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DAY FOR NIGHT -another great movie about movies

I'm not sure if I like it more than 8 1/2 or Singing in the Rain, but when the majestic trumpet music plays, it reminds me of why I love cinema in the first place. The actors are terrific in this film as well. However, nothing will top Topsy-Turvy for me about the mystery,repetition, and heartbreak of the artistic process.❞ -Lars

 

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Entries in Tues Top Ten (72)

Saturday
Jul192014

Team Top Ten: Best TV to Film Adaptations of All Time

Amir here, to welcome you to another edition of Team Top Ten, a poll of all of the website’s contributors. The topic du jour given that it's Emmy season is Best Films Adaptated from TV Series.

For as long as film and TV have coexisted, their fates, stars, successes, failures and histories have been entangled. Their ever-shifting dynamic has had an immense impact on both industries. The complexity of their relationship made devising a list like this one quite difficult, beginning with the question of what really constitutes an adaptation. For example, The Holy Grail and Life of Brian are not adapted from Monty Python's The Flying Circus; they are inspired by it, but one is more inspired than the other, so we rendered the former film eligible and the latter ineligible. On the other hand, series like Mission Impossible and Naked Gun present a different type of challenge because the sequels are continuations of the original film, rather than the TV series, but we considered them eligible nonetheless. We faced another difficulty with franchises like The Addams Family and The Addams Family Values, based on a series that is itself based on comics. The extent to which the films were inspired by either source was taken into account and we considered only the former film eligible in this case though the latter has far more ardent fans among the team here.

And so on and so forth. The point is to take this list with a grain of salt and add your personal favourites in the comments below. Without further ado…

TEAM TOP TEN
BEST MOVIES OF ALL TIME INSPIRED BY TV SERIES

10. Twin Peaks: Fire Walk with Me
Unlike these days, David Lynch needed to make a film in order to portray all of the incest, rape, pedophilia, murder and drugs that his and Mark Frost’s television series mostly only alluded to. While Twin Peaks, which ran for two seasons in the early 1990s, was a woozy blend of murder mystery, soap opera, dark comedy and surrealist imagery, the film was an altogether different beast. A dark and often brutally ugly ‘horror melodrama’, it angered many fans and even filmmakers (Quentin Tarantino was not a fan). For people willing to take the plunge, however, into the dark recesses of Lynch’s mind, it is a compelling and tragic affair that remains one of the definitive directorial statements of the ‘90s. Plus, David Bowie as an FBI agent who may be a ghost. Or an alien. Or a shape-shifter. Who can tell? –Glenn Dunks

9. Mission: Impossible - Ghost Protocol
Ghost Protocol
seemed like a squeaker eligibility-wise, with the show a distant, tenuously related memory and three other movies interceding between them. But the film is one of the great pop entertainments U.S. studios have produced in recent years, dynamically edited and gorgeously shot by Robert Elswit without the self-conscious handsomeness of There Will Be Blood or Good Night, and Good Luck. With set-pieces as stunning as the Kremlin infiltration, the sandstorm chase, and everything else that happens in, on, or around the Burj Khalifa, this is top-notch, exuberant, and imaginative action filmmaking.  I liked De Palma’s gimcrackery and Abrams’ more traditional and character-driven suspenser, but Ghost Protocol is the franchise’s happiest marriage of scene construction, silliness, and star charisma (not just from Cruise, but from everybody).  Its division into discrete, flavorful sequences gives it the roaming energy of a television serial. You want to binge four more movies afterward. –Nick Davis

8 more after the jump

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Tuesday
Jul152014

Tues Top Twenty: Halfway Hotties (Best of 2014)

The power of list compels me! Yes, yes, I need to move on from halfway mark madness (we've previously covered best visuals, best acting, best sounds, and best movies) since they're already out of date and it's been so busy what with chart updates (in progress), Emmy nominations, Smackdown panel announcements, Dawn of the Planet and Apes, Boyhood. We need to be back in THE NOW. But I'm dragging my feet mostly because I really like what 2014's been giving. I'm crushing on it hard and thinking about asking it to go steady. 

