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Entries in Dwayne Johnson (7)

Tuesday
Nov162021

Red Notice: just enough to press play

by Elisa Giudici

As early as the prologue, Red Notice sets the bar so low that you instantly know to shut up and meekly accept every absurd thing it gives you. When an adventure movie starts with Marcus Antonius gifting his future bride Queen Cleopatra with 3 Fabergé jeweled eggs around 1000 years before Gustav Fabergé himself came to the world, you know realism is not high on the list of the movie's priorities. Not a priority at all, whether in the past or the present. Five minutes later we are introduced to Dwayne Johnson's FBI criminal profiler John Hartley. Sporting a black turtleneck (and later a silk patterned scarf), the notion of The Rock being a criminal profiler is so improbable that the screenplay mounts a preemptive defense. "You don't look like one".

"I get that a lot" replies The Rock, introducing us to a parallel world in which a lot of characters are nonsensical in service of an action-comedy about art thieves and double plays.  This is the kind of movie in which the audience will likely forgive anything, provided they are offered some spectacle, a few good liners, and chemistry between glamorous supertstars. Unfortunately, Red Notice lacks almost any of these elements...

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Friday
Feb012019

Sundance Surprise: Fighting With My Family

Abe Fried-Tanzer reporting from Sundance

Each year, Sundance hosts a “surprise screening” that’s printed as such on its advance schedule and only revealed during the festival itself. It’s a chance to premiere a hit movie for a small audience that is usually pretty excited about it. Last year, it was Jason Reitman’s Tully, and the year before that, it was eventual Oscar winner Get Out. This year, it’s Fighting with My Family, slated for theatrical release in just two weeks.

This premiere brought out some big stars, including Dwayne “The Rock” Johnson, Vince Vaughn, and real-life wrestler Paige, whose story serves as the inspiration for this film...

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Wednesday
Dec262018

Trip a Little Link Fantastic

Links and news bits collected for you

And the Runner Up Is... I guest starred on this podcast episode about the 1978 Oscars: Coming Home vs. The Deer Hunter
Cinematic Corner Sati has been counting down the days... or drooling down the days for Jason Momoa as Aquaman so here's her spoiler-filled review
Variety what's behind the uptick in the US box office this past year?
The Advocate counts down the 15 best LGBT tv shows of the year: Pose, One Day at a Time, and Schitts Creek more
Vanity Fair Why you should root for Aquaman's box office success
Vanity Fair Kevin Spacey's bizarre holiday video reprising his House of Cards character
Deadline why did Welcome to Marwen bomb at the box office?
Gay Body Blog [NSFW] counts down the best naked scenes of the past year or so. 
/Film interesting thought experiment. Would Green Lantern (2011) have been well received had it premiered in 2006 or 2016 due to the changing nature of the superhero genre.

Today's Video
Behind the scenes of "Trip a Little Light Fantastic"

Do y'all think Mary Poppins Returns will manage two best song nominations? I think they're only going to get one but if this one gets nominated we'll get Lin-Manuel Miranda performing at the Oscars which would be sweet. 

Finally...
Redbox released their list of most rented titles of 2018. Apparently El Paso Texas is the busiest city for redbox rentals (who knew?) and Dwayne Johnson is the biggest overall draw. Ready for it? 

 

  1. Jumanji: Welcome to the Jungle
  2. Rampage
  3. Daddy's Home 2
  4. Game Night
  5. Jurassic World: Fallen Kingdom

I mean where's A Fantastic Woman or We the Animals? I kid I kid. Americans just aren't adventurous in their movie tastes, whether they're going to the movies or watching them at home. In both scenarios they want big muscles, big explosions, big laughs, and big CGI beasties. That covers most of it.

Monday
Jul162018

What did you see this weekend? And who wins next weekend?

by Nathaniel R

Weekend Box Office Estimates
(July 13th-15th)

W I D E
800+ screens
L I M I T E D
excluding prev. wide
Hotel Transylvania 3 Three Identical Strangers
1.๐Ÿ”บ HOTEL TRANSYLVANIA 3 $44.1 *NEW* 
1. ๐Ÿ”บ THREE IDENTICAL STRANGERS $1.1 on 170 screens (cum. $2.5) REVIEW
2. ANT-MAN AND THE WASP $28.8 (cum. $132.8)  2. ๐Ÿ”บ LEAVE NO TRACE  $1.1 on 311 screens (cum. $2.1) TRAILER DISCUSSION
3.๐Ÿ”บ SKYSCRAPER $25 *NEW* 
3.  WHITNEY $535k on 408 screens (cum. $2.3)
4. INCREDIBLES 2 $16.2 (cum. $535.8) 
4.  SANJU $500k on 223 screens (cum. $7.1) 
5. JURASSIC WORLD FALLEN KINGDOM $15.5 (cum. $363.2) REVIEW
5. ๐Ÿ”บ EIGHTH GRADE $252 k on 4 screens *NEW *

 

Hotel Transylvania 3 had a strong opening weekend but Skyscraper, the other big new release not so much. I do personally wonder if Dwayne Johnson is a bit oversaturated in the market. This is his third action film to open in theaters within a seven months stretch beginning with Jumanji (a massive hit) on Dec 20th than Rampage on April 13th (which didn't quite hit $100 million domestically) and now Skyscraper on July 13th which opened weaker than Rampage. Maybe three movies of a similar genre from any star in a six month period is a bad idea... 

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Friday
Jun022017

I Was Tricked Into Seeing "Baywatch"

by Sean Donovan

Of the men currently dominating American movie box offices, few are more men than Dwayne Johnson and Zac Efron. And by this I don’t mean to praise or value anything specific in their incarnations of masculinity, rather I mean that when one watches Dwayne Johnson or Zac Efron, it’s as if they are working at every fraction of a second to scream in reminder to you “I AM A MAN! I HAVE MUSCLES! I AM STRONG! I EAT MEAT! I PROVIDE FOR MY WIFE AND CHILDREN!” It’s a function of the danger men in real life often pose that masculinity isn’t something we can easily mock or laugh at.

Not so with Dwayne Johnson and Zac Efron (and to a lesser extent Chris Hemsworth). Masculinity is rarely sillier than in a Dwayne Johnson movie, the actor’s mind-boggling physique dominating every frame, each new performance somehow more muscled and over-the-top than before. Johnson’s instagram is a running tribute to the inflated absurdity of his sweat-drenched lifestyle. Efron, though not as fully the author of his own image as Dwayne Johnson, has found his greatest performances in Neighbors and its equally great sequel, where he plays up an arrogant frat-boy shtick, with peeks to the insecurities underneath, to absolute comic gold. Both allow us to look at hyper-masculinity as something laughable and campy, a cathartic moment we rarely get elsewhere.

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