Top Ten 1960s

I still have a lot more to see from the 1960s but this top ten, more than most apart from the 1980s is a combination of films I fell for as a child on television in the 70s and 80s and films I love now as an adult. I'm bookending with two Natalie Wood features -- the first actress I ever loved -- though I recognize that they are more personal favorites than perfect films. That caveat aside I do find Bob & Carol & Ted & Alice to be grossly undervalued since it's essentiall a comedy about its time and therefore "light" and "dated" . Still, I absolutely insist, it's a wonderful wonderful light and dated thing. At the top of the list West Side Story has been my favorite film of all time for as long as I remember being conscious of movies so it'll just have to keep on being so -- it's fundamentally part of who I am -- flaws and all (and yes, I can see its flaws).

Natalie & Deneuve, the greatest of the 60s screen beauties

top ten
01 West Side Story (1961)
02 Persona (1967)
03 Psycho (1960)
04 The Sound of Music (1965)
05 Bonnie & Clyde (1967)
06 Hud (1963)
07 They Shoot Horses, Don't They? (1969)
08 [Cheating w/ a Deneuve Double] The Umbrellas of Cherbrough (1965) & Belle de Jour (1967)
09 The Manchurian Candidate (1962) 
10 Bob & Carol & Ted & Alice (1969)

pick a film, any film

i'll only be satisfied with a top 17
11 Rosemary's Baby (1968)
12 Who's Afraid of Virginia Woolf? (1966)
13 Splendor in the Grass (1961)
14 La Dolce Vita (1960)
15 Mary Poppins (1964).... coming up soon on "Hit Me..."
16 Playtime (1967)
17 Lawrence of Arabia (1962)

and affectionate nods to... 
Cleo from 5 to 7 (1962), Breathless (1961), Whatever Happened To Baby Jane? (1962), My Fair Lady (1964), 8 ½ (1963), Darling (1965), The Apartment (1960), Bay of Angels (1963), and Rachel Rachel (1968).

Which films define you and which films can't you live without... from the subcategory of the 1960s of course?

Previous Top Ten Quickies
1930s | 1950s | 1970s | 1980s | 1990s | 2010s (thus far)  
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Team Top Ten: The Greatest Comic Book Adaptations of All Time

Amir here. It’s the first Tuesday of the month and we’re back with another edition of Team Top Ten. In case you haven’t caught up with the series yet, you can see our first episode here (best new directors of the 21st century) and the second here (greatest Best Actress-losing performances). 

With the summer movie season finally upon us in full force, I thought it’d be as good a time as any to discuss what has become one of the premier ways for Hollywood to take every last penny out of collective pockets: comic books! So let’s have a look at what Team Experience considers The Greatest Comic Book Adaptations of All Time.

While spandex-and-cape-clad superheroes and over the top villains usually come to mind when “comic books” are mentioned, the range of films adapted from this source is as wide as films adapted from any other pre-existing material, really. If we had waited a year to do this poll, Blue Is the Warmest Color, Abdellatif Kechiche’s three hour, Francophone epic about a teenage lesbian love affair could have possibly made the top ten and that should tell you all you need to know about the variety of films at our disposal – and mind you, we needn’t wait for Kechiche’s Palme d’Or winner to put lesbians on our list.

For various reasons including several ties, additional weight given to films placed first on a ballot and late submissions by procrastinating Team Experience members we’ve ended up with a list of 11, but even so, we’ve had to leave out some pretty terrific titles. Last month, many of you were surprised at the absence of Glenn Close from Dangerous Liaisons on our list. I found this month’s list to be even more surprising so I’ve listed some of the curiosities of our votes in a trivia section after the list. For now, let’s get right to it with...

11. Akira (Katsuhiro Otomo, 1988)
Adapted by Katsuhiro Otomo from his own epic manga, Akira is a sprawling and hyperviolent tour through a post-apocalyptic Tokyo. It's the original "darker and grittier," set in a dystopia dominated by self-interest, whether among the city's corrupt officials or its teenage motorcycle gangs. An angry youth movie, a work of cosmic sci-fi, and a colossal audiovisual achievement, Akira was really the ideal introduction for American audiences to anime's capabilities as an art form.
-Andreas Stoehr

10 more after the jump with misfits, assassins, and superheroes galore

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Top Ten 2010s... So Far

I just spent 108 minutes catching up with Jesse and Celine. We've met them twice Before... and I spent the first 2/3rds of the movie grinning like a damn fool I was so happy to be marinating in their always passionate detour-filled conversations. It's too early to say how much I loved the movie (though I did) but it got me to thinking what an achievement this series is and got me to thinking of true movie magic and how much of it we've had lately. So while so many of my fellow critics enjoy their mad rush through Auteursville at Cannes tonight I'm remembering the time I fell in love with this movie...

...and that one

...and that one

...and that one.