This is the final halfway mark list. A shorter version of it was published in my column at Towleroad which happens to be "a site with homosexual tendencies" but I've significantly altered it for you because you are all movie mad and the best moviegoers are polysexual when it comes to lusting after big screen beauty.

Why aren't old favorites in this list?
This list is dedicated to Steve Rogers' impossibly broad shoulders and Natasha Romanoff's awesome cleavage (it was generous of Scarlett to unzip for that helicopter scene, don't you think?) but here's the thing. Doing the same shtick over and over again is not sexy. It's like choosing between missionary style and horizontal with man on top. So I've determined that people are totally ineligible if we've seen them do their character multiple times so no franchise babes that aren't newbies or signifantly altered.

Why isn't Marion Cotillard's Immigrant on this list?
Because we'd feel guilty if we lusted after beautiful Polish immigrants who are tricked into becoming sad whores to provide for their sickly sister.

20 HOTTEST ACTOR/CHARACTERS OF 2014 

 

20 Tom Hiddleston as “The Great Escapo” in Muppets Most Wanted
Boyfriend Material?: Great sense of humor. Into light bondage to spice things up. Looks fiiiiine in a pair of longjohns. Is, to date, the only performance in the Muppets 35 year franchise that’s likely to cause pervy crotch-focused gifs on the internet.
Dealbreaker: Probably in a Russian gulag for a reason

 

19 Nick Thurston as “Blue Eyes” in Dawn of the Planet of the Apes 
Boyfriend Material?: "Blue Eyes" is right... so soulful. This one's for the plushies... but not the bears. Blue Eyes hates the bears. Easily manipulated (a plus for you control freaks). Plus scars can make you strong / give you character. 
Dealbreaker: Limited conversationalist. Daddy issues.

18 more AFTER THE JUMP...

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Tuesday
Jul082014

Halfway Pt. 4: Top Ten Movies of 2014 (Thus Far)

For today's Tuesday Top Ten it's your last peek at Nathaniel's top ten list for 2014 until the official one at year's end. Only films that have already played theaters in regular release are eligible hence endearing indies like Happy Christmas (currently On Demand) or instant classics like Love is Strange or next weekend's highly raved openers (Dawn of the Planet of the Apes and Boyhood) cannot yet apply. Herewith my ten favorite pictures of 2014 thus far since we've already looked at favorite sights and favorite sounds. 

You should see all of these movies. How many will stick around for the official top ten of 2014? I haven't a clue. That's half the excitement of drawing these invisible lines in the sand and waiting with hot anticipation for the rest of the year's wonders

TOP TEN FILMS OF 2014'S FIRST HALF
(ALPHA ORDER)

BEGIN AGAIN (John Carney) 104 minutes
Weinstein Co | June 27th| Box Office Rank of 2014 (At This Moment) #85 with $1.7 million

Like a new favorite song you can't stop playing, it's hard to even suss out why it's so damn loveable. My hunch is that its ephemeral endearments are powered by the combo of writer/director John Carney's sincere musicality (he captured lightning in a bottle with Once) and Keira Knightley's wonderfully relaxed but emotionally astute work as an abandoned musician who genuinely doesn't care about fame and fortune but has lots of love for music and people... whether or not they deserve it.

CAPTAIN AMERICA 2 (Anthony & Joe Russo) 136 minutes
Marvel/Disney | April 4th | Box Office Rank of 2014 (At This Moment) #1 $257 million

The best superhero film since the genre's peak in 2004 with that Spider-Man 2 and The Incredibles double-whammy and the best yet from Marvel Studios. I've probably raved enough this year but practically everything works from performance to action to theme and especially the firm sense of identity and character work at its core (here's a fine piece on that). That sense of self saves this superhero film from the generic problems that plague its genre. [Review]

CHILD'S POSE (Calin Peter Netzer) 112 minutes 
Zeitgeist | February 19th |  Box Office Rank of 2014 (At This Moment) #170 with $97 thousand 

Romania's 2013 Oscar submission continues the super annoying but enormously familiar trend of gambling its entire US release strategy around an Oscar nomination that doesn't materialize. Which is a pity since gold statues aren't everything (Ida proves that memorable foreign films don't need any awards buzz at all to find their natural fanbases but more on that in a minute) and this arguably overripe melodrama about a rich bitch trying to cover-up her son's crime is gripping. [Review]

alien invasions, travelling nuns, and mouthy toys after the jump...

