Through Her Lens (Season Finale): The 83rd Oscars + 2010s RECAP

A series by Juan Carlos Ojano. Introduction / Explanation

After Kathryn Bigelow’s historic Director win at the previous Oscars for The Hurt Locker, the 2010 roster of nominees returned to the usual all-male lineup. The eventual five were pretty much unquestioned. David Fincher was the early frontrunner for Facebook drama The Social Network. Darren Aronofsky and David O. Russell received their first nominations in this category for the psychological horror Black Swan and the sports drama The Fighter, respectively. The inclusion of the Coen Brothers was considered a semi-surprise for the late-breaking Western True Grit. Ultimately, the winner was Tom Hooper for the Best Picture-winning historical drama The King’s Speech. 

Given that context, it is still a bit discouraging to see the return to normal especially with two female-directed films also up for Best Picture: Lisa Cholodenko’s dramedy The Kids are All Right and Debra Granik’s mystery drama Winter’s Bone. Both films received four nominations, though neither secured any wins. Women were also largely absent from the Best Director conversation. Out of the 248 films included in the Reminder List of Eligible Films in 2010 (83rd Academy Awards), only 24 (9.7%) were directed/co-directed by women...

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Chart Updates: Best Picture... and how much diversity will we get in Best Director?

by Nathaniel R

Sarah Polley on the set of "Women Talking". Photographed by Michael Gibson for Orion Releasing

So what's going to get a Best Picture and who will get a Best Director nomination? The possible combinations of 10 and 5 contenders, respectively, are many. While Best Picture could well find a mix that doesn't upset too many people (10 is a lot to work with) Best Director will likely be more fraught. So let's talk Best Director first...

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Review: "Piggy" is a visceral nightmare

by Cláudio Alves

© Magnet Releasing

Somewhere in the Spanish countryside, in a small town of Extremadura, Sara lives the kind of earthly hell familiar to many of those who grew up as fat teens. Judgment comes from every direction, shame inflicted upon her until it curdles the spirit. It's not just strangers that hurt, for a casual remark from one's mother can be so lacerating it leaves a scar. Still, there's nothing worse for Sara than her peers, cruel kids who couch their hatred in vacuous assertions that they mean well, that it's for her own good. A trip to the pool for Sara becomes another opportunity for torment at the hands of mean girls, including former friends.

Nearly drowned, her clothes stolen, a humiliated Sara walks home half-naked under the summer sun. It's then that a mysterious van appears, looming ominous in her path. Inside, the girl's tormentors lay powerless, victimizers turned victims at the hands of a kidnapper cum killer. Sara sees it all, the man in charge sees her, and they both do nothing – the van drives away…

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Through Her Lens: 2011 (The 84th Oscars)

A series by Juan Carlos Ojano. Introduction / Explanation

At the 84th Oscars, the winner for Best Director was first-time nominee Michel Hazanavicius for The Artist (2011), the story of a silent film star on the verge of downfall as Hollywood transitions into the talkies. The recreation of that era's silent filmmaking became one of the more unusual Best Picture wins of recent memory. Hazanavicius was up against four men who were previous nominees in the category: Alexander Payne for the dramedy The Descendants, Terrence Malick for the art film The Tree of Life, and two previous winners in Martin Scorsese for the adventure Hugo, and Woody Allen for the period fantasy Midnight in Paris.

2011 was business as usual in the Best Director race, with no female director ever really in serious consideration. The only arguable exception was one extreme longshot early on in the conversation - Angelina Jolie for her directorial debut In the Land of Blood and Honey. Out of the 265 films included in the Reminder List of Eligible Films in 2011 (84th Academy Awards), only 19 (7.2%) were directed/co-directed by women...

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Review: Going viral with "Not Okay"

by Matt St Clair

While social media can be an outlet for networking and connection, it’s also a place of toxicity. Quinn Shephard’s new satire Not Okay heavily emphasizes the latter. In a digital age where anyone can achieve fame with viral tweets or TikTok videos, Not Okay taps into how some people, like anti-heroine Danni Sanders (Zoey Deutch), go on a demeaning search for internet clout.

Stuck with an unfulfilling photo editor job when she wants to be a writer, Danni Sanders aims to get ahead at the magazine she works for. Seeking fame and validation from everyone around her, including influencer Colin (Dylan O’Brien) who she crushes on, Danni decides to fake a trip to Paris. With just her photo skills and a change in location on her Instagram posts, Danni makes it appear she went away despite being held up in her apartment. But once a terrorist attack occurs in Paris, Danni then pretends to be one of the survivors. As you can guess, thinks get grimmer as they progress... 

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