Entries in Matthew McConaughey (59)
Hit Me With Your Best Shot is looking at Magic Mike (2012) before strapping on possessed ballet slippers for The Red Shoes this coming Wednesday.
Due to some scheduling snafus / switcheroos this week we ended up divvying up our look back at Steven Soderberg and Channing Tatum's still undervalued but much enthused over Magic Mike (2012). So you got it in three parts, the first visual roundup (8 early bird participants), this roundup and my own choice, this weekend when I finally get myself together. It's been a looooooong week for me off blog.
The first batch of shot choices included a few takes on the Dallas/Kid training scene, and two surreal shots involving Dallas and Ken. This time it's the act of watching (Cody), the love of being watched (McConaughey), and the commodification of bodies / people.
Magic Mike (2012)
Directed by: Steven Soderbergh; Cinematography by: Steven Soderbergh as "Peter Andrews"
Channing Tatum, Joe Mangianello and Matt Bomer have been hitting the campaign trail hard (no pun intended) to build excitement for Magic Mike XXL (2015) and for our little corner of the world, we'll "help" by revisiting the original with the less hilarious title of Magic Mike (2012). I love the title Magic Mike XXL but it's a relief that XXL is not a true Roman Numeral because think of all the sequels we would have missed between 2012 and 2015 if it were?
Among the campaign efforts from the beefcake cast thus far, are online vines, marching in LA's pride parade, and Channing Tatum's highly enjoyable Reddit AMA today, which included these two moments which just delighted me (as well as a stealth dig on Jupiter Ascending).
But I digress. Due to our very complicated schedule this week (I've been busy corralling future guests as well as talking with Ann Dowd who has the whole day tomorrow to talk to you about the love of acting and The Leftovers) this is only Part One of the Magic Mike celebration and if you want to play along we'll do another roundup on Friday. But for now please to enjoy these articles from the early bird Best Shot Participants.
Magic Mike (2012)
Directed by: Steven Soderbergh; Cinematography by: Steven Soderbergh as "Peter Andrews"; Written by: Reid Carolin; Starring: Channing Tatum, Matthew McConaughey, Olivia Munn, Alex Pettyfer, Matt Bomer, Adam Rodriguez, Kevin Nash, and Joe Mangianello
MAGIC MIKE BEST SHOT(s) - PART ONE
Click on any of the 7 photos to read the corresponding blogpost
Pre-2012, Tatum was one of my least favorite actors. But in Magic Mike he finally had a vehicle that showed off his natural easy charisma...
-Sorta That Guy
Not only is it incredibly amusing, it reflects on the movie’s views on using bodies, sexuality, and images as commodities...
-Coco Hits NY
It was here that the McConaissance peaked...
- The Entertainment Junkie
True Story: In the summer of 2012, I saw Magic Mike with my sister in a movie theater in Anderson, South Carolina...
- Drink Your Juice, Shelby
There's something very Lynch-ian about this particular frame... the haunting, mysterious lightning and the positioning of Ken in a doll package...
-Hofverberg *first submission*
While the film is very much focused on its male characters, I found myself appreciating Cody Horn's seemingly maligned performance much more on a re-watch...
Are they checking each others' moves or lost in a reverie of their own reflections?
CONTINUE ON TO PART TWO - NINE MORE SHOTS (Some NSFW)
Are these Interstellar premiere ensembles simply Beyond (The Galaxy)? You decide. Hathaway and McConaughey are growing their hair out (yayyyyy/no!). Is Annie's dress representing for sci-fi's requisite AI? Is Matthew's gridlike suit a visual homage to Chris Nolan's regimented dreamscapes on Earth and in outerspace? Is the bottom of Jess's gown supposed to be like that or was this red carpet's surface covered in a thin layer of H20?
Are these red carpet looks actually film spoilers? AhhhhHAaaaHHAAAu-huhhh?
The TV critics really rolled out the red carpet for Ryan Murphy who took the non-competitive "Genius" award while two of his shows (American Horror Story: Coven and The Normal Heart) won prizes. Alison Janney also got the deluxe treatment winning supporting actress for "Mom" and guest actress for "Masters of Sex," both first season series, at this still fairly green awards show.
The new organization, an off shoot of the BFCA, mostly stuck with their favorites from last year repeating several wins like Tatiana Maslany from Orphan Black and almost everything Breaking Bad. Bryan Cranston had to step aside for Matthew McConaughey in True Detective, though. We knew that was coming and the Emmys will (probably) follow suit. Everybody in Hollywood loves a winner (a phenom we've previously discussed) so when you're winning no one wants to break your streak.
I suppose I should really watch Orphan Black. I've seen the first 4 episodes and found Maslany technically scarily gifted but the the show and supporting characters I enjoyed much much much less so. Does it improve?
The complete list of winners is after the jump....
The annual Women in Film gala, which is held today always celebrates several names but the big prize is the Crystal Award and Amy Adams will present it to Cate Blanchett for "Excellence in Film". A few months later Matthew McConaughey might well be honored with an Emmy for True Detective but even if he doesn't win that he'll be collecting will the American Cinematheque prize in October. And future fall honors aside, he was just handed another trophy by Spike TV last week as their "Guy of the Year"
In short, Oscar's Homecoming King and Queen are not yet done being showered with praise and tributes. We just saw an illustration of this afterglow effect with Bryan Cranston's Tony win for "All The Way". Did he win because he was the best in the category or because it's all the rage to honor him given the super duper success of that protracted final season of "Breaking Bad"? Wouldn't he immediately be the favorite to win the Oscar this next season if he had a substantial role in a movie, solely from all this goodwill.
Right or wrong, and the debate will forever rage, the Oscar is viewed as the pinnacle of showbiz prizes. So what's with grabbing more trophies as you ski-lift down from that peak? Aren't they redundant? Why do organizations feel the need to rubber stamp Oscar's choices instead of starting the drums for someone else. Aren't they afraid of viewer fatigue or sloppy seconds?
And, a better question, why do the actors go for it? They all seem so exhausted after awards season that you'd think they'd hide away for a few months thereafter instead of doing more monkey dances for more trophies that don't mean a great deal in the long run.
I'm curious to hear theories.