The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
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Saturday, September 3, 2022 at 3:00PM by Nathaniel R
BOY FROM HEAVEN
In something of a surprise Sweden's shortlist for their Oscar submissions does not include the adolescent grief drama Comedy Queen or the Tehran-set serial killer film Holy Spider, which won awards at Berlinale and Cannes, respectively. Instead they'll be choosing between the following three movies...
Sunday, May 22, 2022 at 9:00PM French filmmaker Arnaud Desplechin seems to be on a downward trajectory. His new film, Brother and Sister, has been slaughtered by critics at Cannes, the worst-reviewed Main Competition title so far. For those legions who hoped this would be the year when Marion Cotillard finally won the festival's Best Actress prize, better luck next time! Tarik Saleh's Boy from Heaven was more warmly received despite some cries of conventionality. Through procedural tropes and thriller stylings, the Swedish director explores themes of corruption in Islam, a recurring motif throughout his filmography. These Cannes contenders are both directors' second 2022 pictures – Desplechin's Deception is a new MUBI release, while Saleh's The Contractor has been available for a while. Unfortunately, neither title got much in the way of critical praise.
To keep the Cannes at Home series a celebratory exercise, today's selection looks back at lauded works from these auteurs – A Christmas Tale and The Nile Hilton Incident…
Sunday, May 22, 2022 at 3:00PM by Elisa Giudici
Sometimes I wish people who plan the daily schedule of festivals would love their audiences more. Placing a Cristian Mungiu movie at the end of very long day of screenings is a challenge. Even the most hardy of festivalgoers might have trouble. Why not use a more energetic movie for the 10 PM slot like Ruben Östlund’s Triangle of Sadness? Sorry for whining a little, but sometimes the real struggle is to give every movie the right chance to shine. Revising titles after seeing them at festivals throughout the years, I've noticed that late night spots sometimes result in harsher reviews than the film deserved.
After the jump three main competition films plus the buzzy Three Thousand Years of Longing from George Miller starring Idris Elba and Tilda Swinton...
