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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Cannes Winners

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Entries in Supporting Actor (92)

Tuesday
May192015

Q&A: Summer Classics, Best 'Action' Acting, and Late 70s Silliness

Yay, reader question time! I did two public appearances, with mic in hand, this weekend which is rare for me. First up was the Q&A with David Dastmalchian for the Animals opening at Village East Cinemas and then on Sunday, a very stressful pre-screening trivia for the Mad Men Finale at The Astor Room restaurant in conjunction with The Museum of the Moving Image. I am always terrified if I'm miked but here at home on TFE, no terror. I type at you, no miking necessary.

Let's take 9 reader questions. I suggested 1979 related questions (our year of the month) but let's do some general questions first on action film acting, summer movies, Oscar sweeps, and classic novels on the screen...

BHURAY: What are your five favorite novels of all time and if they've been translated to film how would you rank the films?

NATHANIEL: I don't feel all that well-read I confess. I spend so much of my time with movies that it's hard to carve out several hours for a book. But when I do read I try to alternate between one for fun and one because-it's-classic when I do read. These are the five best novels I've ever read:

Beloved and lots more questions after the jump...

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Saturday
May162015

1979: Revisiting The Black Stallion

In honor of the Year of the Month (1979) and horse racing’s most exciting month – with the second leg of the Triple Crown, the Preakness, being run today – Lynn Lee revisits a childhood favorite movie, The Black Stallion.

As a little girl, I didn’t ride horses but I loved reading about them, from Black Beauty to Misty of Chincoteague to just about every book in the Black Stallion series.  Naturally I loved the Black Stallion movie and watched it multiple times in my pre-teen years.  I recently decided to watch it again and see how I felt about it over two decades later.  Here are the five things that struck me most strongly this time around:

1. How quiet the film is.
There’s barely any dialogue.  That makes sense for the first half, most of which takes place on a desert island where the two shipwrecked protagonists, the boy Alec and the Black Stallion, slowly earn each other’s trust.  But even after they’re rescued and return to society and enter a big honking horse race, the quiet remains.  Most of the human characters have only a handful of lines... [More]

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Wednesday
Apr222015

Have you heard the one about the sexist, egotistical, lying, hypocritical bigot?

I have a terrible terrible just awful confession to make, dear readers. I hope you'll find forgiveness in your hearts as it will surely sound like blasphemy. My favorite performance in the classic lady comedy Nine to Five (1980) belongs to Dabney Coleman. Yes, the sexist, egotistical, lying, hypocritical bigot himself. "The Man," in Nine to Five in both the symbolic and the literal sense. But he's superbly funny in this beloved comedy, completely committed to his grossly entitled and just awful boss person whose demise his underlings fantasize about. Can you blame them?

Coleman is even better when his characterization morphs into Looney Tunes caricature in the fantasy sequences, when he gets personality transplants, sweating and terrified, humbled and guilty, or shy and objectified. If haven't thrown your internet device aside in total disgust at my betrayal, you should click to continue so that we may pick a Best Shot...

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Monday
Apr062015

April Foolish Oscar Predix - Supporting Actors

As is the case every year the supporting categories are incredibly foggy early on. One rarely knows which supporting players have big roles (unless they're co-leads campaigning fraudulently which we should always expect). And then there's the matter of who will steal scenes and who will be reduced to glorified cameos even if their roles sound good on paper.

Will Poulter and Tom Hardy heading to shoot scenes for The Revenant

Perhaps the most important thing to remember about this Foolish early punditry: Supporting players, unlike leads, almost never win traction unless their film is also well liked. That adds yet another layer of clouds blocking future vision.

All of which makes April Foolish supporting pictures an exercize in fantasy. But it's fun! The chart is now up for  Best Supporting Actor and to start things off I'm predicting an all newbie lineup. But looking over the general foggy field one could have genuine with high hopes for a couple of respected actors who've never had a real Oscar shot like Tom Hardy and Kyle Chandler, actors who have been mistreated by Oscar like Ralph Fiennes (future cinephiles will be driven mad puzzling how he missed for Grand Budapest Hotel) and Kurt Russell (tell me again how he missed for Silkwood?) and actors who fit right into Things Oscar Does like Seth Rogen (comic gone serious), Bradley Cooper (you like me you really like me) and so on. The chart is big and extensive because it's silly to rule anyone out before most films have begun screening.

Among films with large casts that we suspect are teeming with possibly eventful supporting players but who can really say are Warren Beatty's Untitled Howard Hughes Project, Quentin Tarantino's Hateful Eight, and the press expose of the Catholic Church scandal drama known as Spotlight

Some of "Spotlight"s key cast members: Keaton, Schreiber, Ruffalo, McAdams, Slattery, James

And that's not all. There's also the head-injury medical sports drama Concussion led by Will Smith, an FBI drama led by Emily Blunt called Sicario, and the all star period literary drama Genius which features Jude Law, Guy Pearce, Dominic West, and others as famous authors. There's also the Hollywood Blacklist drama Trumbo which is headlined by Bryan Cranston but features a lot of other actors as famous showbiz figures

Do you have any suspicions about this field or any wild card predictions?

Wednesday
Feb252015

Black History Month: Morgan Freeman Enters The Conversation

Our celebration of Black History Month is, naturally, also an Oscar History Celebration. Today Nathaniel looks at Morgan Freeman's original claim to fame.

When you think of Morgan Freeman what's the first thing that comes up? Given his revered stature in contemporary cinema the answer is undoubtedly pulled from the following character types: wise mentor, savvy professional, trusted friend, quiet confidante, brilliant academic, noble leader. Freeman brings such natural authority and wise but warm old men sass onscreen that playing God in the comedy Bruce Almighty wasn't even a stretch but a light bulb "of course it's Freeman!" moment. So it's a little startling to remember or discover that his first of five Oscar nominations -- he's the most celebrated black actor in Oscar history outside of Denzel Washington -- and indeed his breakthrough in cinema does not fit the Morgan Freeman mold in virtually any way. 

This ho said you wanted to meet me so here I am. 

No, Morgan Freeman's original claim to big screen fame was as a vicious pimp named "Fast Black" in a largely forgotten journalist-plays-with-fire drama called Street Smart (1987). [More...]

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Sunday
Feb222015

Readers Poll Results: Who *Should* Win?

With the Oscars arriving in 12 hours and your host (er, Nathaniel -- your host here at TFE-- not NPH) still sick as a dog, I turn the time over to you. Your votes have been tallied from the polls we ran on the individual Oscar Chart pages over the past month and here's who YOU -- the collective you at least -- are rooting for tonight.

BEST ORIGINAL SCREENPLAY

Grand Budapest Hotel won 37% of your hearts. In solid second place was Birdman with 30%. Nightcrawler and Boyhood had their fans with 16% and 12% of the vote respectively. Trailing them all with a poor showing was Foxcatcher with 4%.

acting, director, picture after the jump

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