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Entries in Clint Eastwood (27)


Great Moments in... Craft Services

Clint Eastwood likes broccoli.

This report just in from the set of Sully, Clint Eastwood's latest. It is not a biopic about the star of Monsters, Inc. The 85 year old workaholic's latest project will star Tom Hanks as Captain Chesley “Sully” Sullenberger who landed a plane in the Hudson River in 2009 (remember that?) to save everyone's lives onboard. It seems a slim premise for a whole feature but maybe Clint will keep the running time short for a change? That would give him more time to squeeze in a second or third picture for 2016, you know. 


Hot Rumor Alert: The Return of Doris Day?

Doris Day a year ago when she was turning 90Clint Eastwood has supposedly convinced Doris Day to return to the movies. She hasn't been in one since... (gulp)... the summer of 1968 when the romantic comedy With Six You Get Eggroll premiered. It had a plot not entirely unlike The Brady Bunch which premiered the following year.  Day's character even had three sons she was bringing along into the new blended family.

This rumor seems suspect. If they can't convince the legend to spend even one night at an industry event honoring her, which is often the rumor in regards to the sore subject of the annual Honorary Oscar selections -- why would she be willing to spend weeks in front of a movie camera and all the promotion that that would then entail, including surely, more events than just one honoring her to promote it when it premiered!

I'm not sure I believe this rumor at all though it's cute to think of Octogenarian Eastwood strolling across the street or the lawn or what have you in Carmel to hand the 91 year old legend a movie script. Does she even remember what they look like? There's no word yet on what the movie or the role is but Clint Eastwood always has a lot of projects simmering so it could be anything. I suddenly pictured her in the cast of that probably aborted Eastwood-helmed A Star is Born remake with Beyoncé. Heh.

UPDATE: Doris Day has since denied this but then she would. 

Related Post: 200 Oldest Living Screen Stars of Note



A Star is Born Again... With Bradley Cooper as Midwife. 

A Star is Born is like the undead of showbiz movies. Every so often it rises from the grave. The oft told tale of a young actress whose star rises as her alcoholic svengali husband's star falls has four film versions What Price Hollywood? (1932) A Star is Born (1937) A Star is Born (1954) and A Star is Born (1976), the latter shifting the story to the music world instead of the movies. Incredibly ALL of them were Oscar nominated for something or other for a total of 18 Oscar nominations, 3 wins and an Honorary plaque to boot! But we've actually gone without it for quite some time now. The last version, the Streisand (critically reviled but a major hit), was a full 39 years ago so it's unsurprising that there's been talk of a remake for quite a while now. Especially considering that each version has ranged from somewhat successful to blockbuster sized and statistically you'll receive about 4 nominations and an Oscar for your troubles should you make your own.

What was surprising, apart from Oscar security, about the proposed fifth version was that Clint Eastwood was the one that wanted to do it. With Beyoncé no less! So Streisand's music-word detour for the unofficial franchise stuck... at least with ol' Clint. Despite Eastwood's Barry Allen-like speed, that ability to take a project from glimmer in his eye to finished movie in theaters in 6 months, he somehow never got it made and has now passed the project on, supposedly to...

Bradley Cooper (?) his American Sniper star. Cooper wants Beyoncé back on the project who has vacated it since it entered development hell. 

So saith several outlets and noisy funny twitter. Bradley will also star in it. Why an actor at the heighth of their white hot career would want to try directing is a little puzzling -- don't get distracted, secure your possible place in the pantheon of movie stars! -- but Coop wouldn't be the first. Costner, Gibson, Eastwood, Foster, and Jolie all moved over while they were still bankable movie stars... some to stay in that chair and lose interest in acting altogether. 

Related / Recommended:
Mike's Movie Projector found an original review from 1954 of the Judy Garland version.
TFE and you can always revisit our Best Shot episode on that classic film Or...
Nick's Flick Picks incredible piece on Judy Garland's five-star performance 


DGA Nominations: Eastwood is Fashionably Late Yet Again

The Directors Guild of America have spoken and raised the Eastwood flag yet again. The 84 year old director cruised to a nomination for his conservative military drama American Sniper. It's his fourth nomination with the DGA. He has won twice before at the DGA and also received a Lifetime Achievement Award. The Academy has nominated him even more often for directing as American Sniper will be his fifth Best Director nomination should it come to pass. Eastwood has a habit of crashing the party late. He did it in 2004 with Million Dollar Baby when everyone was preparing for an Aviator sweep. He did it in 2006 with the tiny grossing nearly black and white foreign language film Letters from Iwo Jima and he looks like he'll do it again on Thursday for American Sniper.


