Oscar Contenders Sweep Through the 11th Asia Pacific Screen Awards

By Glenn Dunks

Rajkummar Rao wins BEST ACTOR for India's Oscar submission "Newton"

This past Thursday, the 11th Asia Pacific Screen Awards were held in Brisbane, Australia. The awards cover 70 countries and areas, which makes their scope even bigger than APSA's cousin the European Film Awards. Now, fair admission, working for APSA is my day job for four months of the year, but when I say what they do is so incredible and important you should know I'm not saying so out of obligation. How many award shows do you know that can honour an Australian 1920s-set western, a contemporary Georgian drama for actressexuals, and Syrian documentaries about life-saving humanitarians?

More than half of the 13 categories this year were won by films on various Oscar eligibility longlists and therefore in serious contention of nominations. While the big winner of the night for Best Feature Film was ultimately Warwick Thornton's Sweet Country of Australia, it won't be released locally until January next year so it could potentially be eligible for 2018 (his 2009 debut, which also won the Best Feature Film APSA made the foreign language shortlist). But the big country winners of the night were Georgia and Russia with three wins.

The winners are after the jump...

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Three can't-miss movies directed by women on the festival circuit

our continuing adventures at TIFF with a little NYFF thrown in.

This year I made a conscious effort to see films directed by women at the Toronto International Film Festival. Nearly half of the films I screened had women behind the camera! Even though a few of them were unsatisfying, a handful were gems so praise be to TIFF that there were so many to choose from. Other festivals haven't been as inclusive. We've already discussed the tragic romance of Mary Shelley, the visually stunning The Breadwinner, the what-were-they-thinking Kings, the confounding but admirably crafted Zama, the dramatic misfire of Euphoria, and Hungary's strange and totally involving Oscar submission On Body and Soul.

I saved the three best for last. If you get a chance to see Western (playing at NYFF September 30th and October 1st), the Austrian costume drama Mademoiselle Paradis, or a hard to describe miracle from Indonesia called The Seen and the Unseen please take it. Unfortunately none currently have US release dates (though Western does apparently have some sort of stateside distribution planned for 2018). We'll take them alphabetically after the jump...

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