Oscar Volley: Can the world's biggest movie star win the Best Actor race? Surely not!

The Oscar Volleys are back! Tonight, it's time for Eric Blume and Nathaniel Rogers to discuss the Best Actor race...

Leonardo DiCaprio in ONE BATTLE AFTER ANOTHER | © Warner Bros.

ERIC: Nathaniel, I feel so lucky getting you all to myself to discuss this year's Best Actor race. There are probably several candidates we have yet to see this season, but let's dive in.  

It seems to me that the one actor most guaranteed a nomination also has zero chance of actually winning: Leonardo DiCaprio for One Battle After Another. The film will have a big nomination haul, and because his performance seems to be universally beloved (as opposed to his work in Killers of the Flower Moon, where he was may be objectively bad?), I think he's in. But there's no way he's winning. Too many other candidates with overdue narratives or even flashier parts…

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TIFF 50: A Linklater Double Feature

by Cláudio Alves

Nowadays, if you're not named Hong Sang-soo, it's rare for a director to release multiple features in the same year. Rarer still for these projects to land on the main competition of two of the big three European film festivals, even winning an award when all is said and done. Well, that was the case this year for Richard Linklater, who bowed Blue Moon at Berlin and then took Nouvelle Vague to Cannes. Now, as happens with various of those fests' juiciest prospects, they are also playing at TIFF, where I had the luck to experience them back to back, finishing the day with a good old-fashioned double feature. Unfortunately, it's an unbalanced pair formed by one of the most disposable follies in the director's career and a gem seemingly composed to be seen as a minor work, that nevertheless sings the song of a major achievement…

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Oscar Predix: Which actors will have big years?

by Nathaniel R

Jonathan Bailey in WICKED FOR GOOD

This post's titular prompt question is not quite the same as "Who will be Oscar nominated this coming winter?" but having a big year in your career never hurts in gaining awards traction... or at least momentum for a future year. Will Jonathan Bailey's suddenly A-list career (with two potential giant blockbusters in a span of five months) convince Oscar voters that his SAG nomination last year should be mirrored with an Oscar nod for Best Supporting Actor? Will Sinners cultural dominance this spring help Michael B Jordan and Delroy Lindo land their first overdue Oscar nods early next year or will the zeitgiest move on?

These are just a couple of the questions I've been asking myself about the upcoming Oscar races for Best Actor and Best Supporting Actor but there's more after the jump...

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Berlinale 75: "Blue Moon" isn't your traditional biopic

by Elisa Giudici

Watching Blue Moon, I couldn’t help but think of Inside Llewyn Davis, one of the Coen brothers’ most accomplished yet underappreciated films. That movie introduced Oscar Isaac in what remains his most astonishing performance, portraying a talented but ill-fated musician who arrived just a bit too soon to achieve success. A similar fate awaited Blue Moon’s protagonist, though his story unfolds decades earlier, in 1943 New York, amid the turmoil of World War II...

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TIFF '23: Queer Way of Life

by Cláudio Alves

The 48th Annual Toronto Film Festival may have ended already, but my coverage here at The Film Experience is still going for a few more days. This time, let's talk about the program's queer offerings, highlighting three projects that range from an award-winning World Premiere to a beloved Spanish auteur's first foray into the Western genre. They are the dragged-up double feature of Sophie Dupuis' Solo, which took the Best Canadian Feature prize, and Unicorns, directed by Sally El Hosaini and James Krishna Floyd. Finally, there's Pedro Almodóvar's Strange Way of Life, bound to hit American theaters on October 4th, released by Sony Pictures Classics…

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