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Entries in Supporting Actor (70)

Friday
Jul182014

Oscar Updates: Acting Pairs and Young Bucks

The chart updates continue. I've been thinking a lot about Foxcatcher and Love is Strange and whether or not Sony Pictures Classics will have the guts to campaign all four of those male leads as leads. Essentially they'd be asking for 80% of the category which would be extremely ballsy (no pun intended with four sets of them) but also honest. For these July updates I'm fantasizing that they will.

Eddie Redmayne, David Oyelowo, and Channing Tatum are just three of the fresh crop of leading men who might be competing for Oscar gold for real life roles

But the funny thing is: Best Actor is enormously crowded without any of that acclaimed quartet. Playing a real life character won't even get you very far because most lead actors are doing just that, thereby dulling its time-tested competitive advantage. I count at least 10 possibly major contenders this year in biographical roles: Cumberbatch, Redmayne, Oyelowo, Carell, Tatum, Spall, Boseman, O'Connell, Hill and Maguire. And that's not including Christoph Waltz who I'm now guessing will try his luck doing the co-lead as supporting thing again for Big Eyes which has worked well for him twice before; he's like the Poster Boy for Category Fraud.

The most exciting thing about the Best Actor Chart? Most of them have never been nominated so we're likely to have a real fresh quintet. With all these true stories in 2014 Supporting Actor may well be filled to bursting with real life, too, albeit without as many newbies in the mix. Good luck to the originals I say who have to create three-dimensional characters from whole cloth and the never nominated who are eager to be let in throughthe golden door.

Breaking Jack O'Connell?
On Emmy nomination morning this new trailer emerged for Angelina Jolie's Unbroken, a World War II drama which is likely to be a major breakthrough event for its lead actor Jack O'Connell, especially given that he's already shown true star charisma according to everyone who has seen his raw prison drama Starred Up (also due this year). But there are three potential obstacles to a presumed Best Actor run.

1. The man he's playing, Louis Zamperini, just died and those can be tricky waters to navigate in terms of film releases and campaigning without seeming exploitative about it (see Mandela's tip toe last year)

2. AMPAS is not as predictable these days with what we might well call 'classic Oscar bait'. They've been getting friskier with their choices for some time now (think of that 2006 win and then the entire 2007 lineup and so on through the now: Amour? Beasts of the Southern Wild? etcetera) . Old school 'triumph of the human spirit' epics and glossy WWII pics are no longer sure things. 

3. Jack O'Connell turns 24 next month. That's extremely young for Best Actor. For some context should O'Connell be nominated for this role with lots of hooks (crying, real life character, accent, weight loss, heroism) he will be the 2nd youngest nominee of the modern era, just a shade older than John Travolta was for his zeitgest 1977 blockbuster Saturday Night Fever. (Mickey Rooney and Jackie Cooper were even younger for their noms but that was back in the 30s and early 40s). Only one actor in his 20s has ever won the top prize and that was Adrien Brody for The Pianist, three weeks shy of his 30th birthday.

updated Oscar charts
BEST ACTOR, BEST ACTRESSSUPPORTING ACTOR, SUPPORTING ACTRESS

Thursday
May292014

First Round Oscar Predix Continue: Supporting Actor

Two things we have to acknowledge right up front before we continue our first round of Oscar charts which will be finished by Saturday. Yay.

First. The supporting actor categories are often crazy foggy until people have seen the movies. Since men make up the bulk of film characters there is always a lot to choose from... even within the same film. Take Paul Thomas Anderson's adaptation of Inherent Vice for example. I have yet to read the novel but literally every character in synopsis form sounds like a chance for actors to show off. That could result in a grandiose amount of overkill in scenery chewing for one film to handle- the acting equivalent of a rain of frogs, if you will. But it doesn't help us decipher which of the players will stand out. If you look at any of Anderson's early work -- the true ensembles before he started focusing on the journey of only one or two men (sigh) -- it was often hard to decide who was "best" because everyone was doing such strong work. I've gone with Josh Brolin as a prediction playing Joaquin Phoenix's old nemesis "Bigfoot" but it could just as easily be Benicio Del Toro as "Sauncho" or Owen Wilson as the musician "Coy Harlingen" or... well, you get the picture. The film has a huge cast.

