Halfway Mark Pt 3 (Finale): Twenty-Five Favorite Performances (Continued)

by Nathaniel R

Olivia Colman in PADDINGTON IN PERU

CONTINUED FROM PREVIOUS POSTS
In part one we looked at favourite films and favourite craft achievements from January through June-ish releases. In part two we moved to the beautiful people to list 25 performances we adored in one way or another. The first dozen plus included Dakota Johnson as a conflicted matchmaker, Jack O'Connell as an Irish vampire, and Brad Pitt as a race-car driver.

Let's wrap things up now with another dozen actors including two film-stealing Oscar winners, two leading men still waiting on their first Oscar nod, and a former superhero playing against type.We'll rejoin that 'favs of the year' (thus far) list in progress with three fast-rising stars...

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Oscar Predix: Which actors will have big years?

by Nathaniel R

Jonathan Bailey in WICKED FOR GOOD

This post's titular prompt question is not quite the same as "Who will be Oscar nominated this coming winter?" but having a big year in your career never hurts in gaining awards traction... or at least momentum for a future year. Will Jonathan Bailey's suddenly A-list career (with two potential giant blockbusters in a span of five months) convince Oscar voters that his SAG nomination last year should be mirrored with an Oscar nod for Best Supporting Actor? Will Sinners cultural dominance this spring help Michael B Jordan and Delroy Lindo land their first overdue Oscar nods early next year or will the zeitgiest move on?

These are just a couple of the questions I've been asking myself about the upcoming Oscar races for Best Actor and Best Supporting Actor but there's more after the jump...

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Sundance review: Eliza Scanlen proves ecstatic anew in 'The Starling Girl'

by Jason Adams

Usually when I write about getting “representation” on-screen I’m talking about the gay stuff – like when Call Me By Your Name knocked me flat with its warmly lyrical depiction of a neurotic gayling’s first same-sex longings. And there was gay stuff at Sundance this year that I felt deep in my bones – the darkly funny internalized homophobia of Sebastián Silva’s Rotting in the Sun squarely hit the mark.  But no movie felt more like a mirror at this year’s fest than did writer-director Laurel Parmet’s debut film The Starling Girl, which explores the world of rural Christian fundamentalism with the crystal cold precision of one who barely survived that very thing. I speak from my own experience...

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