Sunday, May 8, 2022 at 1:30PM 
Nicole Kidman posted this beautiful image this morning to celebrate. Look at baby Nic! Happy Mothers Day to all readers especially the mothers. And happy mothers day to everyone, retroactively, who ever birthed someone who helped bring the world movie magic.
And for fun after the jump, 12 favourite movies with mothers in the title...
Sunday, May 3, 2020 at 10:45PM It's Mother's Day in Portugal and Mother's Day next Sunday in the US. Since we're celebrating 1981 this week, we're starting early with the biggest, meanest mother of them all!
In 1971, in her book titled My Way of Life, Joan Crawford, the legendary diva of Old Hollywood, said that, of all the actresses of the time, only Faye Dunaway had the talent, the class and the courage to be a movie star. Had she lived to see the younger actress play her in the infamous Mommie Dearest, Crawford would have probably revised her statement. The 1981 biopic is one of the great camp classics of all time, a prestige picture with pretensions of Oscar glory that crashed and burned most spectacularly. Dunaway herself is said to have believed she was on her way to Academy Award glory. Instead, she got a Razzie for Worst Actress...
Monday, January 21, 2019 at 3:00PM Happy Oscar Nominations Eve, everybody! Jason from MNPP here with this week's "Beauty vs Beast" which this week shall tackle one of the probable juggernauts nomination-wise tomorrow, or so we hope -- Yorgos Lanthimos' giddily profane The Favourite boasts a triumverate for the ages, with Queen Anne (Olivia Colman) sitting astride two wars, the more interesting one between her comely, craven subjects Lady Sarah (Rachel Weisz) and cousin Abagail (Emma Stone). Everybody's predicting richkly deserved nominations for all three (while simultaneously bickering about their Lead vs Supporting placement) but we're more interested where you'd come down from Queen Anne's place...
PREVIOUSLY Last week you guys wisely took Joan's advice and didn't fuck with her, fellas - Faye Dunaway's stark-raving turn in Mommie Dearest trampled through the roses to a win of just under 80%. Said Roger:
"I love MOMMIE DEAREST. In terms of Oscar eligibility, Faye Dunaway absolutely should have won the Oscar. Her performance is incredible and almost experimental. I think this is a rare example where the overused remark of losing one’s self in a role is warranted. The line between Faye Dunaway and Joan Crawford is blurred beyond distinction. Both actresses are so enthralling that seeing one as the other, Dunaway as Crawford, is so electrifying it borders on hyperreality."
Monday, January 14, 2019 at 7:00PM Jason from MNPP here - I'm sure if Faye Dunaway were to come to The Film Experience and stumble upon us wishing her a happy 78th birthday here today with a Mommie Dearest themed edition of our "Beauty vs Beast" poll she'd roll her eyes in that certain way she does that makes you quake in your slippers and utter some four-letter word... and that's just why we love her. She may not love the movie that turned her knobs up to Full Camp and then snapped right off, but we do, and we always will - her stratopheric take on Joan Crawford has the stuff of myth about it, as if she squeezed heaven and hell like a wet rag and drank down every last drop right before they said "Action!" That said... Joan's a tough vote all the same!
PREVIOUSLY I think this is the first time this has ever happened, y'all - we ended with a tie on last week's poll! Mahershala Ali's performance in Green Book & Rami Malek's turn as Freddie Mercury in Bohemian Rhapsody came down 50/50. So I guess we'll go with the most magnaminous comment then... said lylee:
"Recognizing these were both problematic movies, I still really enjoyed them - and these performances. Fine acting by a couple of fiiine men. I pick Don because I have a soft spot for brilliant pianists and Freddie seems like he'd get exhausting after a while."
Saturday, March 11, 2017 at 8:39PM by Nathaniel R
The title sequence for Feud, really couldn't be better. The Saul Bass inspired graphics cut-outs act out both the iconic beats in hagsploitation classic Whatever Happened to Baby Jane (1962) and Joan Crawford and Bette Davis's own rivalry as stars while alluding to their embattled natures (the hearts as tears is a particular fine move) within Hollywood where both had been wildly successful but not without their backs up and claws out, as it were.
When the action kicks off in Feud though we're in 1961 and both were now "has been" at least in terms of A list leading lady roles at 55 (Crawford) and 53 (Davis). Feud: Bette and Joan casts much older actresses to play them with Jessica Lange (67) and Susan Sarandon (70) which is maybe the most unintentionally positive takeaway of the show; it takes much longer to be considered "old" in Hollywood now!
