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Entries in Supporting Actress (173)

Friday
Nov142014

Oscar's Acting Categories Take Shape. Or Do They?

If you're an Oscar chart junkie, you'll see some key shifts on all four acting charts which are now updated. The biggest switcheroo is Jessica Chastain moving to Supporting Actress (the original prediction back in April) which shakes that field up more than it creates a vacuum with the Best Actress race and both Foxcatcher men dropping out of the predicted lead actor shortlist.

Papa, how can I be too high in rank to dine with the servants and too low to dine with my family?

Best Actress has been hard to suss out beyond two sure things: Julianne Moore as a professor with early on-set Alzheimers and Reese Witherspoon as a woman trying to forgive herself and start anew by hiking the PCT. Both of those films are major star vehicles in that they put their leading actress and her considerable gifts front and center without obstructed views. Gone Girl and The Theory of Everything also look somewhat likely to produce nominees but those are definitely two-lead films which Pike and Jones must share with their screen hubbies. On the podcast this weekend we'll talk more about this race because the field still seems wide open beyond those four names. And, if past years are any indication, one of them could surprisingly drop out. There are a lot of viable women hoping to unseat them, which makes "where are the best actress candidates?" articles in major outlets like THR and The Washington Post absolutely mystifying or ignorant or sexist or something. Something not right is the point. Particular maddening is that THR article which claims two dozen viable Best Actor candidates beyond the presumed frontrunners but will even list the most longshot of longshots like Eller Coltrane (Boyhood) and Al Pacino (The Humbling) and Kevin Costner (Black and White) -- none of which have any heat -- as "credible" contenders but can't think of ANY slightly under the radar women other than Jenny Slate (Obvious Child)? That's wearing some serious blinders to support your thesis. [more...]

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Friday
Nov072014

AFI Opening Night: A Most Violent Year Spawns A Most Excellent Party

Dear readers, though I have crashed a bit mood-wise (blame my Gemini nature) on this Friday the first 24 hours in Los Angeles for "The AFI Fest Presented by Audi - they expect everyone to say that since it rolls right off the tongue! -  were euphoric. It was surely a good omen that all the emails and tweets awaiting me once I was out of airplane mode were about The Fabulous Baker Boys 25th anniversary photo reunion. My favorite new compliment that I plan to use whenever I can think of a way to use it came from devout reader / awesome Canadian Cory who wrote:

Congrats on this existing".

In fact, that's exactly what I should have said to JC Chandor at the after party for A MOST VIOLENT YEAR's gala premiere. [More...]

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Monday
Nov032014

Review: Nightcrawler

This article was originally published in Nathaniel's column at Towleroad.

It would be disingenuous to claim that Jake Gyllenhaal is unrecognizable in Nightcrawler. It's hard not to commit Gyllenhaal to memory once you've seen him. But it would be true to say that he is less recognizable in Nightcrawler. The effect is not unlike the rubberneck squinting at the new Renée Zellweger, trying to place the differences that unsettle you.

The actor dropped 30 lbs to play his new character and lived on the night shift to prepare and it wasn't for the strenuously faux-noble reason of biographic fidelity. It must be method madness that led him to burrow into this altogether terrific star turn as Lou Bloom, a gaunt sleepless thief turned "journalist". The big difference with this Gyllenhaal is in the eyes. Those big impossibly romantic orbs have lost all their soft blueness. They're suddenly bulging from their skull, like they want to escape it. Or like they're planning to hypnotize you while the mouth delivers its mechanical sales pitch.

And with Lou Bloom, the sales pitch never stops. The night owl approaches each conversation like it's a job interview, checking off catchphrases and talking points from his mental checklist. This is all well and good for the film's first reel when Lou is trying to find a job. But when he chances upon an accident one night and sees nightcrawling freelancers filming it, the search is over; he makes it his mission to join this profession. It's here where his can-do "I'm a hard worker" salesmanship begins to ferment and spook. [More...]

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Saturday
Nov012014

Meet the Contenders: Rene Russo "Nightcrawler"

Each weekend a profile on a just-opened Oscar contender. Here's abstew on this weekend's new release, NIGHTCRAWLER, which is a perfectly dark treat for a Halloween opening.