Here's my ten favorite movies of the 'Teens (2010-2019) ... so far of course

the bonafide masterpieces -it'd be tough to imagine them not being on the decade best list 6 years from now
1. I Am Love (Luca Guadagnini)
2. A Separation (Asghar Farhadi)
3. The Social Network (David Fincher)

indelible achievements
4. Beasts of the Southern Wild (Benh Zeitlin)
5. The Kids Are All Right (Lisa Cholodenko)
6. Blue Valentine (Derek Cianfrance)

movie magic
7. Amour (Michael Haneke)
8. The Artist (Michel Hazanavicius)
9. Drive (Nicolas Winding Refn)

and?
10 ... let's leave this spot open for a current passion since this list is silliness until 2019 rolls around. How will Frances Ha and Before Midnight age? They'll certainly make my top ten list this year. And if they don't this will be a startlingly fine year.

And while I still have your attention you should "like" The Film Experience

Honorable Mention: Beginners, Weekend, Magic Mike, and Moonrise Kingdom
Growing?: Blue Valentine and The Fighter and Melancholia are aging well
Fading?: I admit my initial passions for both Black Swan and The Artist have cooled a bit.

Which films this young decade have already staked a claim on your 4ever heart?

Previous Top Ten Quickies
1930s | 1950s | 1970s | 1980s | 1990s

Top Ten: Cate Blanchett

Cate Blanchett in Woody Allen's "Blue Jasmine"Today is Cate Blanchett's birthday and since we just celebrated her Oscar-winning altar ego Katharine Hepburn, why not extend the love? As longtime readers know I have been notoriously cool on the Aussie star over the years equating her work with the kind of "click click click" technique-first acting that Meryl Streep was sometimes discredited for early on. But since I actually think it's interesting to hear other people talk about their favorite perfromances from actors they don't naturally respond to, I hope it will be interesting to you to hear the things I do love about Cate the to-others Great. Cate was EVERYWHERE throughout the Aughts aggravating me with her ubiquity (I have issues with this in general, I know. It's not just Cate but Hollywood's tendency, especially in the past decade, to put the same actors in every movie and wear me out on them) but after four relatively Blanchett-sparse years (2009-2012) wherein she was only doing cameos or that Robin Hood no one liked, I am actually excited to see her again. Which is a relief because they'll be no escaping her again soon...

She's coming back in a major way over the next 24 months with new pictures on the way from Terrence Malick, Woody Allen, George Clooney, and Peter Jackson. She'll cap off that new flush of activity with a blockbuster-hopeful evil queen showstopper in Kenneth Branagh's production of Cinderella. 

Here are the ten Blanchett performances of which I am most fond...

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Team Top Ten: Oscar's Greatest Losers (Actress Edition)

Hepburn won 4 Oscars. Every win leaves a trail of four lossesAmir here, to bring you our newest Team Top Ten. You may remember we tackled the best directors of the new century in our first episode and each first Tuesday of the month Nathaniel and all the contributors will vote on a new list. This time it’s all about two things I’m sure you all love as much as we do:

...Actresses & Oscar.

This is a list of the greatest performances that lost the Best Actress award. We’ve looked at the pool of 337 performances that were nominated for an Oscar in that category but failed to win and we ranked them in the order of our individual preference, irrespective of the actresses that won in any given year.

It was quite a heavy task, as you can imagine. How would you go about choosing only ten among so many stellar turns? 80 different performances managed to get at least one vote from our contributors. Actresses who have had multiple unsuccessful nominations were generally the victims of an internal spread of votes. Meryl Streep is the most glaring example, of course. Four of her performances garnered votes, but none was popular enough to make the cut. Katharine Hepburn’s performances were similarly divisive, though one of them stood head and shoulders above the rest as you will see below. There were surprising inclusions and even more surprising exclusions but the main takeaway was consensus over performances that have found their place in the critical canon. Only 6 ladies from this new century made the top 30, which is reason to rejoice, in my opinion -- old treasures aren’t forgotten just yet.

Swanson gave good face.

Nathaniel will share runners-up and some juicy trivia and stats because this experiment really deserves a lot more than a list of ten names. For now, however, here are the actresses Team Experience deems the greatest Oscar losers of all time:

THE 10 GREATEST BEST-ACTRESS-LOSING PERFORMANCES
are after the jump...

surprise! Holly Hunter made the list

10. Holly Hunter (Broadcast News, 1987)
Lost to Cher in Moonstruck

"The leads in so many romantic comedies blend together into a blandly likable blur. Not so with Holly Hunter in Broadcast News. She takes the trope of the hardworking professional woman who is great at her job but unlucky in love, and imbues her with a crackling specificity. Far from sanding down her rough edges, Hunter embraces them, from her crying jags, to her stubbornness, to her clumsy grabs at love, to that southern accent she makes no attempt to disguise. Hunter’s Jane Craig topped my ballot because she is the gold standard against which I measure all other romantic comedy performances."
- Michael C.

nine more iconic performances after the jump...

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