Wes Anderson, Grand Budapest Hotel
Clint Eastwood American Sniper
Alejandro Gonzalez Inarritu, Birdman
Richard Linklater, Boyhood
Morten Tyldum, The Imitation Game

I promised you back when the Globe nominations were first announced that the Academy would never come up with a list that good for Best Director. While we won't know the truth of my prediction until Thursday morning, the DGA choices don't bode well for a happy Thursday morning for many of us. Congratulations to the nominees but, all due respect, Eastwood & Tyldum replacing Duvernay and Fincher is trading down if we're judging by the directing jobs in question and not by legendary reputations and best picture heat respectively.

But here's something to give you hope if you're already grousing about these nominations: In Ye Olden Times (i.e. 1970 through 2008) the DGA was considered the single most predictive precursor. This was not because the DGA lineup was always Oscar's lineup for Best Director. In fact, it rarely matches 5/5 but it was called that because it was the single most predictive of the Best Picture race (not Best Director). That is no longer the case -- or if it is it's lost all meaning since there can be up to 10 nominees for Best Picture now so it's easy to call five of them. But in Ye Olden Times, i.e. up until seven years ago, today's announcement would mean that American Sniper was probably going to edge out another movie we thought was more strongly in the mix like The Theory of Everything or Selma.

Here are some recent history switcheroos from DGA to Oscar

2013 DGA (4/5) Paul Greengrass, Captain Phillips. Oscar replaced with Alexander Payne for Nebraska.
2012 DGA (2/5) Hooper, Affleck, Bigelow. Oscar replaced with Haneke, Zeitiln, and Russell
2011 DGA (4/5) Fincher, Dragon Tattoo. Oscar replaced with Malick for Tree of Life
2010 DGA (4/5) Nolan, Inception. Oscar replaced with the Coen Bros for True Grit
2009 DGA (5/5) 
2008 DGA (4/5) Nolan, Dark Knight. Oscar replaced with Stephen Daldry for The Reader
2007 DGA (4/5) Sean Penn, Into the Wild. Oscar replaced with Jason Reitman for Juno 
2006 DGA (3/5) Dayton/Faris and Condon. Oscar replaced with Greengrass and Eastwood 
2005 DGA (5/5)

There's not much of a pattern though both of the recent years with perfect matches were very much consensus years where it was the same five titles all the time. 2014 is not that kind of year. When Oscar makes a change they trade both up and down... the only throughline, and it has exceptions, is that Oscar's directing branch tends to be a little more artistically inclined than DGA's more populist tastes. So the people who didn't make it today are still in it: James Marsh has a BAFTA nod to recommend him, Ava Duvernay has a critically acclaimed resonant film, Damien Chazelle is a new boy wonder (and they love those since its the old boys club) and David Fincher is, well, David Fincher with a huge hit. One of them could surely still knock one of the DGA contenders out. But who and which?

Final predictions soon. Need some time to think on it. Thoughts?  


Best American Films & Television This Year? 

Does production money really equal nationality? The American Film Institute does many wonderful things in the world including the highly enjoyable AFI film festival in Los Angeles each year (free for movie-lovers! and not many things are) but each year I feel the side-eye urge when they announce their top Ten American films and TV programs.

They use a shifting jury each year but I always wonder how they choose those jury members because the lists often betray an obvious desire to be "relevant" when it comes to TV usually including a defining popular hit even if the quality is shit (Look, I think "trash" has a place in "best of" lists but it needs to be good trash and How to Get Away with Murder is, frankly, bad trash. Poorly written, unevenly acted. Etcetera. I watched it and wrote about it, so I know) whereas with movies they seem quite beholden to Oscar buzz each year, often opting for films that don't fit their criteria as a result (The Imitation Game is a movie about Engand, starring British actors and directed by a Norwegian) or which haven't opened; this year's top ten list, which includes 11 films so AFI is even worse at math than I am, is 36% movies that haven't opened yet. 


  • American Sniper
  • Birdman (Or, the Unexpected Virtue of Ignorance)
  • Boyhood
  • Foxcatcher
  • The Imitation Game
  • Interstellar
  • Into the Woods
  • Nightcrawler
  • Selma
  • Unbroken
  • Whiplash 

Aside from Nightcrawler you could have lifted that list from virtually any 15 wide Oscar Best Picture prediction chart (like uh my own) and simply extracted the other British film (Theory of Everything), the film that opened the longest ago because "old" things are gross (Grand Budapest Hotel), Gone Girl (even though the AFI usually does try and throw one zeitgeist blockbuster into the list so its absence is surprising and at the very wrong time when we're trying to get people to notice Carrie Coon! ) and there it is, no thought processes required beyond Oscar-watching expertise!

