Best International Film Reviews: Croatia, Italy, and Portugal

by Cláudio Alves

Let's continue our travels through the Best International Film Oscar submissions, with a focus on Southern European cinema this time. Specifically, today's subjects are the films from Italy, Croatia, and my beloved Portugal. This is a tale of one victor and two persevering losers who still manage to send in new films for consideration every year. While Italy is the category's reigning champion with eleven wins, Croatia and Portugal have yet to be nominated. They've never even made it into the shortlists. In the latter case, the country holds the record for the most submissions without a single nod. With great sadness in my heart, I must say that Portugal's Oscar fate is unlikely to change this season…

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Cannes at Home: Days 8 & 9 – Women in Red, the War on Drugs & French Colonialism

by Cláudio Alves

The 75th Cannes Film Festival is almost over! If there's any hope of finishing Cannes at Home before the closing ceremony, it's critical to pick up speed. So, here go two days' worth of auteurs in one go. 

The Dardennes showed their latest, Tori and Lokita, to some acclaim. However, after The Unknown Girl and Young Ahmed, I'm skeptical about the Belgian duo's tackling of immigrant stories. Mario Martone also returned to the competition, and his Nostalgia could see Perfrancesco Favino winning the festival's Best Actor trophy. In contrast, Saeed Roustayi is competing for the Palme for the first time with Leila's Brothers. All that being said, the big story from these latest festival days was surely Claire Denis' Stars at Noon. Most critics seem to hate it – some even jokingly calling for the director's retirement – while a scattering of ardent fans provides a contrarian takes. For sure, hers seems to be the most divisive film at the Croisette.

Today's Cannes at Home selection includes the Dardennes' first Palme d'Or honoree Rosetta, Martone's L'Amore Molesto, Roustayi's acclaimed Just 6.5, and Denis' debut feature Chocolat…

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