Or it might be no one if the film is not well received. But the nominations for P.T.'s chilly weird The Master, not particularly "Oscar friendly" in the traditional sense, suggest that AMPAS is finally on this auteur's wavelength.

Second. There is no such thing as a line of demarcation between Lead and Supporting anymore. The two categories are fluid and mean nothing dissimilar at this point. It's like ten spots for men and ten spots for women. Period.

There are infinite ways to get away with category fraud in this day and age and the only time Oscar has ever rejected fraudulent campaigns is when a person leading the film has no other actor of stature around or of the same gender to pretend they are "supporting" them (Winslet in '08, Keisha in '03, etcetera). Otherwise they're always okay with it. Voters are especially forgiving of category fraud with male actors, perhaps subconciously reflecting heteronormative pack mentality --  some guy is always the alpha. So even if there is no way you can describe Fox (Collateral) in '04 or Affleck (Jesse James)  in '07 as "supporting characters" without sane people laughing at you, that's okay with Oscar because in no stretch of the Hollywood imagination are  Cruise and Pitt not alpha males. I think we can all agree on that.  

Which brings us to Foxcatcher. Here, things are decidedly more fluid. Carell and Tatum and Ruffalo are not big enough stars to pretend that all other men in any given movie would be supporting them. Hell, Tatum even has second billing to Jonah Hill in the 21 Jump Street series which I find... strange. (Was it the Oscar nominations? Is it the deferrence to alpha order? Tatum led more films before they joined up). Early word is that Sony Pictures Classics will campaign both Tatum and Carell as leads and Ruffalo as supporting. Whether this holds or not is anyone's guess. In Contention posted a piece on how rare double lead nominations are and cited the statistics (not since 1984 for men and 1991 for women) and called it "obviously stiff odds" and that's true, factually. But it's not true spiritually. The article left out the extremely crucial fact that studios don't try to win dual lead nods anymore. Who is to say that we wouldn't have had examples of dual lead nods since then if they had kept campaigning truthfully as they used to do? Maybe voters should check themselves before demoting lead actors to supporting and ask themselves the relevant question "would I vote for them as a lead?" If the answer is "no" than maybe you shouldn't vote for them in supporting. 

THE SUPPORTING ACTOR CHART 
INDEX OF PREDICTIONS 

Monday
Apr282014

Oscar Bait 2015 Alert: "Genius" With Kidman, Firth, and Law

Yes, dear concerned reader, I know I know. I'm supposed to be thinking about 2014 and who might be Oscar nominated 9 months from now. I'll get there. I will. But I can't let this latest dazzling dangling carrot of 2015 cinematic possibility pass without mention. Because a curious trend continues...

Thomas Wolfe, Aline Bernstein, and Max Perkins to be played by Law, Kidman, and Firth

We've already noted, with raised eyebrow, the shocking rapidity of Nicole Kidman and Colin Firth veritable obsession with working together. As previously mentioned they have THREE films together coming out this year. Add a fourth to the pipeline. They will co-star again in Genius which is based on the super acclaimed biography "Max Perkins: Editor Of Genius," by A Scott Berg.

The screenplay is by three time Oscar nominee John Logan (Gladiator, The Aviator, Hugo) and the cast is similarly Oscar-favored. Two time nominee Jude Law, Kidman's Cold Mountain "husband" (I will marry yoooo) has taken over the incredibly juicy role of the novelist Thomas Wolfe (which means a viable shot at a Supporting Actor trophy for Jude Law even though the best guess is that he's actually co-lead) which was once to be played by Michael Fassbender. Oscar winner Colin Firth headlines playing the influential book editor Max Perkins and Oscar winning Kidman plays Wolfe's lover, the multihyphenate writer/costume/set designer Aline Bernstein. The film takes place in the 1920s/1930s literary scene so stay tuned. Who will they cast as F. Scott Fitzgerald and Ernest Hemingway? Both of those legends also have major roles in the book.

