Cannes at Home: From Linklater to Ducournau

by Cláudio Alves

Between an Oscar, a Silver Bear, and THE SECRET AGENT's sterling reviews, Brazilian cinema is having a moment.
The 2025 Cannes Film Festival is almost over, so I've got to get going with this miniseries. After the directors already discussed in parts one and two, it was Richard Linklater's turn to present his latest creation. Nouvelle Vague purports to tell the making of Godard's Breathless, paying homage to the vanguard's aesthetic in a fashion some have compared to Michel Hazanavicius' Oscar-winning pastiche. Lynne Ramsay proved polarizing, as usual, with her Die, My Love, a literary adaptation that's gotten critics raving about Jennifer Lawrence and Robert Pattinson. But the best-reviewed title of this batch has to be Kleber Mendonça Filho's The Secret Agent, a period thriller of epic proportions with Wagner Moura in the leading role. Then there's Tarik Saleh's supposedly underwhelming Eagles of the Republic and Julia Ducournau's follow-up to her Palme d'Or victory. The AIDS crisis allegory Alpha divided audiences and disappointed many of the director's fans, but that's to be expected with such a provocateur.

For this chapter of Cannes at Home, I invite you to revisit Linklater's Waking Life, Ramsay's Morvern Callar, Mendonça's Aquarius, Saleh's Cairo Conspiracy, and Ducournau's Titane…

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Cannes 2025: Ducournau returns and Spike Lee plays Out of Competition

by Cláudio Alves

HIGHEST 2 LOWEST will bring Denzel Washington to Cannes for the first time since 1993.

Thierry Frémaux and company have announced the 78th Cannes Film Festival lineup, with many familiar faces returning to the Main Competition. Former Palme d'Or victors Julia Ducournau and the Dardenne brothers are back in the race, while Golden Bear champion Carla Simón will present her first feature since Alcarràs took Berlin by storm. Speaking of the German fest, Richard Linklater just directed Andrew Scott to an award there and will now bow his Nouvelle Vague at the Croisette. Juliette Binoche will preside over the jury to decide these filmmakers' fates, but we're still awaiting updates regarding the other jurors.

Our own Elisa Giudici will be on the ground covering the fest for The Film Experience as she's been doing for the past few years. I'll try to offer another edition of Cannes at Home for those battling cinephile FOMO. In any case, here's the full Main Competition slate Elisa will be considering in a month's time…

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The complete Cannes jury is finally here

by Cláudio Alves

The 76th edition of the Cannes Film Festival is scheduled for this month, from the 16th to the 27th, featuring new films from many of the world's foremost auteurs. Following recent tradition, here at The Film Experience, Elisa Giudicci will be covering the festival at the Croisette, while I'll offer parallel programming through the Cannes at Home miniseries. It's always interesting to explore works from the competing directors, be they this year's offerings or past efforts. Another point of curiosity is the end of that competition when the festival's main jury will reward one of the 21 selected directors with the Palme d'Or. We might even see a past victor repeat their triumph.

That happened at the last edition when Ruben Östlund won his second Cannes with Triangle of Sadness. So, it's only logical that he was invited to preside over this edition's jury, something we've known for weeks. The rest of the jury, however, was only revealed today…

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The Mad "Titane" Snaps

by Jason Adams

An inky black oil smudge smeared across a scarred face, big bosoms sway and heave, belly splitting up the seam, the space where sex begins to sound like a car engine revving up to eleven -- Julia Ducournau's Titane doesn't mince a breath of its runtime with anything but pedal-to-the-metal everything. Titane, the director's follow-up to her also-deranged (but somehow less so!) cannibal-drama Raw, won the Palme d'Or at this year's Cannes, a perfect signifier for the grease-fingered teetering psychosis of our age. After playing NYFF last weekend, it opens in US theaters tomorrow, October 1st.

And this movie, it is a lot!

As Raw already proved Ducournau loves a car accident (I can't imagine that David Cronenberg's Crash wasn't formative) and Titane offers up a doozy early on...

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Cannes Closing Ceremony *Live Blog*

by Nathaniel R

7:57 We begin with the awards already in progress. (It's always difficult to find a link that works here in the US. Hence the delay) The jury has arrived with their always amusing individual strut ins. The actors and actresses (Song Kang Ho, Tahar Rahim, Maggie Gyllenhaal, etc...) are always relaxed and practiced at this but the directors often look vaguely mortified that they have to display themselves -- have you ever tried walking while everyone is staring at you or you're aware a camera is on. It's disconcerting! Brazil's brilliant Kleber Mendonça Filho (Aquarius, Bacurau) is visibly uncomfortable but Spike Lee, a "star" director, in a suit of many colors, is an old pro at being in the spotlight. He addresses the crowd but since this is a French live feed you can't actually hear the English being spoken because the translators are always speaking over the English. We'll do our best to understand...

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