Barbenheimer - Ten Great Box Office Showdowns

by Christopher James

This is the summer of "Barbenheimer". What started as a rivalry has morphed into a marketable double feature. In a way, they’ve hyped each other up, making this past weekend (July 21st-July 23rd) the most exciting and anticipated movie weekend of the summer. Both movies exist at opposite poles of the gendered film divide to a comical degree - the hot pink colored Barbie against king of the film-bros Christopher Nolan and his three hour 70mm extravaganza, Oppenheimer. The ultimate winner is the audience, who get two big-budget auteur-driven swings in one weekend. (Barbie won but both movies had huge opening weekends which will talk about tonight when the actuals come in)

This isn’t the only time counterprogramming has pitted a “boy movie” and “girl movie” against each other for a star-studded showdown. Here are our top 10 box office showdowns that served as fabulous precursors for Barbenheimer...

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Happy Mothers Day + 'Mother' Recommendations

Nicole Kidman posted this beautiful image this morning to celebrate. Look at baby Nic! Happy Mothers Day to all readers especially the mothers. And happy mothers day to everyone, retroactively, who ever birthed someone who helped bring the world movie magic. 

And for fun after the jump, 12 favourite movies with mothers in the title...

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"Here We Go Again..." on this very day two years ago!

Awww, it's Meryl loving on Cher in Mexico City on this exact day (July 17th) two years back... 

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Nicecore-palooza

by Cláudio Alves

Upon the US release of Paddington 2 in 2018, film critic David Ehrlich wrote about a new age of optimistic movies. He called this phenomenon, nice core. They were films that emerged in the era of Trump and Brexit, little rays of celluloid sunshine that celebrated the power of kindness and the wonder of humanity from filmmakers living in an increasingly cruel world. If you're looking for formalistic vanguard or challenging experiences, you won't find it in this type of cinema, though that doesn't have to be necessarily bad. Art of modest ambition whose main purpose is comfort shouldn't be undervalued.

One could almost say that, when ironic detachment becomes standard, the exaltation of sincere cinema can be a radical gesture…

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Streaming Roulette April: The Dirt, Monster House, and Now Apocalypse

As is our practice we've selected a couple handful of titles and frozen the films at utterly random moments without cheating (whatever comes up comes up!) for this quick preview. At the bottom of the page, check out full listings for Netflix, Hulu, Amazon Prime, and HBO for April 2019. And please do let us know if you're dying to discuss any of the films. Maybe we'll select one to write up? Okay, let's go...

Holy shit. Barnabas!

Now Apocalypse, Season 1 (2019) on Hulu (with Starz add-on)
Pictured there are the four leads of Now Apocalypse all of them gorgeous / funny / frequently naked in the first TV series from Gregg Araki of 1990s new queer cinema fame. Araki's preoccupations haven't changed much (or at all!)  since the 1990s. A twinkish lead with floppy dark hair? Check. Constant drug use? Sex. Filthy language and explicitly sexual humor? Check. A preoccupation with supernatural kinds of rape? Check. A dumb but impossibly sweet and sincere straight hunk? Check. Impossibly hip but somewhat chilly woman with black hair? Check. Sexual fluidity for every character even those with a pronounced label or gay or straight? Check. Slutty female best friend with most of the best lines? Check. End of the world fantasies and paranoia? Check. Older predatory queers in abundance? Check. Aliens or supernatural occurences? Of course! The show is way too repetitive in the early episodes (lots of flashbacks to previous episodes which is weird for streaming shows since you've literally usually just been watching what you're now flashing back to) but about halfway into the season the short episodes start  to come together in fun ways, including a hilarious and much smarter way of folding back in on itself with an in-series webseries, wherein the characters are reenacting the early episodes and playing themselves badly or being played unflatteringly by actors hired to play them. 

She never blinked during the interview.

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