Best of 2025: Bi Gan dreams the death and “Resurrection” of cinema

by Cláudio Alves

Before dropping my top ten of 2025, sometime near the end of the season, there are a bunch of excellent films that have gone unreviewed at TFE. Let’s fix that…

With Warner Bros. for sale and Netflix as its most likely buyer, cinephiles worldwide are despairing over the future of the theatrical experience. As monopolies keep forming stateside, Hollywood seems bound to reach a breaking point any time soon, and the effects are already being felt beyond borders. And then there’s AI and a rising devaluing of human artistry, the production of content above all else. That said, to speak of the end feels premature, foolish even. Even if the mainstream American movie industry as we know it ceases to be, cinema is bigger than that. Indeed, it’s an art form still in its infancy, still transforming and coming into itself. If death is coming, it manifests as transformation and, in metamorphosis, there’s longevity that beckons hope. So, stop doomscrolling and hold tight to what you love, be it the medium itself or the communion of sitting in a dark room with others, facing the collective dream projected on a bright wall.

There’s a way to accept the pain of change without giving in to despair, to believe, to honor, to delight in the miracle of the moving image without falling into grief. Chinese wunderkind Bi Gan's latest, Resurrection, embodies such notions in ways few films have done. As it regards the past, it speaks to the present and the mystery of a future none of us can yet grasp. With equal parts adoration and sorrow, intellect and earnestness, sadness and a strange strain of fatalistic optimism, this multi-chaptered odyssey through the human senses whispers and screams: Cinema is dead. Long live cinema…

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Streaming Roulette (Halloween Weekend)

Happy Halloween Weekend! There are quite a few newish-to-streaming things to screen this weekend (many of them horror themed) so herewith 10 ideas to take you through Halloween on Monday night. 

If we can raise him up, we can raise up anyone in the cemetery.

WENDELL & WILD (2022) on Netflix
Went in with the highest hopes since Henry Selick is just great. Plus stop-motion animation is always such a treat in the more lifeless era of the absurdantly dominant CG 3D style. The animation here is definitely the highlight and it's perfect for Halloween...

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Review: Rebecca Hall's Hot Streak Continues in "Resurrection"

By Ben Miller

Featuring a dynamic lead performance from Rebecca Hall, Andrew Semans' new film Resurrection will be a little too out there for some. Those who get on the film's wavelength, though, will be greatly rewarded.

Resurrection follows an unmarried woman named Margaret (Hall) who has an enviable life: a great job, a happy home life with her daughter, and a comfortable but casual relationship with a co-worker.  But one day at a conference, Margaret notices someone who looks just like David (Tim Roth), a mysterious man from her past and she begins to unravel. It would be a shame to give any of the actual plot away, though, because of the unexpected diabolical directions the film takes. Let's just say that Margaret must confront her demons to protect her daughter from the horrors she has long suppressed...

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Ellen Burstyn's Oscar history

by Cláudio Alves

At 88 years of age, Ellen Burstyn is back on the hunt for gold and she might just become the oldest acting Oscar nominee of all-time for her work in Kornél Mundruczó's Pieces of a Woman. (The record is currently held by Christopher Plummer in All the Money in the World, who had just turned 88 at the time but Burstyn would be just a bit older). Burstyn's film, now streaming on Netflix, concerns Vanessa Kirby's Martha, a woman dealing with the unimaginable pain of having lost her newborn daughter. Burstyn plays the protagonist's mother, a severe matriarch whose disapproval of her daughter's life choices is an incandescent force, blinding in its intensity.

The actress breathes life into this supporting role, illuminating the brittleness, the scars of past woes, and the terror brought upon by the first signs of dementia. It's a showy performance, complete with an Oscar clip-ready monologue that unspools from Burstyn like a torrent of misdirected fervor. As we ponder if AMPAS will grace the thespian with another honor, let's look at her record with the Academy. Ellen Burstyn has been nominated six times and won once… 

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Supporting Actress Smackdown '80: Eileen, Eva, Diana, Cathy, and Mary

It's the return of "Stinky Lulu's Supporting Actress Smackdown" now in its new home at The Film Experience. The year is... [cue: time travelling music] 1980.  That year's Oscar roster was a semi-surprising mix of silly comedy and warm drama with a preference for fresh as dew faces. Oscar ignored notable performances that found favor at the Globes in various ways (Beverly D’Angelo in Coal Miner’s Daughter, Lucy Arnaz in The Jazz Singer, Dolly Parton in Nine to Five and Debra Winger in Urban Cowboy) and instead honored these five...

THE NOMINEES

Eileen Brennan, Eva La Galliene, Cathy Moriarty, Diana Scarwid, and Mary Steenburgen. For each actress it was their first and only Oscar nomination... which is quite rare (as TFE readers have researched/noted. That statistic could theoretically change since Moriarty and Steenburgen still act regularly. Steenburgen was recently even seen in a Best Picture nominee (The Help, 2010) for which she shared in the SAG Best Ensemble win.)

Will Mary Steenburgen win the Smackdown like she won the Oscar? Read on!

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