Berlinale's best suprise is both a debut and an Ethan Hawke showcase

by Elisa Giudici

Ethan Hawke in THE WEIGHT, which premiered at Sundance and now hits Berlin.

The most galvanizing film of this year’s Berlinale didn’t screen in competition, having opened at Sundance last month. It’s a debut  directed by an Irish editor few outside industry circles could have named a month ago. After The Weight, that anonymity will surely be temporary. Padraic McKinley (previously known for cutting mid-tier commercial fare) announces himself here with a thriller of such muscular clarity that it easily eclipses many of the films vying for the Golden Bear...

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Paul Newman @ 100: "Hud"

By Juan Carlos Ojano

Martin Ritt’s 1963 revisionist Western Hud is remembered these days for mainly two things: for Patricia Neal’s Best Actress-winning performance (one of the shortest in Oscar history) and for hailing one of Paul Newman’s seminal works as an actor, two years after his Oscar-nominated turn in The Hustler. Hud further solidified Newman’s film star persona, now with indelible iconography within an all-too American genre. However, Newman’s performance as well as the film’s overall prickliness help the film transcend surface-level memorializing...

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Three can't-miss movies directed by women on the festival circuit

our continuing adventures at TIFF with a little NYFF thrown in.

This year I made a conscious effort to see films directed by women at the Toronto International Film Festival. Nearly half of the films I screened had women behind the camera! Even though a few of them were unsatisfying, a handful were gems so praise be to TIFF that there were so many to choose from. Other festivals haven't been as inclusive. We've already discussed the tragic romance of Mary Shelley, the visually stunning The Breadwinner, the what-were-they-thinking Kings, the confounding but admirably crafted Zama, the dramatic misfire of Euphoria, and Hungary's strange and totally involving Oscar submission On Body and Soul.

I saved the three best for last. If you get a chance to see Western (playing at NYFF September 30th and October 1st), the Austrian costume drama Mademoiselle Paradis, or a hard to describe miracle from Indonesia called The Seen and the Unseen please take it. Unfortunately none currently have US release dates (though Western does apparently have some sort of stateside distribution planned for 2018). We'll take them alphabetically after the jump...

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