Here is my favorite tweet about the list from A24 Films which missed...



And my own because, you know, i WOULD waste the question this way...




  • The Americans
  • Fargo
  • Game of Thrones
  • How to Get Away With Murder
  • Jane the Virgin -keep hearing this is great. guess I should watch
  • The Knick
  • Mad Men - here's to consistent pleasure even if the half season is a cheat
  • Orange is the New Black
  • Silicon Valley
  • Transparent - brilliant. addictive

this is what i'll be remembered for ??? *shudder*

WHERE IS BOB'S BURGERS!?!?!? My heart just pooped its pants. 



National Board of Review's Most Violent Awards

Glenn here with the NBR results as they come to hand. They used to be the first awards of the season to announce their winners, but now the National Board of Review are trumped annually by the Gotham Awards and the NYFCC in the merry-go-round that is award season. I maintain that unless you're a guild, your absence is more or less moot. However, it can definitely help get your name and face out there to be acknowledged early and often. The NBR is where the likes of Moulin Rouge! and Amy Ryan made it known that they would be forces to be reckoned with. What did this 105-year-old group select this year? Let's find out...


  • Best Director: Clint Eastwood, AMERICAN SNIPER
  • Best Actor: (tie!) Oscar Isaac, A MOST VIOLENT YEAR and Michael Keaton, BIRDMAN
  • Best Actress: Julianne Moore, STILL ALICE
  • Best Supporting Actor: Edward Norton, BIRDMAN
  • Best Supporting Actress: Jessica Chastain, A MOST VIOLENT YEAR
  • Best Original Screenplay: Phil Lord & Christopher Miller, THE LEGO MOVIE
  • Best Adapted Screenplay: Paul Thomas Anderson, INHERENT VICE
  • Best Animated Feature: HOW TO TRAIN YOUR DRAGON 2
  • Special Achievement in Filmmaking: Appears to not exist this year?
  • Breakthrough Performance: Jack O'Connell, STARRED UP and UNBROKEN
  • Best Directorial Debut: Gillian Robespierre, OBVIOUS CHILD
  • Best Foreign Language Film: WILD TALES (Argentina)
  • Best Documentary: LIFE ITSELF
  • William K. Everson Film History Award: Scott Eyman
  • Best Ensemble: FURY
  • Spotlight Award: Chris Rock for writing, directing, producing and starring in TOP FIVE
  • NBR Freedom of Expression Award: SELMA and ROSEWATER

What exactly does Clint Eastwood have on these people that they give him an award for almost every single movie he makes? Best director for American Sniper and a placement on their top ten (below) seems... extravagant.



Anyway, it was a big day for A Most Violent Year winning three big prizes including best film. Will this film fall alongside the likes of Quills as a NBR best picture winner without a corresponding Oscar nomination in the same category? That super, ultra, very-very late release date still makes me worried. Whatever the case may be, the NBR loved it and good on A24. Ever the wealth-spreader, the mysterious organization liked The Lego Movie enough to give it a rather shocking (although not entirely undeserved) screenplay win and top ten placement, yet Dreamworks' How to Train Your Dragon 2 took out the animated film prize. They consolidated their breakthrough prizes into one award for handsome Jack O'Connell. Fair enough, I suppose. Meanwhile, after Jennifer Kent's win at the NYFFF and now Gillian Robespierre's win at the NBR, women directors are staking a claim to breakthrough director awards in 2014!


  • FURY

Remember, this is basically places 2-11 hence A Most Violent Year's omission. I don't claim to know how that works, but let's just roll with it. Very happy to see Nightcrawler here as now that the flurry of indie nominations have surpassed, citations for the Jake Gyllenhaal movie may be hard to come by. The rest of the list is pretty standard, although the people behind The Theory of Everything, Big Eyes, Foxcatcher, Into the Woods, Grand Budapest Hotel, Wild and Whiplash will all be a bit miffed that they didn't receive a single token nomination anywhere amidst the NBR's field. Selma, too, being stuck with that kiddie-table "Freedom of Expression" award feels like a disappointment for that team, too.

