. She died peacefully at her London home, leaving behind a legacy whose majesty is hard to overstate.

On this sad occasion, let's look back to that inheritance, remember the glorious Glenda Jackson and what made her so uniquely great…

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50th Anniversary: The 43rd Oscars name "Patton" king, but the king refuses the crown

by Nathaniel R

Fifty years ago today the 43rd Annual Academy Awards were held honoring the films of 1970. It was coronation for Patton which took home 7 Oscars including Best Picture and Best Screenplay (pictured above). One of those Oscars (Best Actor) was rejected by the recipient, George C Scott. The acclaimed actor called the annual event a "meat parade"; this wasn't the last time someone would refuse an Oscar but it was the very first time in 43 years of the beloved... um... meat parade. There was no host that year, but a team of 34 celebrities rotating throughout the night (much like we've seen on zoom awards shows this season). The Best Picture nominees were...

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Lunchtime Poll: What are the oddest Best Actress wins?

Claudio recently celebrated Glenda Jackson's Oscar winning performance in Women in Love and we have to ask if you've ever seen Women in Love's trailer? We personally can't recall a time another time when critical pullquotes were wielded to shame people into praising something. Haha. Note that final blurb! 

While most Oscar wins make sense given the context of their own years (for various reasons), they don't always make any sense in the grander scheme of Oscar history and taste. Women in Love stands as one of the strangest Oscars wins in its category given the nature of the role and the acting achievement. I'd argue that Julie Andrews in Mary Poppins is another odd duck, with no correlative elsewhere in Oscar taste. Who would you name as one of the strangest Oscar wins in Best Actress history (besides those two)? And why?

All hail the great Glenda Jackson!

by Cláudio Alves 

50 years ago, Ken Russell's Women in Love was released in US theaters after having already opened in the UK the year before. Accusations of obscenity and licentiousness followed the picture across the Atlantic and, as it usually happens, polemic was a good catalyst for popularity. Nowadays, such arthouse offerings rarely get mainstream attention but the America of 1970 was a different place as far as moviegoing was concerned. In a time of radical change in society and tastes, Women in Love's tale of bohemian affairs, sexual candor and class hierarchies in 20s England was warmly received by critics and audiences alike. The performance of Glenda Jackson was of particular fame and catapulted the actress to the pantheon of celebrity.

So much so that, by April of 1971, she won the Oscar for Best Actress. To this day, it's one of the weirdest victories in the category's history…

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HBO’s LGBT History: Larry Kramer in Love and Anger (2015)

Manuel is working his way through all the LGBT-themed HBO productions.

Last week we looked at the recent doc Mapplethorpe: Look at the Pictures which works as a nice primer on the famed photographer and, as is par for the course for films on gay icons from a certain era, as a portrait of a man working tirelessly to make the most of his ever winnowing time: Mapplethorpe died at age 42 of AIDS complications. We’re not going too far afield this week, as we’re focusing on a documentary on “America’s angriest AIDS activist” in Jean Carlomusto’s Larry Kramer in Love and Anger.

Kramer should be familiar to you. We’ve previously encountered him and talked about his righteous anger when we talked about The Normal Heart, and by that point he had already made HBO appearances in The Out List, Vito, and Outrage. That enough should be a reminder that there’s no way of talking about American gay rights activism of the last three decades without talking about Larry Kramer. Carlomusto’s film expediently moves through Kramer’s biography; from his time at Columbia Pictures, to Women in Love and Faggots, through the Gay Men’s Health Crisis group and The Normal Heart to ACT UP and his latest health scares and marriage...

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