Cannes 2025: Ducournau returns and Spike Lee plays Out of Competition

by Cláudio Alves

HIGHEST 2 LOWEST will bring Denzel Washington to Cannes for the first time since 1993.

Thierry Frémaux and company have announced the 78th Cannes Film Festival lineup, with many familiar faces returning to the Main Competition. Former Palme d'Or victors Julia Ducournau and the Dardenne brothers are back in the race, while Golden Bear champion Carla Simón will present her first feature since Alcarràs took Berlin by storm. Speaking of the German fest, Richard Linklater just directed Andrew Scott to an award there and will now bow his Nouvelle Vague at the Croisette. Juliette Binoche will preside over the jury to decide these filmmakers' fates, but we're still awaiting updates regarding the other jurors.

Our own Elisa Giudici will be on the ground covering the fest for The Film Experience as she's been doing for the past few years. I'll try to offer another edition of Cannes at Home for those battling cinephile FOMO. In any case, here's the full Main Competition slate Elisa will be considering in a month's time…

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Almost There: Margaret Qualley in "The Substance"

by Cláudio Alves

In an awards season full of co-leads pretending to be supporting players, nepo babies, and festival hits, it's a wonder Margaret Qualley didn't get a nomination for her work in The Substance. Coralie Fargeat's film is up for five Oscars, being the current frontrunner in Actress and Makeup, a major triumph for a picture such as this, where body horror elements are remixed and reimagined for a made-in-France Hollywood satire. It's gross, like few star vehicles in the Academy's history, so outré as to be off-putting and bold as all hell. In that regard, its closest Oscar relative is Black Swan, whose Mila Kunis, like Qualley, got major precursor and critical support but failed to secure the AMPAS' seal of approval…

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Sundance Review: "Sunfish (and Other Stories on Green Lake)" is an Anthology Whose Parts Don’t Quite Make a Whole

by Abe Friedtanzer

Anthologies can be very appealing, probing a number of shorter tales within the span of a feature film. There are no set rules for how they have to connect or whether they really need to, but one particular place is a frequent commonality. Sometimes, however, the uniting force just isn’t all that compelling on its own, and the stories told around it don’t do much to help. There’s nothing inherently wrong with Sundance entry Sunfish (and Other Stories on Green Lake), but none of its four separate segments make much of an impression…

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Sundance Review: "Brides" is a Compelling Chronicle of Friendship with Terrific Leads

by Abe Friedtanzer

There are many stories of people running away from war zones, struggling to adjust to their new surroundings and longing for memories of home. But that’s not the sentiment everyone has, and it can be precisely the opposite for those who have never felt like they belong. Brides spotlights two best friends so disillusioned and unhappy with their lives in the United Kingdom that they decide to run away together to move to Syria and find a community that can truly appreciate them...

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Indie Spirit Revue: "Good One"

by Nick Taylor

Good One is maybe my favorite film of the seven "Firsts" nominated at the Indie Spirits. India Donaldson's story of high school senior Sam (Lily Collias) going on an annual weekend camping trip in the Catskills with her dad, Chris (James LeGros), and his friend Matt (Danny McCarthy) could not be simpler to summarize. Yet, the wrinkles and intrigue she's put into this premise - both men are in their 50's, Chris is on his second marriage with a new baby at home while Matt is currently working through divorce proceedings - are thoughtfully integrated. We briefly meet friends and family of the soon-to-be-departed, and off we go…

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