The Film Experience™ was created by Nathaniel R

 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | instagram | letterboxd | deviantart 


Powered by Squarespace
Comment Fun

Carol is genius - we asked the team 'why'


"Peaking at the right time" - Mark

"Todd Haynes. his power his influence his acclaim and yes genius!" - Jows


Keep TFE Strong



Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience


For those who can't commit to a dime a day, consider a one time donation for an article or a series you are glad you didn't have to live without.

What'cha Looking For?

Entries in Ryan Reynolds (17)


17 Thoughts I Had While Watching "Woman in Gold"

Have you seen Woman in Gold which has been out on DVD for a bit now? It's about an old Austrian Jew (Helen Mirren) who immigrated to America during the Holocaust and attempts to get her family's original Gustav Klimt paintings back which were stolen by the Nazis and now "belong" to a museum in Austria.

Here are a dozen plus thoughts I had while watching it...

What do you know about art restitution?

• Nothing? It's okay. I didn't either. Helen Mirren will teach us. She speaks most of her lines as if to a small child. In fact, a lot of the characters do. They're constantly explaining the movie's plot and conflicts to us. And after explaining things there's sometimes bits of dialogue like...

Click to read more ...


Review: Self/less

Tim here. Over the course of four movies starting with The Cell in 2000, director Tarsem Singh has established a very distinct approach to making movies. This basically consists of applying extraordinary, unreal style to thin, whispy stories, not using style to replace substance, but using the absence of substance as an argument in favor of style as a primary storytelling and character-building technique. This has earned him as many enemies as fans, and I don't know if anybody genuinely liked 2011's Immortals, but he's certainly established himself as one of the most distinctive visionaries working in anything like the mainstream.

And now, we find what he just can't do. Self/less is the director's fifth movie, possibly his worst, and beyond question his most generic. The director's biggest and boldest visual gesture is to use a lot of sideways tracking shots. Is this what the loss of the magnificent graphic artist Eiko Ishioka, who designed the costumes for all of Tarsem's previous movies before her death in 2012, means to his aesthetic? Then there's no reason to ever hope for him again. But there has to be something deeper than that, for Self/less shares production designer Tom Foden from all of the director's work outside of The Fall, and he's pretty thoroughly dropped the ball here. There's only one set in the film that feels even slightly distinctive on any level, a sleek grey ultramodern medical lab, and even that feels like a slightly more austere version of a thing we can see in at least three or four movies every year. [More...]

Click to read more ...


SDCC Day 4: Will Deadpool finally make Ryan Reynolds a star?

Anne Marie here to wrap things up. With SDCC-regular Marvel Studios absent this year and Star Wars: The Force Awakens dominating like the geek culture behemoth it is, the race was on for who or what would take the #2 most buzzworthy spot in San Diego. Chastain showed up for Crimson Peak, Bruce Campbell was groovy in Ash vs the Evil Dead, but the most uncontested winner of second best was... Ryan Reynolds? 

Yes, everyone's favorite B+ lister, who we at TFE Posterized just recently, was the antihero fans went mad for in the Deadpool panel. The obscenity-laced trailer for 20th Century Fox's R-rated superhero flick is probably the most universally-lauded moment of the con, drawing thunderous applause and virtually no social media backlash.

Of course, 100,000 geeks are at best a niche market, and, as studios have learned in the past, a standing ovation in San Diego does not necessarily translate into worldwide box office. We'll have to wait a little longer to see the first trailer of the Merc with the Mouth, but until then, do you believe the hype?


Posterized: Ryan Reynolds

Contrary to what the P&A budget for Minions will have you believe, there are other movies opening this weekend. It's a big weekend in the top markets for LGBT releases. And nationwide a horror movie (The Gallows) and a new sci-fi body swap thriller Self/Less starring Ben Kingsley & Ryan Reynolds are also opening. I read a headline yesterday lamenting

WTF happened to Ryan Reynolds's career?" 

Ryan Reynolds in his first real year of stardom (2002) and now (2015). Images from Buying the Cow and Self/Less

And I thought: Well... nothing. It's always been this way!

He first won semi-stardom in 2002 frequently displaying his then amazing body (it wasn't the norm for male stars to look like cartoon superheroes OUT of costume just 12 years ago) in the popular college comedy Van Wilder and the lesser seen romantic comedy Buying the Cow. Since then it's been a constant annual barrage of mainstream comedies, mainstream action and franchise pics, and mainsteam horror. Some of his movies were barely screened or went straight to DVD but even those were populist ventures. Either Reynolds or his management just haven't had ambitions outside the multiplex. This has only very recently begun to change with experiments like Buried (good) and The Voices (terrible) which fit comfortably into populist genres but still were plainly too weird --even in screenplay stages -- for mass appeal. He's been perpetually "on the verge" but has never achieved anything beyond the B list. Okay, the B+ list.

So how many of his 24 pictures (excluding voice work and cameos) have you seen since his 2002 breakthrough? The posters are after the jump...

Click to read more ...


The Fantastic Suicide Devil: First Thoughts

Manuel here asking you turn your brain off and go down the rabbit hole that is superhero-related marketing materials. Summer is almost here and superheroes, whether we like them or not, will be dominating the conversation (look no further than TFE's first podcast of the season!) though we'll do our best at TFE to provide counterprogramming.

But until then, presented with the first thought that came into my head are these three new images for upcoming supes-centered films:

Color: DC's kryptonite.  

Click to read more ...


Deadpool Pulls a Burt Reynolds. (Don't Tell Archer.)

Ryan Reynolds posted the first "official" photo of himself (presumably) in costume for the forthcoming Deadpool movie, which is due in approximately 11 months (expected to open in February 2016). The synopsis goes like so:

Based upon Marvel Comics’ most unconventional anti-hero, DEADPOOL tells the origin story of former Special Forces operative turned mercenary Wade Wilson, who after being subjected to a rogue experiment that leaves him with accelerated healing powers, adopts the alter ego Deadpool. Armed with his new abilities and a dark, twisted sense of humor, Deadpool hunts down the man who nearly destroyed his life.

A gazillion bonus points for doing it so cheekily a la Burt Reynolds on a bear rug because costume reveals are usually SO unimaginative.

Burt Reynolds super-fan Archer Sterling would approve. Or be very jealous. 

But isn't it weird that Ryan Reynolds, who obviously works hard to maintain one of the most spectacular bodies in the movies, keeps getting covered for the movies that require men have great physiques - i.e. superhero movies? First it was that all CGI costume for Green Lantern (blargh) and now a full body suit with literally not one square inch of flesh showing. 

Burt Reynolds would not approve of the modesty (neither would Archer come to think of it) and if you are very young or tune out anytime anyone discusses stars from before your time, you'll see why after the NSFW jump...

Click to read more ...


Yes No Maybe So: Woman in Gold

Manuel here trying to fend off urgings to unwrap all my (cinematic) presents today ahead of schedule (why must so many good films come out on Christmas Day?) Thus, while I have to wait until tomorrow at least to catch Selma, A Most Violent Year, Two Days One Night and Into the Woods, I’ll have to settle for some christmas stocking stuffers in the form of a new trailer featuring the one and only Tatiana Maslany.

Oh, and some Oscar-winning Dame as well.

The Woman in Gold follows Maria Altman (Helen Mirren), a Jewish refugee hoping to get back the family possessions taken from her by the Nazis, with the aid of a young lawyer (Ryan Reynolds). Among these possessions is the Klimt painting "The Lady in Gold" which gives the film its title.

Let’s break it down with the TFE-patented approach of YES/NO/MAYBE SO, shall we?


Click to read more ...