DON'T MISS THIS!
Oscar History
Welcome

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, or by a member of our amazing team as noted.

Like The Film Experience on Facebook

Powered by Squarespace
What'cha Looking For?
Comment Fun

Comment(s) Du Jour
Six Short Reviews

"While there was imagination to Swiss Army Man, I am on the hate side of it." -Chris

 "I watched 10 Cloverfield Lane on a long flight Tuesday. It felt like a cross between Misery, Room and an end-of-the-world sci-fi horror B movie. I liked it." -Paul

Keep TFE Strong

 

LOVE THE SITE? DONATE 

Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

For those who can't commit to a dime a day, consider a one time donation for an article or a series you are glad you didn't have to live without.

Subscribe

Entries in Supporting Actor (121)

Friday
Jul222016

Oscar Chart Updates: The Acting Races !

The July Oscar prediction chart updates are complete! You're welcome. Each chart has been updated (but for foreign film but we start building the submission tables now). With the acting charts newly updated you'll see new predictions we're trying on for size (Jessica Sloane for Miss Sloane and Naomie Harris for Moonlight) and significant chart gains for the casts of three pictures (which affects the supporting actor chart most) Love and Friendship, Loving and Billy Lynn's Long Halftime Walk.

Will they be contenders? Who knows.

Here are some questions TFE is asking its Oscar Crystal Ball. Care to answer them in the comments? 

• Which sci-fi picture is more likely to be garner acting praise: Passengers with Jennifer Lawrence or Arrival with Amy Adams? Or neither since sci-fi pictures are rarely regarded, right or wrong, as "actor's pictures"?

• Do you think Love & Friendship can muster up an acting campaign to capitalize on its sleeper arthouse hit status?

• Why is buzz around Martin Scorsese's Silence so quiet and does this mean anything for its formidable male actors?

• Will Fences be seen as just the Viola & Denzel show or will it be a force in Supporting Actor? And can Denzel win a third Oscar, tying Daniel Day Lewis, Walter Brennan, and Jack Nicholson?

• Can Sony Pictures Classics make a critical cause of or controversy 'must-see' event out of Paul Verhoeven & Isabelle Huppert's pairing in Elle?

• When will filmmakers quit wasting Oscar caliber actresses as "concerned wife on phone" and "inquisitive wife at kitchen table"? (Actually this last one is rhetorical. No need to answer lest we all weep.)

NEW CHARTS
INDEX |  PIC | DIRECTOR | ACTOR | ACTRESS
SUPPORTING ACTOR | SUPPORTING ACTRESS 
SCREENPLAYSVISUALS | AURALS | ANIMATION & DOCS

Tuesday
Jul122016

Q&A: Oscar-Free Dames, Supporting Shortlists, Disney Renaissance

Just answering six reader questions this afternoon for time constraints so we'll do another handful later in the week. Thanks for all the great Qs, readers! Here we go.

GSHAQ: Do you feel the gap is widening between the stories told in mainstream movies and contemporary issues? Oops, that might be an essay. 

NATHANIEL: This question hurts my brain but I'll try. I do fear for the health of cinema which directly addresses contemporary issues. For a long time the movies have preferred past-tense filters for social and political issues, once it's safer since history has sorted out consensus. The best of those past-tense films also address the here and now through their resonant power (see: Selma). And there's something to be said for the facility that good genre films have in addressing the way we live via metaphor (The Babadook, Bridesmaids, and Melancholia are MUCH better films about depression than some earnest dramas that directly take it on) Even superhero films can be reflective of the here and now in spite of (or maybe because of) all their mixed messages and contradictory 'have it both ways' politics. I don't think it's an accident that Batman v Superman and Captain America: Civil War, whatever their disparate qualities, are asking the same questions about Might Equalling Right and whether we have the right checks and balances in place for those in power. These are issues that we're facing in very real ways all over the world. But, that said, we do need a reenergized contemporary cinema. If we can only think about tough issues through metaphor or by dwelling on the past, we have some maturation to do as a society!

It's true that movies made in the right-now about the right-now can age quickly (see movies we've recently discussed like Working Girl)  but if they're any good -- and sometimes even when they aren't -- they make great time capsules about the way we were, the things we valued, and the issues that laid claim to our collective mental real estate.  

BVR: Rank the animated movies from the Disney Renaissance (1989-1999). Extra: which is the most underrated?

NATHANIEL: This is cheating and asking for a top ten list but here's a NON commital answer after the jump...

Click to read more ...

Monday
Jun272016

Halfway Mark: Best Actors of 2016 (Thus Far)

Halfway Mark Festivities begin now! It's never too early to start thinking about year-end lists. If you keep a list all year long, you make better choices at year's end. Unlike The Academy we don't believe that the film year begins in October. So let's name the best male performances and achievements from the first half of the year.

Disclaimer: Notable films I missed that might have factored in to these categories but that I'll have to catch up with on DVD include 10 Cloverfield Lane and The Nice Guys.

NOTABLE MALE PERFORMANCES 
(January through June, 2016 - U.S. Theatrical Releases)

Best Leading Actor


  • Alfredo Castro as "Armando" in From Afar
    One of world cinema's most dependably unnerving actors but his performances are never copies. (He's also great in the predatory priests drama The Club also released this year)
  • Colin Farrell as "David" in The Lobster
    This underpraised actor continues to push himself when similarly famous stars would have long ago started coasting. Just wonderful as this lovelorn but surprisingly amoral sadsack
  • Jake Gyllenhaal as "Davis" in Demolition
    Can someone please start giving him films that can keep up with him? He's been on such a tear. Get him while he's at his peak!
  • Daniel Radcliffe as "Manny" in Swiss Army Man
    Though it's not much of a high-bar to proclaim this Harry Potter's best performance, that doesn't negate the compliment. Radcliffe does wonders with the weird constrictions of the role, never over or underplaying this corpse that talks, marvels, and learns and yearns for love
  • Ferdia Walsh-Peelo as "Cosmo" in Sing Street
    He's a major find, superbly charting Cosmo's growing confidence and musical passion.

