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What did YOU see this weekend?

 

Elle. Basically the same movie as The Piano Teacher but sillier. Huppert is great, but when is she not? -Jonathan

The Edge of Seventeen because I needed something light and fun. So delightful, and anchored by a wonderful Hailee Steinfeld performance. - Marina

 

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Entries in Faye Dunaway (23)

Saturday
Nov262016

Instagram Goodies: Marlon, Natalie, Faye, Dancer in the Dark

Just some yummies spotted on Instagram we thought you might enjoy...

Marlon Brando wardrobe reference for "Mutiny on the Bounty" (1962).

A photo posted by The Academy (@theacademy) on Nov 25, 2016 at 12:48pm PST

Click to read more ...

Friday
Jul152016

Beauty Break: Vintage 1977 - Magazine Covers

Liz, and Liza and Halston, Oh my!

Reminder. At the end of the month the Smackdown returns with a look at the Supporting Actress Race of 1977 (The Turning Point, Julia, Close Encounters, The Goodbye Girl, and Looking for Mr Goodbar so get to watching so you can vote!).

To get you in the mid to late 1970s mood, if you lived through them, or just to engage your curiousity if you didn't, a collection of magazine covers from the year in question. Naturally we'll start with two Best Actress winners and then hit the general collections of showbiz covers...

Click to read more ...

Friday
May272016

Girls Gone Wild -- Favorite Bad Girl Oscar Winners

Kieran, here. We've been celebrating Girls Gone Wild this month at The Film Experience. If you haven't already done so, make sure to check out Team Experience's wonderful relay-style Thelma & Louise 25th anniversary retrospective. 

As the month comes to a close, it felt fitting to take a look back at some of the Best Oscar-winning "bad girl" star turns. Here are 11 of the juiciest...

Honorable Mention:

Cristal Connors in Showgirls (Gina Gershon)

Should have been nominated. Very possibly should have won. Haters be damned.

Top Ten Oscar Winning Bad Girl Roles

10. Addie Loggins in Paper Moon (Tatum O'Neal - Best Supporting Actress 1973)

A charismatic yet unsentimental child performance that perfectly nails the tone of its film. The only complaint is that she wasn't promoted to lead Actress where (judging by that roster) she very well could have contended.

9. Barbara Grahame in I Want to Live! (Susan Hayward - Best Actress 1958)

Delightfully over-the-top and melodramatic. Barbara refuses to wear a nightgown while in prison for murder. She wants to "sleep raw!" 

Click to read more ...

Monday
May022016

TCMFF Presents Faye Dunaway & Network

Anne Marie here, reporting with a 30 share on Hollywood Blvd!

The 7th Annual TCM Film Fest ended on a high note this year with Network. Though a satire about network television may not seem like the first choice for a film festival sponsored by a teleivion network, nonetheless TCM rolled out the red carpet, not only for the movie, but also for Faye Dunaway. The Academy Award-winning legend introduced the movie by talking to TCM host Ben Mankiewicz about the work - her process, her co-workers, and her thoughts on television and film.

Dunaway started by describing just how many people told her not to take the role of Diane Christensen in Network. Hot off the success of Bonnie & Clyde and Chinatown, Dunaway had awards goodwill to burn. Even Network director Sideney Lumet told her not to take the role. However, Faye Dunaway went against Lumet's good advice, and starred in Network regardless. When Mankiewicz asked her why she'd risk her career to play such a heartless character, Dunaway replied, "This was too interesting an exploration of American culture not to do it."

Dunaway was effusive in her praise of her costars and crew. She called William Holden as a man with "crusty elegance," and amitted that she nicknamed Sidney Lumet Roller Skates because he delivered movies on time and under budget no matter what. When asked what it was like to win an Academy Award, Dunaway could only quip, "You forget to thank people you were supposed to thank."

While the dour tone of Network may not seem like your first choice for a TV film festival, nevertheless the film and its interview beforehand showed what TCMFF is all about. Over 4 days, TCM screened dozens of lost treasures from Hollywood and beyond, exposing the multiplicity that makes true cinephile. As Dunaway said before she was whisked away: TCM does crucial work for promoting classic cinema. And this definition of "classic" always evolves.

Tuesday
Jun232015

HBO’s LGBT History: Gia (1998)

Manuel is working his way through all the LGBT-themed HBO productions...

Last week we looked at the tender In the Gloaming, Christopher Reeve's directorial debut starring Glenn Close. And while that film ultimately focused on Close's character (her gay son is dying of AIDS), today, for the first time since we started this project, we get to focus on an LGBT protagonist that isn’t a gay man!

We follow instead a gorgeous woman (Angelina Jolie) who's as sexually adventurous as they come, leading on men and women alike, lighting the modeling world on fire, and falling hard (to the point of stalker-ish behavior) for a certain make-up girl that'll be all too familiar for all of you LOST fans.

Angelina Jolie's "Gia" breakthrough is after the jump...

Click to read more ...