TIFF 50: Musical mayhem in "The Testament of Ann Lee"

Why do we make musicals? What compels us to sing and dance our emotions, our spirits, our many meanings? Is it the communion of making yourself heard and seen by others? Is it the need to be witnessed? Does it have anything to do with a search for what lies beyond our everyday lives, an exuberant gesture reaching toward transcendence? It could be all of these possibilities at once or none whatsoever. Perhaps it's the same thing that compelled the Quakers to shake. By telling the story of Ann Lee, the founding mother of the Shaker sect, Mona Fastvold draws parallels between the two, studying, testing, and preaching the form of the musical, much like some might proselytize the Bible's teachings.
The result is a movie musical like few others, a complicated mess of ideas and wild impulses, animated by a spirit unbound, unafraid to alienate or risk ridicule. The Testament of Ann Lee is, without a doubt, one of the most fascinating films of the fall festival season and, since experiencing it at TIFF 50, I haven't been able to stop thinking about what Fastvold wrought…