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Entries in Pride (20)

Sunday
Jan202019

"Where are my lesbians?"

(A question fit for any occasion.)

Wednesday
Jan212015

...And the 3rd Annual Team Experience Award Goes To: 

Amir here, to welcome you to the third edition of Team Experience Awards, one of the most prestigious critics’ prizes around the world, bestowed on the best in cinema by members of this website sans Nathaniel. We previously honoured Leos Carax’s Holy Motors (with a lot of support for The Master) and Steve McQueen’s 12 Years a Slave (with several awards for Gravity). There was a similar situation this year, with two films gaining most of our attention across the categories. Our pick for best picture, however, was a clear consensus favourite and won by a very comfortable margin. 

As always, individual ballots proved a lot more interesting than the final results, making the otherwise tedious process of making up spreadsheets really exciting for me. Though there is no sign of it on the list of winners here, there was passionate support for films as varied as We Are the Best!, Norte, the End of History, The Babadook, Godzilla, A Most Wanted Man and The Last of the Unjust. We will get to some of those titles in the trivia section at the bottom of the post, but for now, here are the Team Experience Awards’ winners:

Click to read more ...

Monday
Jan122015

GALECA Nominations: Pride, Birdman, Transparent, and Mommy

The Gay & Lesbian Entertainment Critics Assocation, which has over 100 members nationwide, and first joined the year end awards jamboree in 2009, have announced their nominations for the year in a slew of categories, not all of them for movies. Full disclosure two members of TFE are members of this organization: Nathaniel and Glenn. You may notice a lone nomination for Under the Skin and love for Mommy both of which we were loud advocates of during voting. We didn't need to shout the praises of Pride because a lot of people were doing it. It's fanbase grows each week which leads me to believe that maybe it should've come out in March like Grand Budapest Hotel, you know?

Click to read more ...

Sunday
Jan112015

Awards, Recent Miscellania

It's Golden Globes Night.  Until then let's try in vain to catch up a little.

Oscar Nomination Morning (this Thursday) has some news. For the first time they'll be announcing ALL CATEGORIES at that early morning ceremony we so love. Not just the headliners which is all they used to do followed by the press release list of all nominees. The Film Experience heartily approves! 

Palm Springs International Film Festival wraps up tomorrow but the jury prizes are in and four of this season's Oscar submissions won something: Russia's Leviathan won the FIPRESCI for Best Film and Georgia's Corn Island took an award called "Bridging the Borders". Both are still in the running to become America's Next Top Foreign Language Film. The acting prizes went to films that have already been cut from Oscar's Foreign Film Party. Mommy's Anne Dorval took Best Actress and Winter Sleep's Haluk Bilginer won Best Actor. You can see the rest of the prizes here. Audience Awards have yet to be announced.

That bitch to the right does NOT like Glenn Close's hairstyle. Do you?

Makeup And Hair Stylists Guild will hold their awards ceremony on Valentine's Day on the Paramount lot where Rick Baker, of werewolf fame, and Kathryn Blondell (of Leo DiCaprio and Goldie & Kate hairstyling fame) will receieve lifetime achievement awards. They have 5 categories for film as well as 14 other categories which cover tv, commercials, and live theater. Thus they're far more generous than the Academy's corresponding branch which already eliminated several of their nominees. Curiously their website does not contain the nominees just into about attending their awards show (unless I'm just missing it) but you can see a complete list at Deadline. Guardians of the Galaxy and Into the Woods led their nominations with 3 each including a prize specifically for the Witch which I'm sure will delight many of you given what you've been saying in the comments. The most curious category in terms of a collection of nominees is surely Best Contemporary Hairstyling. They went with: Birdman, Guardians of the Galaxy, Interstellar , St. Vincent, and Winter's Tale. Super strange, right? I'd only heard people mocking Winter's Tale... even for the hair! I can't excuse the lack of Tilda's vampire dreadlocks, or Lucy's dye jobs, but I guess there aren't a lot of contemporary films with noticeable hair work this year?

The Casting Guild used to hold the annual Artios Awards in November and their eligibility period was not based on the calendar year. They've shifted it now -- presumably to be more in line with everyone else -- so their eligibility period is fairly long this year which resulted in a curious mix of last year's beloved movies and this year's contenders so you have categories where, say, 12 Years a Slave is going up against Selma (Feature Film Big Budget Drama) and Short Term 12 is going up again Boyhood (Feature Film Low Budget Drama). You can see a complete list at their website. My happiest takeaway from this list is that Short Term 12 was remembered (its casting was effortful and brilliant, if you think about it) and that Pride was honored in the oddly and very broadly titled Feature Film Studio or Independent Comedy category. Pride will be competing with Big Eyes, Chef, The Grand Budapest Hotel, St. Vincent and Top Five. Chef seems like a really weird choice since there was a whole lot of Jon Favreau calling up all his celebrity friends to do him a favor.

