Cannes at Home: From Linklater to Ducournau

by Cláudio Alves

Between an Oscar, a Silver Bear, and THE SECRET AGENT's sterling reviews, Brazilian cinema is having a moment.
The 2025 Cannes Film Festival is almost over, so I've got to get going with this miniseries. After the directors already discussed in parts one and two, it was Richard Linklater's turn to present his latest creation. Nouvelle Vague purports to tell the making of Godard's Breathless, paying homage to the vanguard's aesthetic in a fashion some have compared to Michel Hazanavicius' Oscar-winning pastiche. Lynne Ramsay proved polarizing, as usual, with her Die, My Love, a literary adaptation that's gotten critics raving about Jennifer Lawrence and Robert Pattinson. But the best-reviewed title of this batch has to be Kleber Mendonça Filho's The Secret Agent, a period thriller of epic proportions with Wagner Moura in the leading role. Then there's Tarik Saleh's supposedly underwhelming Eagles of the Republic and Julia Ducournau's follow-up to her Palme d'Or victory. The AIDS crisis allegory Alpha divided audiences and disappointed many of the director's fans, but that's to be expected with such a provocateur.

For this chapter of Cannes at Home, I invite you to revisit Linklater's Waking Life, Ramsay's Morvern Callar, Mendonça's Aquarius, Saleh's Cairo Conspiracy, and Ducournau's Titane…

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"Triangle of Sadness" wins big at the Guldbagge Awards

by Nathaniel R

Sweden's Guldbagge Award, designed by Karl Axel Pehrson, looks like something out of a Cronenberg movie and we respect that. It doesn't look much like any other golden film award. It's chased in copper and enameled before the gold enters the picture. The Guidbagges were first handed out in 1964 when the late Ingmar Bergman, still Sweden's most famous auteur, took home Best Film and Best Director for The Silence. Other Swedish classics that have won the top prize include other Bergman masterpieces like Persona, Fanny & Alexander, and Cries and Whispers, arthouse auteur pics like You the Living and Border, Oscar darlings like The Emigrants, Pelle the Conquerer, and My Life as a Dog, and LGBTQ favourites like the teen lesbian drama Show Me Love and gay dance drama And Then We Danced.

This year's big winner was Oscar-nominated satire Triangle of Sadness which took home six prizes... 

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