Split Decision: "Sinners"

In the Split Decision series, our writers pair up and face off on an Oscar-nominated movie one loves and the other doesn't. Tonight, LYNN LEE and NICK TAYLOR discuss Sinners.

NICK: Lynn, I think you’re one of the only people on this site - maybe in the entire world - whose opinion on Sinners I don’t know. The most nominated film in Oscar’s history deserves a volley before the big night! For my part, I think Ryan Coogler’s ambition is off the charts, and I genuinely can’t wait to see what he and his team are going to do with their blank check. The execution of that ambition, from plotting to formal execution, is very uneven to me, and I have a hard time reconciling what’s so exciting with what’s undernourished. But before I continue, please tell me what you think of Sinners!!

LYNN: Funny, I feel like I've been singing the praises of Sinners so much lately, I'm finding it difficult to avoid repeating myself!  It was my #1 movie of 2025, and I think it deserved many, if not most, of its Oscar nominations...

Click to read more ...

Split Decision: “Marty Supreme”

In the Split Decision series, our writers pair up and face off on an Oscar-nominated movie one loves and the other doesn't. Today, ABE FRIEDTANZER and CLÁUDIO ALVES discuss Marty Supreme...

ABE: In 2024, I achieved an exciting milestone: seeing all the major Oscar movies before Thanksgiving. The last one I caught was the late-breaking Timothée Chalamet movie no one had seen yet, A Complete Unknown. Since I'm not into music all that much, I was impressed but not wowed, but happy at least, even if just for prognostication purposes, to have seen a film that was going to factor into the Oscar race.

It's amusing that, one year later, the film that nearly eluded me and turned out to be close to my last one to screen was also a little-seen late-breaking Timothée Chalamet movie. The difference here, however, was that Marty Supreme had its surprise premiere at the New York Film Festival, and then I managed to RSVP for an FYC screening in mid-October in LA that disappeared from listings moments later. I got to the Academy Museum and only found my seat ten minutes after the screening was supposed to start, stunned at how popular this hard-to-see film was. I knew nothing about it other than that it was Josh Safdie's first time directing a movie on his own in many years, and Chalamet was supposed to be incredible. Several hours later, I found myself in solid agreement…

Click to read more ...

2025 in Review: Leading Ladies and Headlining Men

by Nathaniel R

Chalamet may have talked himself out of an Oscar but if he wins for "Marty Supreme", he won't be undeserving

It's finally time -- well, long past time -- to post my own ballots for Best Actress and Best Actor. As with the Supporting categories, I had to first narrow it down to a top twelve which you can see after the jump...

Click to read more ...

Split Decision: “Blue Moon”

In the Split Decision series, our writers pair up and face off on an Oscar-nominated movie one loves and the other doesn't. Tonight, CLÁUDIO ALVES and NICK TAYLOR discuss Blue Moon...

CLÁUDIO: Since I'm the one organizing the Split Decision convos, I end up trying to assign everyone at least one film they love, or like, so they have something to defend against the naysayers. Sadly, that usually means I get to fill in the grumpy contrarian roles in most of the volleys I do. Not so this year, since I made sure to assign myself Blue Moon. I caught it at TIFF right after Nouvelle Vague, ready to be disappointed as I was by Linklater's French misadventure. And yet, what I got was one of the director's best films in a while, a text besotted with the musicality of florid verbiage and performances to match. It was love at first sight. I gather your experience was very different. Please share with the class, dear Nick. 

NICK: It was not! I really wish Linklater had given Blue Moon the same stylistic care he applied to Nouvelle Vague…

Click to read more ...

Oscar Volley: “Best Actor” will be a nail-biter to the bitter end

The Oscar Volleys continue. Today, CLÁUDIO ALVES and EUROCHEESE discuss the Oscar race for Best Actor.

Timothée Chalamet in MARTY SUPREME | © A24

CLÁUDIO: Last year in movies turned out to be an odd one for me. Mostly because, when I looked at my spreadsheets and lists to make up a ballot, the male acting categories felt markedly richer than their female counterparts. This never happens, not to me, at least. Yet, here we are. And while the supporting acting races don't necessarily show this - the Supporting Actress quintet AMPAS chose is one of the strongest we've had in years, mayhap decades - the leads bear the truth of the matter quite starkly.

In other words, I'm surprisingly happy to be discussing Best Actor rather than Best Actress in this year's volleys. I'm even happier to be doing it with you, Eurocheese! Are you similarly enthused?

EUROCHEESE: Same! I could have easily filled ten Actress slots the prior year, but last year saw a slew of brilliant male leads, making the limit to five a difficult choice. I can't complain about the choices the Academy made here - all five deserve their names in this lineup...

Click to read more ...