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Tuesday
Jul012014

Tuesday Top Ten: Unconventional Fourth of July Movie Selections

Glenn here with this week's Tuesday Top Ten. Wikipedia tells this Australian that the Fourth of July, Independence Day, is a day usually celebrated with “fireworks, parades, barbecues, carnivals, fairs, picnics, concerts, baseball games, family reunions and political speeches and ceremonies.” Curious that they don’t include movies since, at least since 1991 when James Cameron’s Terminator 2: Judgement Day premiered to one of the then biggest opening weekends of all time, the big July 4th blockbuster is an annual trend with the likes of Independence Day, the Transformers franchise, Superman Returns and seemingly anything starring Will Smith.

With the holiday this Friday, most lists of movies to watch over the long holiday weekend will feature masculine, almost brutish titles that celebrate America’s achievements in war and rah-rah bravura (The Patriot, Saving Private Ryan, Top Gun) or the coming of age of a nation and its people in almost gooey fashion (Field of Dreams, Forrest Gump, The Grapes of Wrath). So let's have fun and mix it up. Some of these titles are a bit off of the beaten path and others are outright bonkers, but I think they perform a somewhat patriotic service in one way or another.

TEN UNCONVENTIONAL 4TH OF JULY RECOMMENDATIONS

10. Mulholland Drive
David Lynch loves America. If we all lived in his world then people in small towns would never have to dream of moving to New York or Los Angeles because they’d all be just as interesting as each other. In Lynch’s world – predominantly the (overlapping?) universes of Twin Peaks, Blue Velvet, Lost Highway and this, arguably his magnum opus – America is full of weird people doing weird things and he wouldn’t change a thing. Mulholland Drive is the film of a director who loves his home and wants everyone to be as entranced by it as he. In Lynch’s world, the magic of the American dream is alive and well, and even if it doesn’t work out (as, let’s face it, it rarely does) then he’s going to portray it with as much dreamy, sensual beauty as possible.

9 more after the jump...

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Tuesday
Jun102014

Vintage 1964

'Year of the Month' will never have a ring to it. I know this but I love themes. Don't hate me because I'm thematical. This month we're having a 50th anniversary party for 1964... (next month it's 1989's 25th) which is a fancy way of counting down to Monday, June 30th's Supporting Actress Smackdown wherein we'll be looking at performances from Hush Hush Sweet Charlotte, The Chalk Garden, My Fair Lady, The Night of the Iquana and Zorba the Greek. 

So get to watching those movies so you can vote in the reader ballot!

But before we get to all that: 1964's vintage in list form (we did this once before for 1983 if you remember) since you always want lists, yes? Let's savor 1964's aged cinematic crop....

Best Movies According To...
Oscar: Becket, Dr Strangelove, Mary Poppins, My Fair Ladyand Zorba the Greek were the best picture nominees. They sucked up such a gigantic portion of the nominations (it must have been a record at the time) that it'd be virtually impossible to guess what the almost-rans were that year had we had the 5-10 rule in place.
Golden Globe: (drama) Becket*, The Chalk Garden, Dear Heart, Night of the Iguana, and Zorba the Greek (comedy/musical) Father Goose, Mary Poppins, My Fair Lady*, The Unsinkable Molly Brown and The World of Henry Orient
Cannes: Umbrellas of Cherbourg
Box Office: reports vary wildly on this but it's something like... 1) Mary Poppins 2) Goldfinger 3) My Fair Lady 4) The Carpetbaggers 5) Unsinkable Molly Brown with What a Way To Go!The Pink Panther, Father Goose, Good Neighbor Sam and Viva Las Vegas all posting strong numbers (I mixed the sketchy numbers from both IMDb and "Box Office Champs" a book published in 1990 before the internet *gasp*.)

Half-Century Hotties & Top Ten Actresses Born in '64 after the jump...

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