Top 5 Foreign Language Films
(In Alphabetical Order)

  • FORCE MAJEURE (Sweden)
  • LEVIATHAN (Russia)
  • TWO DAYS, ONE NIGHT (Belgium)
  • WE ARE THE BEST! (Sweden)

I think the recognition of Lukas Moodysson's ace teen movie We Are the Best! is my favourite of the NBR's choices. Way to go, NBR! Y'all should go watch it immediately. Three of these films (plus Wild Tales, their actual foreign film winner - again, confusingly) are eligible for Oscar, with the Dardennes' Two Days, One Night now appearing on multiple award lists after the NYFCC yesterday.

Top 5 Documentaries
(In Alphabetical Order)


All six documentaries cited - Life Itself won the big prize as noted up top - are on Oscar's 15-wide doc shortlist. That's some good dart-throwing, NBR!

Top 10 Independent Films
(In Alphabetical Order) 


Ignoring the pure idiocy of a list like this that makes no sense (are independent films not eligible elsewhere?), this is a good batch of flicks. Blue Ruin! I was ecstatic to see Stand Clear of the Closing Doors get an acting nomination at the Indie Spirits the other day, and now this little mention. That film is so good and I suggest y'all check it out if you can. It's small, but beautiful. Beautiful can't be used to describe Starred Up starring Ben Mendelsohn and breakthrough winner Jack O'Connell, but I'm glad it showed up, too. Likewise The Skeleton Twins and Obvious Child, two of the best comedies this year that I'm sure the Globes will ignore almost entirely.

What do you make of this year's NBR awards? I'm sure we'll have more to say about them later when Nathaniel returns from hobnobbing with Angelina Jolie and I am salivating at the thought of another hilarious podcast as they discuss Clint Eastwood's magnetic hold over the NBR, but for now did they get it right? Embarassingly wrong? Let us know!


YNMS: Tomorrowland, American Sniper, Black Sea

Tonight is the "Closing Night" of the New York Film Festival (Birdman and I'm happy to report that it's wondrous) though there are screenings tomorrow making the title only honorary, really. We'll wrap up soon with Inherent Vice and Birdman thoughts and things we learned at the fest. All the screenings and the first wave of Oscar seeking interviews (coming at'cha soon) have left us seriously behind on the matter of movie trailers / teasers so here are three which you may well have seen already but let's discuss in abbreviated Yes No Maybe So fashion.

Yes - This does what teasers, hell trailers themselves, should do: intrigues but doesn't give the game away. If only full trailers would follow suit. Come on studios: Help moviegoers rediscover a little something called curiousity. 
No - It's not really fair since he's had a couple of low key years but I'm feeling Clooney fatigue for some reason. Was it the wedding?
Maybe So -According to the vague summaries the story, about a futuristic utopia created by technology, is actually led by Britt Robertson (seen here discovering it via a magic pin) with Clooney in co-lead position as a former whiz kid she enlists to help her get back to this magical place and something something. Like I said: Vague. That's the best kind of pre-release info.


Yes - Trailers that are essentially one scene clips with flourishes round the edges to convey a movie are big "yes" moments. This scene, a sniper trying to decide whether to kill a woman or child is properly lose-lose upsetting. 
No - that tagline "the most lethal sniper in US history" paired with "12.25.14" is gross. Thanks for the coal in the stocking, Warner Bros! Merry Christmas to you, too.
Maybe So - It's a Clint Eastwood film. As you know his aesthetic is way too dreary for me to fully enjoy (even the recent musical was dreary!) but this kind of film can get away with dreary and probably should. Don't know about the banal easy juxtaposition of "American family life!" shoved aggressively into this Middle Eastern war zone via all those inserts but I like how mundane Bradley Cooper's voice sounds in this context.

Yes - Two obvious things. 1) Submarines and ocean settings in general often make for fine thrillers given the claustrophia or 'all alone in the world' madness. And 2) Jude Law, for all of the unevenness of his career, is always watchable. Isn't it great that "he's a liability" is voiced over our glimpse of Ben Mendelsohn (Animal Kingdom, The Place Beyond the Pines)? He's anything but a liability in movies but of course he is just that in context since he's so good at playing shifty/dangerous characters. Scoot McNairy is also in it.
No - A cuisinart presentation of the whole movie, albeit without grotesque spoilers just general spoilers that the men turn against each other. But we kinda figured that with the pitch in the first minute. Still, where is the hook to care about this? Or is it assumed we will through that blaring music and fast-cutting.
Maybe So -  Kevin Macdonald. Is the jury still out on him (The Last King of Scotland, The Eagle, State of Play, How I Live Now) or does everyone just expect a range from *shrug* to 'quite watchable' but never great?