NYFF '24: "Rumours" serves political satire à la Maddin

by Cláudio Alves

Rumours is probably Guy Maddin's most accessible film, flirting with the mainstream in ways most of his work never did. That's relative, however, and one shouldn't presume the Winnipeg-based auteur has defanged himself in some desperate attempt to score the public's approval. This G7 pitch-black comedy is still weirder than your favorite Hollywood directors' wildest swing, keeping true to Maddin's cinema of transgression. It involves, among other things, bog body zombies that jack off until they explode, a giant brain with a horny aura, the pedophile-tracker-like ChatGPT taking over the world, and Cate Blanchett playing the Hetalia version of Germany by way of a SNL Angela Merkel…

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Category Analysis: Outstanding Guest Actor in a Drama Series

by Juan Carlos Ojano

With no recurring guest nominee present, this should have been an exciting crop. And yet, if I am being completely honest, it's hard to get excited. Two nominations for The Mandalorian but none for its best submission (Bill Burr)?  The best "guest actor" from The Crown was not even submitted (Tom Brooke). An Emmy favorite gets in for a show already cancelled by its network on its first season. Meanwhile, Don Cheadle gets in for a cameo in a Marvel series? These are the men in this year's crop of contenders for this category.

Without further ado, the nominees and their episode submissions…

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Podcast: All about "Mank" plus the Best Director Oscar race

with Nathaniel R & Murtada Elfadl

We're back!

Index (63 minutes)
00:01 Mank: The stars, the story, and rewatching Citizen Kane
24:00 MVPs of the ensemble. Plus those Norma Shearer asides
32:00 How will Oscar react overall? David Fincher's career acclaim
38:00 Everybody in the (wildly open) Best Director race. Plus female directors rising!
55:30 Mank in male acting categories: Gary Oldman? Charles Dance?

Related Reading:
• Best Actor Chart
• Best Director Oscar Chart

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

MANK

Months of Meryl: Plenty (1985)

John and Matthew are watching every single live-action film starring Meryl Streep. 

Charles Dance and Meryl Streep in "Plenty"

#11 — Susan Traherne, resistance fighter turned diplomat’s wife with a gnawing sense of unease about the life she must lead.

MATTHEW:  “I just wish she were more ordinary,” a persnickety commercial director grumbles about an offscreen model hired to play the mother in a promo for dog food. “Will the audience identify?” he frets. We’re in England in the postwar 1940s and Susan Traherne, a former agent in the French resistance, is rolling her eyes through a mind-numbing advertising job that she will promptly vacate. The scene is quick but Susan walks out just in time for the director’s comments to resonate as a sly statement on the woman herself, the reliably erratic anti-heroine played by Meryl Streep in Fred Schepisi’s tepid cinematic adaptation of David Hare’s Plenty. Will an audience identify with a figure so brazenly, even coldly unconventional? And does such identification even really matter...?

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17 Thoughts I Had While Watching "Woman in Gold"

Have you seen Woman in Gold which has been out on DVD for a bit now? It's about an old Austrian Jew (Helen Mirren) who immigrated to America during the Holocaust and attempts to get her family's original Gustav Klimt paintings back which were stolen by the Nazis and now "belong" to a museum in Austria.

Here are a dozen plus thoughts I had while watching it...

What do you know about art restitution?

• Nothing? It's okay. I didn't either. Helen Mirren will teach us. She speaks most of her lines as if to a small child. In fact, a lot of the characters do. They're constantly explaining the movie's plot and conflicts to us. And after explaining things there's sometimes bits of dialogue like...

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