Podcast: West Side Story, The Tender Bar, Don't Look Up... and Faye Dunaway?

Nick and Nathaniel reunion finale (part 3 of 3). Dear readers we hope you've enjoyed this epic talk between your host here and the long lost Nick Davis. Here's the final part in which we talk more 2021 movies plus a discussion of Gena Rowlands and Faye Dunaway due to the new class Nick is teaching.

 

78 minutes
00:01 Lana Wachowski going full meta in Matrix Resurrections
10:15 Nick's trouble with Leos Carax's Annette  (with some Pola X history)
17:50 Tony Kushner's reworking of West Side Story and its redux performances. Plus a bit of In the Heights thrown in for reasons Nathaniel objects to
32:00 France's Petite Maman  and Austria's Great Freedom 
39:30 Adam McKay's Don't Look Up and its limitations as well as the harsh critical response
47:00 An extremely odd double feature: Wes Anderson's The French Dispatch and George Clooney's The Tender Bar 
          BIG ACTRESSEXUAL FINISH
1:01:06 Nick is teaching a class called "Female Performance in Modern Hollywood" so we discuss our favourite Faye Dunaway and Gena Rowlands performances (with very brief asides to several other post-Method actresses)

You can listen to the podcast on iTunes, Stitcher or Spotify or download the attachment below. If you missed our previous recent discussion covering a full dozen 2021 movies, that's here. 

West Side Tender Bar with Faye

Almost There: Faye Dunaway in "Barfly"

by Cláudio Alves

I confess myself surprised by the reader's choice in this last round of voting for the Almost There series. When it came time for you to select what 1987 performance should be explored this week, your votes decidedly indicate a preference for Faye Dunaway's post-Mommie Dearest Oscar bid, Barfly. This under-discussed Barbet Schroeder flick was made from a semiautobiographical script by the bonafide poet of the gutter, Charles Bukowski. It competed in Cannes but it didn't cause much fanfare, mainly valued as an acting showcase for its cast, led by Mickey Rourke as a tic-ridden sing-songy facsimile of Bukowski himself.

As for Faye Dunaway, she takes around 22 minutes to enter this picture about alcoholism and the addicts who scuttle from the light like bugs. Haggard-looking and sitting lonesome at the end of a bar, she's quite distant from the image of a glamourous diva many might associate with the actress' screen persona…

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Tweetweek

2020 is giving off real “series finale” vibes, gotta be honest.

— Chuck Wendig (@ChuckWendig) August 22, 2020

What the world needs now is MORE MOVIE MUSICALS!

— MKB (@MatthewKBegbie) August 18, 2020

Truer tweets were never tweeted and you know it.

After the jump: Miley Cyrus, Batman ubiquity, Courtney Cox losing, Faye Dunaway being evil, and cinephile rage...

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In defense of Faye Dunaway in "Mommie Dearest"

It's Mother's Day in Portugal and Mother's Day next Sunday in the US. Since we're celebrating 1981 this week, we're starting early with the biggest, meanest mother of them all!

by Cláudio Alves

In 1971, in her book titled My Way of Life, Joan Crawford, the legendary diva of Old Hollywood, said that, of all the actresses of the time, only Faye Dunaway had the talent, the class and the courage to be a movie star. Had she lived to see the younger actress play her in the infamous Mommie Dearest, Crawford would have probably revised her statement. The 1981 biopic is one of the great camp classics of all time, a prestige picture with pretensions of Oscar glory that crashed and burned most spectacularly. Dunaway herself is said to have believed she was on her way to Academy Award glory. Instead, she got a Razzie for Worst Actress...

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Reader's Choice: Voyage of the Damned (1976)

Last week by popular vote you selected this streaming film for screening & discussion...

by Nathaniel R

It lasted 30 days... You will remember it as long as you live."

So went one of the chief taglines for the Oscar hopeful Voyage of the Damned (1976). It reads like a threat -- when taglines attack! -- this promise of a long unforgettable sit. Having only viewed The Voyage of the Damned for the very first time this weekend, it's too soon to say if we'll remember it for as long as we live, but the other part of the statement is accurate. We won't make a snarky comment about the running time (too easy!) but the titular passage was indeed a month long moment of intensely shameful global history. 

For those unfamilar with the history it goes, very briefly, like this...

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