Rene Russo as Nina Romina in Nightcrawler

Best Supporting Actress

Born: Rene Marie Russo was born February 17, 1954 in Burbank, California

The Role: Screenwriter Dan Gilroy (2006's The Fall, The Bourne Legacy) makes his directorial debut with Nightcrawler (which he wrote as well). The film stars a gaunt, crazy-eyed Jake Gyllenhaal (a Best Actor Contender) as Lou Bloom, an unemployed but determined man in Los Angeles that stumbles upon a career as a news journalist. He video records car crashes, home invasions, and bloody crimes, selling the footage to the local news station. Russo stars as a veteran television producer, in charge of the "vampire" shift of the lowest rated station in town. She encourages Bloom's budding career, forming a twisted relationship with him to gain viewers.

The film is also a family affair for Russo who is married to Gilroy (he also wrote two of Russo's previous films 1992's Freejack and 2005's Two for the Money) and her brother-in-law, Oscar nominated writer/director Tony Gilroy (Michael Clayton, Duplicity), is a producer on the film.

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Wednesday
Oct292014

Podcast: Gone Girl, Whiplash, and Kathleen Turner Sightings

The Podcast is back! 
And just in time for awards season to heat up. Please welcome back Nick Davis, Joe Reid, Katey Rich and your host Nathaniel R, as they discuss Gone Girl's conversational staying power, agnosticism about the very popular Whiplash, and fun anecdotes from Nick's jury duty at the Chicago Film Festival.

The discussion goes like so:

  • 00:01 Wild Anecdote & Podcast Reunion
  • 01:20 Kathleen Turner & Chicago Film Festival
  • 03:50 Gone Girl
  • 25:52 Wide Open Supporting Races
  • 27:31 The Selma Plan? 
  • 29:20 The Gotham Awards
  • 32:00 Whiplash
  • 41:25 Goodbyes

Articles Referenced in This Discussion
Gone Girl's "Psycho Bitch" |  Vulture Gone Girl's Woman ProblemKatey on Supporting ActressNathaniel on Supporting ActorThe Gotham Award Nominations 

You can listen at the bottom of the post or download on iTunes tomorrow (it generally takes 24 hours to show up there). Continue the conversation in the comments! 

Whiplash, Girl !

Tuesday
Oct282014

The Honoraries: Maureen O'Hara in "The Parent Trap" (1961)

Welcome to "The Honoraries". From now until November 8th when the Governor's Awards are held, we'll be celebrating the careers of the three Honorary Oscar recipients of 2014 (Maureen O'Hara, Hayao Miyazaki, Claude Carriere) and the Jean Hersholt winner (Harry Belafonte). Here's Abstew...

Maureen O'Hara's impressive body of work includes a Best Picture winner (1941's How Green Was My Valley), a perennial Holiday favorite (1947's Miracle on 34th Street), even an early film with Hitchcock (1939's Jamacia Inn). No offense to those classics but the greatest film the star ever appeared in has to be that Disney masterpiece about a pair of long-lost twins trying to reunite their parents in The Parent Trap.

It was my first encounter with The Queen of Technicolor and although the appeal of twice the juvenile star wattage of teenage Brit Hayley Mills was the main selling point as a child, there was always something special about O'Hara as their mother, Margaret McKendrick. Even before she finally appears a half an hour into the movie, the film has already built her up as a glamorous and intriguing figure. Susan (Hayley Mills as tomboy) talks about how she used to stare at her picture and how fabulous ("Absolutely fabulous") her mother was. And the word Sharon (proper, upper-crust Hayley Mills) uses to describe her is divine, both adjectives usually reserved to describe bedazzled drag queens lip-syncing for their lives. But once Sharon reveals the beauty shot of her mother, there was no doubt in my young mind that that was a movie star. [More...]

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Monday
Oct202014

The Year I Fell In Love with Kristen Stewart

Jose here. A couple of weeks ago, I went to the NYFF press screening of Clouds of Sils Maria. It was my second time seeing the film, and on that occasion I mostly showed up because I wanted to bask in the glory of its MVP ... Kristen Stewart.


As I sat there, observing the lithe actress, taking pictures of her and giggling and blushing at her responses - as if she was answering them just for me - I realized I had a crush. I swooned when Juliette Binoche called her "a genius". If you had told me I’d be feeling this way last month, I would have laughed in your face and explained I wasn’t a TwiFan. Or blind. After all, Stewart has made herself a reputation for being one of the worst young actresses, who does nothing but exploit her expression-less or annoyed looks that are meant to be interpreted as undying devotion to a glow-in-the-day vampire.


Then, in a little two-punch move, my entire perception of her changed forever. 

I went into Clouds of Sils Maria expecting Binoche to swallow K.Stew and Chloë Grace Moretz alive, Margo Channing-style. Instead, perhaps unsurprisingly, the great French actress turns in one of her most generous performances allowing the younger women to steal it.

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