The big obvious question mark here is budget (can it get the lush period treatment it deserves?) and Michael Grandage in the director's chair. This is the 52 year old stage director's first feature gig behind the camera though he's acted in front of it before. 

Wanna read the book?

 

 

Monday
Mar032014

The Beautiful People

The Class of 2013 via The 86th Academy Awards,  March 2nd, 2014!

Damn, that's a good looking bunch. It occurs to me that there was more than just a little bit more of a consensus this year behind "shoulds" when it came to acting winners, hence the repeats from ceremony to ceremony. That was true even here at The Film Experience. Though McConaughey didn't win his reader's poll here (he came in 3rd in a tight race for 2nd with Chiwetel, both behind Leo), the rest were your preferred winners as you can see on their percentage totals on the individual charts. And Cate and Lupita were also my gold medalists in the The Film Experience's long running Film Bitch Awards, too.

Group Tidbits & Trivia
• Cate and Matthew are the exact same age (44) and I wonder when or if that's ever happened before with the lead winners? It probably doesn't happen often given Oscar's double gender standards when it comes to what age its appropriate to honor male and female actors; generally speaking, women win most often when they're in their late 20s to mid 30s wherease men have much better luck in their 40s.
• The lead winners are both married and both have three children. The supporting winners are both single and keep publicly joking about the rumors that they're dating

Jennifer and Lupita reenact the last month of the internet backstage!

• another cute Lead/Supporting divide. The leads brought their spouses to the Oscars and both Lupita and Jared brought a sibling!
• Interesting gender divide in terms of origins. The women are international (Australia and Kenyan/Mexican) while the men are both from the Southern US (Texas and Louisiana)
• All four went to college --  so since Ellen went there with a joke: stay in school, kids

Jared Leto photobombing Anne Hathaway

• Cate is the old pro (6 noms / 2 wins) but the other three are all 'first time's the charm' winners
• I interviewed 75% of this group, alas not a perfect fab four: ICYMI my chats with Matthew, Jared, & Lupita
• Four different zodiac signs but we have two waters (Matthew & Lupita) and two earths (Cate & Jared) and yes, I have insomnia, or else why else would I be looking this up?!

Friday
Feb282014

2 Days Til Oscar. Final Oscar Predictions

This article originally appeared in my column at Towleroad and is reprinted here (albeit slightly altered for the TFE crowd) with their permission

Gravity will win how many Oscars? The most at any rate.

Oscar Weekend is upon us! Those damn Olympics forced it into March so it already feels like its running late and pushing back the local news broadcast yet further into the AM hours. And it hasn't even started yet! But soon Ellen Degeneres will be dancing down the aisles and we'll be on our way. [Before we get there make sure to like TFE on facebook so you don't forget about us during the spring/summer. We hit it all year round!]

I've been an Oscar blogger for over ten years (yikes) and usually predicting the winners in the high profile categories is easy; it's about getting out of your own way since it's easy to overthink it and create scenarios which aren't likely to happen. This year is more volatile than usual, though, with Gravity, 12 Years a Slave, and American Hustle all displaying strength after strength during "precursor season" but meeting plenty of resistance, too, on their awards path. Anything might happen in Best Picture, which is not something you can usually say going into the big night. It'll be a groundbreaking night almost any way it turns out with a first in Best Director (first Hispanic winner or first black winner) and a first in Picture (first sci-fi winner or first film that's totally about black people) 

Oscar never presents the categories in the exact same order from year to year, but let's take these in the order the envelopes opened last year just as an outline on which to hang our predictions after the jump... 

Click to read more ...