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Entries in Alice Doesn't Live Here Anymore (3)

Saturday
Feb042017

22 Days til Oscar. Scorsese Trivia, Anyone?

22 is today's magic number. Two working directors, Woody Allen and Martin Scorsese, are ever inching up the statistics of "Directors who've guided the most Oscar-nominated performances"with 18 and 22 performances, respectively, thus far. William Wyler and Elia Kazan are still the champs but Martin Scorsese could eventually topple Kazan's record. This year's Scorsese picture Silence didn't manage an acting nomination (it's nominated only in cinematography) though some were rooting for Issei Ogata's sly supporting role as The Inquisitor. So Scorsese's number remains 22. 

Most Performances Nominated From Their Films

  1. William Wyler (36... with 14 winners)
  2. Elia Kazan (24... with 9 winners)
  3. Martin Scorsese (22... with 5 winners)
  4. George Cukor (21 ...with 5 winners)
  5. Fred Zinneman (20 ...6 winners) 

It seems unthinkable now that the first two nominated performances Marty directed were by women, since he never again directed a female-focused picture after Alice Doesn't Live Here Anymore (1974) but it's true. The Scorsese list of 8 supporting actresses, 7 lead actors, 5 supporting actors, and 2 lead actresses follows...

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Saturday
Dec282013

Scorsese's Women. Scorsese's Best.

There are times when Margot Robbie's beauty feels so glossy and airbrushed in The Wolf of Wall Street that she feels almost CGIed in. But, as previously mentioned, Robbie seems to have shaken off whatever dullness once clung to that considerable if generic Barbie Doll beauty. Her Naomi LaPaglia is a hungry performance. It's not just Jordan Belfort that'll be opening the wallet and offering her everything, but Hollywood proper. Expect her to be rumored for every role in her age bracket in 3...2...1...

Scorsese has a long history of vivid supporting women in his movies. And yet, the women in his movies trouble me. They often pop but that isn't necessarily a tough assignment for a beautiful woman to clear, especially when she's the sole woman in a sea of somewhat interchangeable men, the men often playing variations on the same type within their rigidly masculine conformist communities.

Which is to say that Scorsese's films are never about the woman even when they're inordinately feminine (The Age of Innocence). Perhaps Alice Doesn't Live Here Anymore is a glorious exception but couldn't it be argued that that fluke sprung from Scorsese's obsession with film genres (let's try a 'woman's picture' this time) more than anything else? [more...]

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Monday
Nov192012

Jodie Foster in "Alice Doesn't Live Here Anymore"

For Jodie Foster Week I invited guests to talk about favorite Foster films. Here is one of my favorite authors Manuel Muñoz ("What You see in the Dark," "The Faith Healer of Olive Avenue") on a pre-Taxi Driver Scorsese/Foster collaboration. - Nathaniel R]


Coming up with another word for “precocious” is hard, since its precision begs no real qualification. The word bothers me a little as a go-to choice to describe Jodie Foster’s brief appearance in 1974’s Alice Doesn’t Live Here Anymore. What are we seeing in her portrayal of a girl who dislikes her real name (Doris) so much that she ditches it in favor of another (Audrey)? I thought my pleasure in rewatching Alice would come in getting to see Foster in that vulnerable adolescence where few of us had learned to mask, moderate, or amplify our sexual identities. How much more apparent would this be on camera, especially when we, as viewers, sometimes willingly blur the lines between performer and performance?

I’m happy to come away from Alice seeing Doris/Audrey as more than a thinly written tomboy role... [More]

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