Mommy won several prizes from Vancouver critics. But Anne Dorval lost Best Actress!Critics Prizes continue in cities all over the place. We decided we just couldn't cover it all so made firm decisions about how we'd proceed next year -- if you missed that post it's basically that we'll only be covering groups formed before 2000 since there's been an absolute explosion ever since with multiple rounds of press releases  -- some groups have as few as 8 people so they might all be friends in someone's basement, who knows! But since we don't cover them all we'll be just linking up to their awards at other places (though not their nominations) and pointing out areas where they went out on a true limb if there are any. Recent groups that have announced include Iowa which went with all the usual suspects but for Reese for Best Actress,  Vancouver which went for all the usual suspects but for Tilda Swinton for Best Actress for Only Lovers Left Alive and The Overnighters for Documentary (they also have Canadian film awards so it's worth looking at and they were fans of Mommy & Tu dors Nicole) , Oklahoma went with the usual suspects but for Edward Norton in Birdman the world's Official Runner Up for supporting (bad timing for his Oscar dreams I suppose), and they have a fun prize called "not so obviously worst movie" which went to Monuments Men and a prize I don't agree with called "Guilty Pleasure" which went to Edge of Tomorrow but honestly there's nothing to feel guilty about when a movie is really good, which that one is, and you like watching it). Finally, though I probably missed some cities,  Georgia went with the usual suspects but for Tilda Swinton in Snowpiercer and the getting less and less unusual Jake Gyllenhaal in Nightcrawler. They also have a breakthrough award which went to David Oyelowo which is an interesting choice but he's been working too long for me to view him thusly. Still, I get the impulse. He had a big year and he's lesser known.

How prepared are you for the Globes tonight? Make sure to listen to our predictions today if you haven't yet!

Tuesday
Jan062015

Whiplash Screenplay Drama (Plus: My Personal Ballot)

This can't be good news for Whiplash by way of splintered votes. Mark Harris, who is married to an Academy Award nominated writer remember, reported on Grantland that on the e-ballot reminder list Whiplash is officially considered an Adapted Screenplay by the Academy. The film's campaign always listed it as an Original Screenplay (see FYC ad left). The confusion, as also detailed on Deadline, stems from the Sundance winning short of the same name, also made by Damien Chazelle and starring J.K. Simmons. The short, according to the team, was made solely to get the feature funded. So if anything the short is an Adaptation of the feature which was made later if you will.

But the Academy rules on this are ever blurry. And technically they aren't "rules". You can vote for anything you'd like after all on your paper ballot (where this isn't a "pulldown menu" of course) but if half of its fans vote for it in Original and half in Adapted it's simple math (if math can ever be simple in preferential ballots) that it's probably not going to get nominated.

[Sidebar: The Writers Guild of America announces its nominees tomorrow but they have such strict rules about who is eligible that many well written films each year are disqualified so it's rarely a very correlative award in terms of the Oscar race. Not that there's anything wrong with that. Better more movies celebrated than fewer.]

This seems as good a time as any to announce my own ballot for Best Screenplay(s) which includes some surefire nominees (like Gone Girl) some absolutely deserving but sure not-to-be Oscar nominated screenplays like Pride, Force Majeure (original) and some oddities like The Babadook (which I put in Adapted even though it's considered Original by many because it is inspired by derived from (whatever) this earlier embryonic short... also by the wonderfully talented Jennifer Kent (who we recently spoke to).

Monster - Jennifer Kent from Jennifer Kent on Vimeo.

 

...unlike the Whiplash situation where it's just the same thing. Only the short is yanked from the future feature. Categories? What are they good for!? ;)

Nomination announcements have now been made in Best Picture, Best Screenplay, and Best Art Direction for this site's annual celebratory jamboree, the Film Bitch Awards. Now in its (gulp) 15th year.

Tuesday
Jan062015

Link is Strange

THR Grease Reunion! Olivia Newton-John sings with Didi Conn
Vanity Fair Rosamund Pike talks about that scene in Gone Girl (no, not the overrated nothing shower scene. the other one)
The Daily Dot offers up a chart of superhero films and the Bechdel test 
Awards Circuit Clayton shares his personal ballot. He has some weird notions about what "supporting" means (John Lithgow in Love is Strange. smh) but it's fun to see personal favorite lists. They're always more idiosyncratic than critics groups: lots of love for Wild Tales and Eleanor Rigby 
The Atlantic an article on a shift in Madonna's provocation... it's negative but interesting
Grantland has an even better piece on Madonna's consistency and her new old #unapologeticbitch phase. I'm always happy when Madonna inspires cultural thinkpieces. This Girl will never be Gone.

Coming Soon Melissa McCarthy and Ben Falcone will be back in April 2016 with Michelle Darnell, a comedy about an insider trading excon. I'm rooting for them but please be more taut and more focused and funnier and just better than Tammy. PLEASE. 
Critic Wire asks us to stop paying attention to the Razzies
EW has an Ant-Man cover. Paul Rudd looks good but I have to be honest I'm a little tired of superhero outfits being these butch armorish leather things which has been going on for over a decade now. Let's bring back the bright spandex! 

Speaking of I do love the new poster...

Two Things I Never Tire of Loving About MNPP
Jason's love of Dominic Cooper
Jason's hatred of Jane Wyman 

Follow Ups
Frontiers Matthew Warchus comments on the Pride DVD debacle (discussed earlier)
Flavorwire defends the NSFC for their left field Best Picture choice (discussed earlier) though I myself would be far more eager to come to their defense if they'd exhibited any imagination at all in the other categories 
The Stake remembers some really great Meryl Streep quotes that reflect poorly on Russell Crowe's absolutely obnoxious comments about aging actresses (which we linked up earlier). Ageism is so pernicious and when combined with sexism its extra odious. I'm gearing myself up for another round of this when the new Madonna album comes out and all the people who hate the inevitability of their own eventual death will say she should "act her age" instead of still being a vibrant entertainer in her 50s.