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Entries in politics (392)

Wednesday
Mar132024

Drag Race RuCap: “Werq the World”

Nick Taylor and Cláudio Alves are following and recapping RuPaul’s Drag Race season sixteen. This week, it’s time for episode ten…

Sapphira is our Lisan al Gaib. All others are false prophets.

CLÁUDIO: It’s been quite the week to grumble about robbed queens, but enough about the Oscars. In RuPaul’s Prison Experiment, there were no such robberies. Indeed, there isn’t even an elimination to discuss since Mother Reverend Charles blessed us with a non-elimination episode. I’m not sure how I feel about that last bit, but I can’t help but cheer as Sapphira cements her claim on the crown. As we’ve discussed off-record, this chapter feels like the moment when a winner comes into their own, the place where, in retrospect, the narrative solidified and their Golden Path came to be. God Empress Cristál has risen, while both the Banana Queen and the bitchy aircraft fumble - false Kwisatz Haderachs, the two of them. Now, will you indulge my Oscar/Dune nonsense, or is it time to get serious? 

NICK: Listen, I’m used to just nodding along while people say things I can barely grasp in context, so go off diva...

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Thursday
Jul132023

Stand strong SAG-AFTRA and WGA 

by Nathaniel R

There's a lot of good reporting on the current WGA strike out there from the big budget entertainment sites. You absolutely should get caught up at Vanity Fair for instance, to catch up with what's going down. We were thrilled to learn that SAG-AFTRA has joined forces with the ongoing Writers Strike. It's brought Hollywood to a literal standstill today. Productions have halted. Furthermore no actors can promote their current or upcoming TV and movies. It's a disaster for the industry that was already struggling but strikes are supposed to be disruptive and wealth absolutely must be shared. There's no reason why CEOs and executives should consume all the spoils and leave crumbs for the writers and actors who create the stories and characters we all obsess over and spend money on.

While we the audience will feel the painful repercussions for months -- watch out for many delays in movies, tv seasons, and the hobbling of Emmy season and fall film festivals as actors will not be allowed to promote their work -- we applaud the strike...

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Monday
Jun192023

Queering the Oscars: Visconti's "The Damned"

by Cláudio Alves

At the 42nd Academy Awards, the Best Original Screenplay category was a rarity of historical importance. You wouldn't know it in 1969, but all nominees would be studied for years to come. Whether seen as seminal works in their author's careers or cultural milestones with much to reveal about the society that produced them, the films form an illustrious bunch, going from Bob & Carol & Ted & Alice's pop psychology to the revisionist brutality of The Wild Bunch. The winner was Butch Cassidy and the Sundance Kid, a western which has inspired queer readings for over half a century though it was far from the queerest picture in the race. 

That would be Luchino Visconti's The Damned, marking the start of his German trilogy, the international metamorphosis of his cinema, and the most open expression of gay sensibilities in his oeuvre to that point…

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Friday
Jun162023

Glenda Jackson (1936-2023)

by Cláudio Alves

WOMEN IN LOVE (1969) Ken Russell

Some people feel like they'll never die, their presence bound to eternity, shackled to forever. Deep down, we know it's not true, that no one lives forever. Self-delusion is easier than questioning those innocent untruths that, like laws of the universe, make life seem less chaotic. For me, Glenda Jackson was one of those impossible constancies, someone who wouldn't, couldn't die. And yet, here we are. This past Thursday, June 15th, news broke that the two-time Oscar winner turned politician, turned back to actress, was gone. She died peacefully at her London home, leaving behind a legacy whose majesty is hard to overstate.

On this sad occasion, let's look back to that inheritance, remember the glorious Glenda Jackson and what made her so uniquely great…

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Saturday
May272023

Cannes at Home: Day 11 – A Tale of Two Realisms

by Cláudio Alves

Well, it's over. Another festival ends, and so does another edition of the Cannes at Home series. I've watched many a great film this past week and hope you have enjoyed the ride. To finish things off, it's time to consider the last two filmmakers to present their latest works at the Croisette. Alice Rohrwacher dazzled away with her La Chimera, starring a scruffy-looking Italian-speaking Josh O'Connor, and Ken Loach's The Old Oak proved as divisive as all his late-career films have been. 

This last Cannes at Home dispatch looks at these auteurs' greatest pictures, titles that crystalize the two distinct forms of realism each work within. There's Rohrwacher's magical spin on Italian neorealism with Happy as Lazzaro and Ken Loach's perpetuation of the kitchen-sink tradition of British social realism in Kes

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