Four more categories after the jump...

Click to read more ...

Sunday
Jun122016

Emmy FYC: Best Supporting Actor (Drama) - Jeremy Allen White in Shameless

Emmy nomination voting begins Monday. For the next week we'll be sharing FYCs of some kind. Here's Kieran...

William H. Macy and Joan Cusack aside, “Shameless" has been criminally overlooked by the Television Academy for six years. No nominations for Emmy Rossum (praises sung here) who has been giving the best performance of her career. Nothing for Cameron Monaghan, who has given us one of the most raw and unvarnished portrayals of queer adolescence ever seen on television. Nothing for the series itself, whose balance of drama and comedy and depiction of what American poverty really looks like remain unmatched. In an age where it seems difficult to tell stories about family without a larger, high-concept twist, “Shameless” remains overlooked and underestimated, despite its aforementioned merits.

This past season, Jeremy Allen White’s portrayal of Lip, the genius eldest son of the Gallagher clan took a huge leap forward in what had already been five years of impressive work. Even amidst somewhat ridiculous plot points (Lip’s been evicted and must serve as a bartender/rentboy at a sorority house on his college campus. What’s a young, strapping cishet male to do?!) White managed to eke out his best work on the series to date as Lip’s arc slowly revealed itself in the latter half of the season. He manages to strike the perfect balance between wry and vulnerable as the character evolves and sees his brave face and defense mechanisms crashing around him...

Click to read more ...

Monday
May022016

Which actors will Oscar celebrate this year?

We've discussed Best Actress and the overall April Foolish Predictions so let's talk Best Actor & Supporting Actor

First, we have to wonder what it will take to get Tom Hanks back in Oscar's shortlist. His last two acclaimed hits have wound up with Best Supporting Actor & Best Picture nominations but Hanks was passed over in both cases. If the same thing happens with Aaron Eckhart in the co-pilot seat of Sully, the famous story of the pilot who successfully crash landed a plane on the Hudson, we'll have a bonafide trend and not just a coincidence. That's what I'm currently predicting though of course it's all fun and games now before we see the films. And before we even know about several competitors as the year doesn't really get going until the fall according to Oscar voters.

The pressure is off Birth of a Nation... at least a little bit. Several films with actors of color look promising this year, so it needn't be the sole standard bearerIn other acting category predictions, I feel confident in saying that we'll see the end of the dread #OscarsSoWhite controversy. Or, rather, the issue will persist (Hollywood having white male imbalance problems) but it will take a different shape, less focused on the Oscar's acting branch which was an easy but unfortunate scapegoat of a much larger Hollywood problem. The Acting branch has always been the most inclusive and diverse of any Oscar branch but the uproar and embarrassing photo ops of the past two years -- as well as, yes, too-defensive quotes from some famous actors themselves -- have convinced the public otherwise. With more racially diverse dramas being released this year (Fences, Birth of a Nation, A United Kingdom, Loving, Lion and possibly more)  it should be an easy fix; AMPAS members can only vote for films and performances that are eligible. My sincere hope is that we see a few Latino or Asian nominees in the mix soon so we can move past this idea that racial identity and diversity are binaries. But first people will have to start actually casting Latin and Asian actors in movies. Wouldn't that be nice. It's especially rough for Asian actors since they nearly always change their characters to white characters between source material and production.

[Tangent for Hard Core Fans: Despite the difficulty of predicting a full slate of nominees this far in advance I don't actually do a poor job of it. Even in the below the line craft lineups I tend to score two of five before we've seen any films. This sounds easy but I assure you it's not. Try it one year in April and save your list with no changes ever each time you hear news or release date shifts thereafter and see how many remain at the end of the year. Best Actor remains my best category in terms of flying that blind. In 2013 and 2015 I correctly guessed 4 of the 5 nominees this early which is really something. And in 2001 and 2008 the scores would have also been that incredible but for the business of men being nominated the next year instead. - Nathaniel]

Saturday
Apr302016

April Foolish Predictions!

It's finally complete - the first predictions of the new film year, affectionally dubbed "April Foolish Predictions" by yours truly, just under the wire before May begins. I've opted to go for a year with a lot of new blood in various categories but the supporting categories have no sure things so it's like throwing darts blindly... possibly not even towards a wall... in those categories.

Enjoy fresh charts on ACTRESS, ACTOR, SUPPORTING ACTRESS, and SUPPORTING ACTOR as well as the General Prediction Chart for a summary.

Report back!  

Monday
Apr112016

In Praise of Brendan Gleeson

For our impromptu and informal Actors Month, members of Team Experience were free to choose any actor they wanted to discuss. Here's Chris Feil... on one of our most reliable character actors. 

Though Brendan Gleeson's grounded and somewhat imposing presence have made him a staple of large budget period and genre pieces they've too often kept him on the sidelines as well. Perhaps his minor breakthrough in Braveheart (1995) is what created this typecasting bias of Gleeson as the hearty rascal. But note: it's not his aggressive frame that make him such a valuable piece of each film, it's his ability to bring human reality to films that are focusing on the very big canvas. Martin Scorsese, Anthony Minghella, Steven Spielberg, Ron Howard, Danny Boyle, just begin to scratch the surface of the director who have noticed though awards bodies have yet to truly awaken to his subtle and diverse gifts...

Click to read more ...