Relitigating Best Actress '04

by Cláudio Alves

Are you a fan of And the Runner-Up Is? Kevin Jacobsen's podcast started as a way to look at past Best Picture races, going down Oscar history one lineup at a time. However, when every year was covered, it came time to change strategy. Going beyond the biggest category of them all, he refocused his attention on the Academy Award for Best Actress and revitalized the format along the way. Three years ago, I had the honor of guesting in the 1933 episode where we discussed Katharine Hepburn's first victory, May Robson's sentimental loveliness, and Diane Wynyard's short-lived Hollywood success story. This week, it was time to return to And the Runner-Up Is and relitigate one of the greatest Best Actress races ever. It's Swank vs Bening round two, 2004 electric boogaloo…

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Nicole Kidman Tribute: Birth (2004)

by Cláudio Alves

After her Oscar win for The Hours, Nicole Kidman's career went through some interesting somersaults. 2003 saw her bow the avant-garde cruelty of Dogville at Cannes, while Hollywood bore witness to two prestige projects whose success is debatable. The Human Stain is one of those classic "This Had Oscar Buzz" case studies, while Cold Mountain is most interesting for how it didn't secure a Best Actress nomination despite AMPAS' affection. Then came 2004, when von Trier's Brechtian film finally reached the States, and Kidman faced critical lashings as a response to her risk-taking. If not for Dogville, then for a derided broad comedy we'll discuss later in the series. And, of course, for today's subject – Birth.

Jonathan Glazer's sophomore feature was a resounding bomb with audiences and critics back in 2004, and only the Golden Globes seemed willing to recognize the genius in Nicole Kidman's work. Twenty years later, its reputation has changed…

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One For Them, One For Me: Nicole Kidman - 'The Stepford Wives' and 'Birth'

A new series by Christopher James

Nicole Kidman at the Globes for Birth. They were the only group to embrace the film

Do one for them; do one for you. If you can still do projects for yourself, you can keep your soul.
— Martin Scorsese: A Journey

This week, Nicole Kidman earned her fifth Oscar nomination for Being the Ricardos, where she plays legendary star Lucille Ball. One can’t spend over thirty years in the industry without a couple of reinventions. The Australian star rose to prominence in America when she became Mrs. Tom Cruise after Days of Thunder. The entire 90s was spent breaking out of that reductive box. It wasn’t until the summer of 2001, when Kidman divorced Cruise, that she stepped into her own as a true A-list star. The one-two-three punch of The Others, Moulin Rouge and The Hours cemented her as both a real actress and a true movie star, culminating in a win for Best Actress for The Hours. At the top of the heap, Kidman decided to take many 'One For Them, One For Me' swings. They didn't always pan out but this post-Oscar period contains some of her best work.

Before her Oscar win she's already filmed The Human Stain, Dogville and Cold Mountain. So 2004 was the year where she really used her cache to gain both cultural clout and big box office...

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